It has inspired readers and listeners for millennia. The story tells of the Trojan War, fought between the Trojans, led by King Priam, and the Greeks, led by King Agamemnon. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader Agamemnon. But when the Trojan Hector kills Achilles' close friend Patroclus, he storms back into battle to take revenge—even though he knows this will ensure his own untimely death. This retelling has been shortened and illustrated for younger readers.

    It was on his travels that he found his own very real gift for healing—a gift that urged him on to become a doctor. So all consuming was his dream, that he made the perilous, unheard-of journey to Persia, to its Arab universities where he would undertake a transformation that would shape his destiny forever.

    Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

    The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

    

    Here all five volumes that make up the story are published in one volume, as White himself always wished. Exquisite comedy offsets the tragedy of Arthur′s personal doom as White brings to life the major British epic of all time with brilliance, grandeur, warmth and charm.

    With numerous illustrations. In this volume is told the story of the first crusaders. It begins with their setting out, and it ends with the death of the last survivor. Eight hundred and thirty-five years have passed since then, and the lines of these men are known to us only by the chronicles of their days. Several of these chronicles were written by men who marched with the crusaders, by two chaplains and an unknown soldier. Two other narratives were finished in Beyond the Sea after the march, and we have accounts of others who saw the crusaders pass, a princess of Byzantium, an Armenian patriarch. There is also the testimony of Arab travelers and historians of the period, and the notes of Genoese sea traders, and the saga of a Norse king. Upon these original chronicles the story in this book is based. It does not deal with the legends that grew up after the crusades. It is not history rewritten. It is the story of a dozen men, most of them leaders, who started out on that long journey-what they saw on the road, and what they did, and what befell them at the Sepulcher of Christ.

    The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his side of the story in a book William Gass called "one of the finest of our contemporary fictions."