Instead she found terror and murder...Isolated in the Gilmartin ancestral home in Herondale, Deborah and young Carreen were left to face a nameless, unseen danger lurking in the frozen village, where only the flick of a curtain at a window or some random footprints in the snow, showed that it was inhabited at all.Alone in a house that had known violence, Deborah turned to Carreen's cousin Jeremy, as attractive as he was cynical and mysterious. But was he really a friend, or was he the enemy? In spite of Jeremy - or because of him? - Deborah found herself fighting for her life in an affair so bizarre as to shatter the silence of Herondale forever.1973 printing, with the "Ace * First in Gothics" banner at the top of the front cover.

    But a chance meeting on an international flight leads her to Wildfell, a gothic mansion north of London. At first glance, Wildfell seems like the perfect place to hide out, and Anne is intrigued by its strange atmosphere and history of disappearances and deaths. But echoing voices, ghostly mists, a mute girl with a sketchbook full of murders, and a possessive landlady force her to confront her deepest fears. Anne's budding romance with gorgeous Irish actor Bain Tierney holds her to the house. But when Wildfell tenants begin disappearing and dying, Anne must decide if she trusts Bain. Is anyone in the house who they claim to be? Or are there are other forces at work inside Wildfell? And will they ever let her leave?

    For Ellen March, buying the secluded old house nestled in the pine woods marked the start of a new life. Now she could put her failed marriage behind her, enjoy the quiet solitude of small town life, and get to know her worldly new neighbor, handsome Norman McKay... But strange visions began to cloud her mind - the shadowy figure of a woman, a ghostly white cat - and Ellen's safe haven slowly became her prison. Had she buried the past? Or had a dark legend come back to haunt her...?

     She soon discovers that both her sister and her new husband have tragically perished in a fire which destroyed their home. Alone in the bleak Norfolk brecklands, Deborah is at first forced to accept hospitality from the handsome yet forbidding widower, Sir Randall Gaunt. Yet even when Deborah later stumbles upon the warm companionship of Lord Stannard, the charming young aristocrat wooing her with such passionate urgency, the strange events that follow cause her feelings of uneasiness to grow. And then, before long Deborah becomes inextricably involved in a nightmare of unimaginable evil…

    However, General Spielsdorf does not travel alone. Moreover, his band of companions carry a secret of their own, and it is one which will likely spell disaster for any who fall prey to their urges. The General is about to discover that when werewolves and vampires clash; there can be no winners. Carmilla: A Dark Fugue - is a stand alone story which unfolds parallel to the events in Carmilla: The Wolves of Styria.

    Almost immediately, she is drawn into the family’s dark and violent history and realizes that all is not as it first appeared. Wary guests, family secrets, and unexplained events leave her questioning what is real and what is illusion.What promised to be a fabulous weekend getaway at the family’s ancestral Georgian manor quickly devolves into a nightmare. Someone has an ulterior motive for keeping her trapped there, and by the time she discovers why, it may be too late.

    A letter summons young Megan Kincaid to the house on Washington Square. In a startling interview the master of the house, Brandon Reid, informs her that he wishes her to devote herself to moody, unbalanced Jeremy, Mrs. Reid's son by her previous husband, Brandon's younger brother Dwight. Dwight Reid's brilliant career as New York District Attorney had been ended by a shocking and tragic accident with a gun--or so the newspapers had claimed--at the hands of this same guilt-ridden child, then aged seven. Against her better judgment, Megan accepts the challenge.From the beginning Megan feels uneasy in the house; she senses the presence of lurking evil, of mysterious emotional undercurrents, of relationships that are not what they appear to be. She does not know whom to trust--the haughty yet strangely sad beauty, Leslie Reid, or the somber, fascinating master of the house, whose warm voice belies his cold, grave manner. She finds herself irresistibly drawn toward him, and their growing mutual attraction is duly noted by interested members of the household. When Megan realizes fully the extent of her own feelings, she knows she cannot honorably remain in the Reid home. Yet she also knows that if she goes, Jeremy will be left alone in world, irretrievably lost.

    But how could the beautiful illegitimate child ever aspire to such a dream? The answer lay in a perilous deception. Her masquerade succeeded -- too well. Caught in a web of her own creation, Suewellyn found herself faced with a final, desperate choice between happiness and life itself . . .

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.

    In 1896, when Maisie turns 17, her visit marks a turning point. On the morning after her arrival, local fishermen make a gruesome discovery: drowned lovers, found clasped in each other's arms. It's only the first in a series of events that casts a shadow over Maisie's summer. As she considers the attentions of two very different young men, Maisie also falls under the gaze of Miss Grange, who begins to tell her disturbing stories of her past. Rich with the details, customs, and language of the era, Grange House is a wonderfully atmospheric, page-turning novel of literary suspense and romance.

    Times are hard. Anne Chatham is a clever, modest young woman with little money, no prospects for marriage, and a never-shared secret—she can see spirits. Anne finds employment as a typist at Northfield House, the grand country manor of the Wellington family. Her employer, the wheelchair-bound Mr. Wellington, is kindly. His haughty wife is not. He has two handsome sons, the wry and dashing Thomas and the dark and somber Owen. Anne feels sure her prayers have been heard. Until the terrifying night she stumbles upon a tortured spirit roaming the dark halls of Northfield, a spirit that only she can see. In a search for answers, she finds herself drawn to Owen as they unearth a tragic story from the Wellington family’s past—a beautiful young bride gone missing on her wedding day. Then tragedy strikes again on the night of a glittering masquerade ball...

    The family members talk about a curse, lights move through the ruins at night, and Kate’s maid won’t spend the night in the house. Thomas is hiding something from Kate as well, but as she grows closer to him, a series of accidents makes her suspect that someone is willing to kill to keep Wishwood’s secrets buried in the past.

    

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    They are harbingers of death. Yet when she learns her gentle cousin, Mary, has disappeared from a remote castle on the Cornish Coast, the official story doesn’t fit with Cassie’s prophetic dream. The mystery compels her to leave the safety and middle-class comfort of Oxford to take a job as a maid in the house of Killdaren. There she discovers more than the daily indignities the working class must endure. There’s a darkness surrounding Sean Killdaren, a man born with his hands at his twin’s throat. Whispers of the murderous Dragon Curse…and an aversion to daylight that adds vampire to spine-chilling rumors. When Cassie encounters him in the shadowy corridors, his touch should make her tremble in fear. But that’s not what makes her knees shockingly weak. It’s the spell of desire he casts with his wicked green eyes…and the small acts of kindness that soften her heart. The closer she comes to the truth, the greater the danger. Mary isn’t the only woman lost to the Killdaren brothers’ curse. And as a killer lurks ever closer, Cassie wonders whom she can trust…and if she will be the next victim.