The controversial follow-up to Into the Bear Pit, this title pulls no punches in discussing the substantial fall-out from the publication of James' first book, the verbal spat with Nick Faldo that led Faldo waging a campaign to have his European Tour colleague removed from the Tournament Committee, and Mark's eventual resignation as Ryder Cup assistant.

    The wizened, bird-like Inspector Cockrill of the Kent police starred in Green for Danger, one of the greatest detective novels to emerge from World War II, but The Spotted Cat is the first collection of all of the short stories about him. Five of the stories have never previously appeared in a Brand volume, and one of them is published here for the first time. The book also includes a genuine find -- a previously unpublished three-act detective drama featuring Cockrill.

    The wind tries first, but however hard it blows it fails to make any progress because the traveller simply buttons his coat even tighter than before. Only when the sun shines brightly does he finally remove it, and the wind roars away in a bad temper.

    Short story about two boxers first published in 1927.

    Bishop (co-editor of 2002's Death Dines at 8:30) serves up a delightful romp set at the Inn at Hemlock Falls, "Waiting for Gateaux," while James (Decorated to Death, the most recent entry in his Simon Kirby-Jones series) offers a cast of quirky and greedy characters in "All in the Family." In Donna Andrews's amusing "The Birthday Dinner," her series heroine, Meg Langslow, must attend a birthday dinner hosted by her Aunt Millicent, who "hasn't poisoned anyone in years." Molly Murphy, Rhys Bowen's Irish sleuth, spends her first Christmas Eve as a maid in the home of renowned political leader Sam Wilcox and finds herself involved in murder in "Proof of the Pudding." In "Sing a Song of Sixpence," Anne Perry introduces English Victorian detective Theolonius Quade and the remarkable Lady Vespasia, who discover a Christmas pudding containing more than the usual surprises. Brief author interviews and intriguing recipes at the end of each tale enhance a volume certain to delight any palate, but since poison is the weapon of choice, readers may need to let the stories digest before trying the recipes.

    Cut down by a stroke on their honeymoon, Marco has given up. He hungers only for pills and thirsts only for the fluid in the hypodermic needle.Gilly Decker has lost one husband and is about to lose another. Why, then, should she send the bright young lawyer, Tom Aragon, to the wastes of Mexico to look for her first husband? It must be all of eight years since B.J. Lockwood took off with one of the servants - so is she after B.J.'s money, B.J.'s son, or sweet revenge - and can she foresee the deadly future?

    Mark Bradley in London she was only eighteen. She and her mother were both attracted by "Brad," and the situation thus engendered proved fateful, since it led to Brad's association with a great Viennese physicist and to his involvement in a tragic drama. But there was another drama, larger and less personal, that drew him into its widening orbit, a drama that became a secret and later an obsession.Probing yet protective, Jane's love makes the strong thread in a pattern of deeply moving and significant events—strange events, too—and yet, to quote Daniel Webster, there is often "nothing so strange" as the truth.Although the earlier scenes of Nothing So Strange are laid abroad, its outlook is American and its climax could only have taken place in America. It is as exciting and as human as anything Mr. Hilton has ever written.

    And he delivers, too, a chilling invitation to the four men responsible for his conviction: ‘You four, I summon to meet me at the time appointed, at the Assize of the Dying.’The meaning of the sinister words becomes clear almost immediately with two unexpected deaths. And a young couple, convinced that an innocent man has been wrongly condemned, determine to unmask the real murderer—before he strikes again...Murder is committed, too, in ‘Aunt Helen’, a story of blind obsession and psychological suspense that starts with what looks suspiciously like the perfect crime...Two vintage tales of murder most foul from the bestselling pen of Ellis Peters.

    When Marcia Colfax and the man she loves board a ship and set off to their long-delayed happiness, their dreams are shattered by the presence of a murderer on the ship.

    There is something very familiar about Simon that brings Eleanor great peace, and Simon feels the same way. But when Eleanor's boyfriend, Abe, sees her talking to Simon, his jealousy is unleashed, and he warns her to stay away from Simon. Eleanor refuses, planning to break up with Abe - until an emergency changes her plan. But Eleanor cannot stop thinking about Simon and is shocked when he reveals a secret about their childhood years. Torn between Abe and Simon, Eleanor prays to Gott for an answer. Should she leave the possessive Abe and run to Simon?

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected — and most popular — of its kind. Assembled by best-selling suspense author Nelson DeMille, The Best American Mystery Stories 2004 contains a spectacular array of stories by mystery veterans and talented newcomers. Follow a chain reaction that saves a woman’s life, visit a house haunted by a husband’s violent killing spree, enter the high-stakes world of Las Vegas gambling, watch the line between reality and dream blur, travel with a bored salesman driven to crime, and much more. Encompassing all aspects of the genre, this year’s selections are sure to quicken pulses, send chills down the spine, and keep readers continually guessing.Bet on red / Jeff Abbott --Stonewalls / Jeffrey Robert Bowman --Height advantage / William J. Carroll, Jr. --Evolution / Benjamin Cavell --All through the house / Christopher Coake --Where beautiful ladies dance for you / Patrick Michael Finn --How Wendy Tudhope was saved from sure and certain death / Rob Kantner --Snake eyes / Jonathon King --Harvey's dream / Stephen King --Smash and grab / Michael Knight --Bank of America / Richard Lange --Lids / Tom Larsen --Low tide / Dick Lochte --The incident of the impecunious chevalier / Richard A. Lupoff --Doll: a romance of the Mississippi / Joyce Carol Oates --The swag from Doc Hawthorne's / Jack O'Connell --Best man wins / Frederick Waterman --Something about Teddy / Timothy Williams --El Rey / Scott Wolven --Green heat / Angela Zeman

    Not only does it lack the word burglar in the title, but Bernie’s not the story’s viewpoint character. It’s told entirely through the spirited and enterprising young woman whose fate it is to walk in on our lad in mid-job, all in a near-empty office building in the middle of the night. That could be pretty frightening, but hey, it’s Bernie. She’s got nothing to be afraid of, and neither do we.The story originated in the late 70s, commissioned by a women’s magazine called Savvy, with a suite of offices in the huge old Port Authority building on Ninth Avenue in Chelsea. A couple of editors decided it was an intimidating location late at night, and thought it would be a good setting for a short story, even though they hadn’t yet run any fiction. One of them knew my work, and they got in touch.I wrote the story, and they loved it and paid a decent price for it, but they never seemed to find room for it in an issue of the magazine. They kept scheduling it and changing their minds, and it seems to me they changed editors in the bargain, and after a couple of years of this they went out of business. Which was a pity, because it was an interesting publication, except for the fiction—of which, alas, there wasn’t any. My agent got the story back, and I believe he sent it over to Cosmopolitan, and no end of online sources now assure me that it ran in that magazine’s May 1983 issue.And maybe it did. Except I don’t have a copy of the magazine, and don’t think I ever saw one. I’ve seen Cosmo’s May 1983 cover, it’s not hard to find online, and they blurbed eight or nine major pieces on it, and my story is not among them. Well, really, what difference does it make? It either ran there or it didn’t, and it’s been in short story collections of mine since, including my omnibus, Enough Rope. I had to read it closely in order to format the scanned story for ePublication, and I was pleased to find that I like it a lot. I can only hope, Dear Reader, that it works as well for you.

    Reissue.