But he was also a gifted writer -- the author of a play, two screenplays, seven books, and over 199 articles and essays. This collection presents for the first time the best of Groucho Marx's short comic pieces, written over a period of almost fifty years between 1925 and 1973 for the "The New York Times, The New Yorker, The Saturday Evening Post, Variety, The Hollywood Reporter" and other newspapers and magazines. Here is the one and only Groucho on his family, his days in vaudeville, his careeer, World War II, taxes, and other topics such as his love of a good cigar, his chronic insomnia, "Why Harpo Doesn't Talk," and "The Truth About Captain Spalding." The familar irreverence, word-play, and a dash of self-deprecation bring Groucho's wiscracking voice to life in these pages, firmly establishing him as one of the world's great humorists.

    In the first comprehensive biography of John Fante, one of the great lost souls of twentieth-century literature, Stephen Cooper untangles the enigma of an authentic American original. By turns savage and poetic, violent and full of love, such underground novels as The Road to Los Angeles; Ask the Dust; and Wait Until Spring, Bandini simultaneously reveal and disguise their author. Born in 1909 to poor Italian American parents in Colorado, Fante ventured west in 1930 to become a writer. Eventually settling in Los Angeles' faded downtown area of Bunker Hill, Fante starved between menial Depression-era jobs while writing story after story about the world he knew-full of poverty, hatred, and the madness of love. His first stories were published by H. L. Mencken in the American Mercury, but Fante also made a career in Hollywood working with the likes of Orson Welles and Darryl F. Zanuck. By the time of his death, though, he was nearly forgotten. Fortunately, readers such as Charles Bukowski began to recognize that Ask the Dust stands alongside the best work of Nathanael West and Sherwood Anderson. This exacting and vivid biography will help secure Fante's place in the American literary pantheon.

    Vic Armstrong is modest, humorous and wry - altogether brilliant company." - Roger Lewis, Daily Mail"[A] page-turner... I couldn't put it down! I had a great time reading this book and give it my highest recommendation." - Leonard Maltin"[Vic has] been this unheralded savior of movie magic for decades, and hearing how he makes the incredible credible is a must for any film fan." -  Hollywood.com "Armstrong's a fascinating guy and a straight shooter. His book is fantastic." -  Ain't It Cool News "The man is a legend in the industry... [A] mind-blowing, must-read biography." -  Movies.com "The movie memoir of the year!" -  SciFi Mafia "[Vic] talks to you like he’s your cool uncle, or the uncle you wished you had, really down to earth, but at the same time you can tell he’s got a twinkle in his eye as he’s talking..." -  Geek Six “A hell of a read.” –  Film School Rejects  "The key to an entertaining autobiography is a combination of good stories to tell and a distinctive life; Armstrong has them both." -  Library Journal "Armstrong has done it all." -  Empire  "A spills’n’thrills ride through a fast-forward life in pictures." - The Times"Armstrong takes us on the spectacular journey of his life that left me wondering who would be brave enough to play him in a movie. What a legacy! What a life! What a book!" - Geeks of Doom --Think you don’t know Vic Armstrong? Wrong! You’ve seen his work in countless films... He’s been a stunt double for James Bond, Indiana Jones and Superman, and he’s directed action scenes for three Bond movies, Mission Impossible 3, Thor, and the upcoming The Amazing Spider-Man to name but a few. Counting Harrison Ford, Steven Spielberg and Arnold Schwarzenegger among his friends, and officially credited in the Guinness Book of World Records as the World's Most Prolific Stuntman, Vic’s got a lot of amazing stories to tell, and they’re all here in this - the movie memoir of the year!

    Close-up on Sunset Boulevard features unforgettable anecdotes about every player: from silent queen Gloria Swanson in her poignant comeback to the cheerful ingenue Nancy Olson (who had never heard of the great and glamorous Gloria), from henpecked, handsome---and hungover---William Holden to the raucous writing team of Billy Wilder and Charles Brackett. Close-up on Sunset Boulevard is a fascinating, unputdownable movie history.

    But the best character Katharine Hepburn ever created was Katharine Hepburn: a Connecticut Yankee, outspoken and elegant, she wore pants whatever the occasion and bristled at Hollywood glitter. So captivating was her image that she never seemed less than authentic. But how well did we know her, really? Was there a woman behind the image who was more human, more driven, and ultimately more triumphant because of her vulnerability? William J. Mann--a cultural historian and journalist, a sympathetic admirer but no mere fan--has fashioned an intimate, often revisionist, and truly unique close-up that challenges much of what we think we know about the Great Kate. Previous biographies--mostly products of friends and fans--have recycled the stories she hid behind, taking Hollywood myths at face value. Mann goes deeper, delivering new details from friends and family who have not been previously interviewed and drawing on materials only available since Hepburn's death. With affection, intelligence, and a voluminous knowledge of Hollywood history, Mann shows us how a woman originally considered too special and controversial for fame learned the fine arts of movie stardom and transformed herself into an icon as durable and all-American as the Statue of Liberty.

    Angelic, devilish, immoral, charming, self-destructive, given to alcoholic binges, he was not what the sober world of American academe had expected. Students loved him—although after his first few encounters with them, the girls had to be protected. And he made quick friends with countless American writers, journalists, and barflies, instantly creating a pop-culture mythology of the doomed artist for the late 20th century. The man who was Thomas’ patron and guide was the young poet John Malcolm Brinnin, who watched horrified—though utterly beguiled by the poet’s charm and genius—at Thomas’ slow descent into hell. This is his harrowing account of the poet’s tragic last years.

    Filmed on a shoestring budget after hours at a convenience store, it was crude (in technique and language), realistic and, above all, hilarious. The movie's nationwide success helped launch the indepedent film boom of the 1990s and catapulted its director, Kevin Smith, to full-fledged stardom. Smith's work is explored in AN ASKEW VIEW, the first ever study of his films. John Kenneth Muir examines all of Smith's movies. including MALLRATS, CHASING AMY, and the hugely controversial and variously interpreted DOGMA. Muir discusses Smith's themes and obsessions in depth: his New Jersey boosterism, the cast of characters that pop in and out of all of his films, and the references to STAR WARS and other icons of pop culture. AN ASKEW VIEW is a fascinating and detailed history of the art of this visionary filmmaker, New Jersey's favorite local-boy-makes-good since Bruce Springsteen.

    Most of us know the man only through the characters that he has played: Roohdaar in Haider, Maqbool in the eponymous film, Rana in Piku, Saajan in The Lunchbox, and of course, Ashoke in The Namesake. Today, these characters have made him a recognized name around the world.Irrfan Khan is an intimate and meticulously researched account of this refreshingly unique and unconventional Indian icon. Drawn from personal interviews and told through many voices, Aseem Chhabra traces Irrfan’s personal and artistic life in all its many shades. Rich in detail and peppered with anecdotes, it is a fascinating look at the life and work of the actor that begins in a small household in Rajasthan and culminates in his face gazing down from billboards in Hollywood. It explores some of his greatest performances that have shown India and the world what cinema can do. At the heart of this story, however, is a man, possibly the finest actor of his generation, his passion for the craft of acting and his love for unusual characters.

    Now, their son reveals the fascinating truth about these stars, based on his own memories, interviews, and letters. Features rare photographs.

    In this new book, he applies his deft and amusing hand to the goings-on in our nation's capital.

    Apart from Richards, 'all of us were eighteen years old, though Botham seemed to have lived a bit longer - or at least more vigorously - than the rest.'In this irresistible memoir of a life lived in cricket, Vic Marks returns to the heady days when Richards and Botham were young men yet to unleash their talents on the world stage while he and Roebuck looked on in awe. After the high-octane dramas of Somerset, playing for England was almost an anti-climax for Marks, who became an unlikely all-rounder in the mercurial side of the 1980s. Moving from the dressing room to the press box, with trenchant observations about the modern game along the way, Original Spin is a charmingly wry, shrewdly observed account of a golden age in cricket.

    lived a storied life. Adored by millions over a six-decade-long career, he was considered an entertainment icon and a national treasure. But despite lifetime earnings that topped $50 million, Sammy died in 1990 near bankruptcy. His estate was declared insolvent, and there was no possibility of itever using Sammy's name or likeness again. It was as if Sammy had never existed. Years later his wife, Altovise, a once-vivacious woman and heir to one of the greatest entertainment legacies of the twentieth century, was living in poverty, and with nowhere else to go, she turned to a former federal prosecutor, Albert "Sonny" Murray, to make one last attempt to resolve Sammy's debts, restore his estate, and revive his legacy. For seven years Sonny probed Sammy's life to understand how someone of great notoriety and wealth could have lost everything, and in the process he came to understand Sammy as a man whose complexity makes for a riveting work of celebrity biography as cultural history.Matt Birkbeck's serious work of investigative journalism unveils the extraordinary story of an international celebrity at the center of a confluence of entertainment, politics, and organized crime, and shows how even Sammy's outsized talent couldn't save him from himself.

    Now available complete with an updated epilogue, it will change the way you think about Charles, his Princess and his mistress.As the Prince of Wales turned fifty at the end of 1998, the media focused on the publication of Charles: Victim or Villain?, Penny Junor’s controversial biography of the heir to England’s throne. Directing the spotlight onto ‘the three people’ in the Royal marriage, this book has turned popular understanding on its head. But although Junor’s unique insight into these endlessly intriguing relationships caused fierce speculation, even outrage, nothing has been denied. Nobody has disputed that this is the true portrait of a marriage.Sourced from those closest to the Prince, the Princess and Camilla – some of whom have never spoken before – Penny Junor explodes and explains the popular myths. The result is a provocative new portrait of the man who will be King.

    James Dean: Little Boy Lost, by Hyams, Joe with Jay Hyams

    Or a chance teenage meeting. Or maybe simply because the place touches us, embodying in its tribes, towers and history an aspect of our understanding of what it means to be human. Paris is about romantic love. Lourdes equates with devotion. New York means energy. London is forever trendy.Berlin is all about volatility.Berlin is a city of fragments and ghosts, a laboratory of ideas, the fount of both the brightest and darkest designs of history's most bloody century. The once arrogant capital of Europe was devastated by Allied bombs, divided by the Wall, then reunited and reborn as one of the creative centers of the world. Today it resonates with the echo of lives lived, dreams realized, and evils executed with shocking intensity. No other city has repeatedly been so powerful and fallen so low; few other cities have been so shaped and defined by individual imaginations.Berlin tells the volatile history of Europe's capital over five centuries through a series of intimate portraits of two dozen key residents: the medieval balladeer whose suffering explains the Nazis' rise to power; the demonic and charismatic dictators who schemed to dominate Europe; the genius Jewish chemist who invented poison gas for First World War battlefields and then the death camps; the iconic mythmakers like Christopher Isherwood, Leni Riefenstahl, and David Bowie, whose heated visions are now as real as the city's bricks and mortar. Alongside them are portrayed some of the countless ordinary Berliners who one has never heard of, whose lives can only be imagined: the Scottish mercenary who fought in the Thirty Years' War, the ambitious prostitute who refashioned herself as a baroness, the fearful Communist Party functionary who helped to build the Wall, and the American spy from the Midwest whose patriotism may have turned the course of the Cold War.Berlin is a history book like no other, with an originality that reflects the nature of the city itself. In its architecture, through its literature, in its movies and songs, Berliners have conjured their hard capital into a place of fantastic human fantasy. No other city has so often surrendered itself to its own seductive myths. No other city has been so shaped and defined by individual imaginations. Berlin captures, portrays, and propagates the remarkable story of those myths and their makers..