The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

    Now he bangs out honky-tonk for drunks in a dive in Philadelphia. But then two people walk into Eddie's life--the first promising Eddie a future, the other dragging him back into a treacherous past.Shoot the Piano Player is a bittersweet and nerve-racking exploration of different kinds of loyalty: the kind a man owes his family, no matter how bad that family is; the kind a man owes a woman; and, ultimately, the loyalty he owes himself. The result is a moody thriller that, like the best hard-boiled fiction, carries a moral depth charge.

    It is the story of Joe Bailey, whose young life is at a crossroads. Not only is he involved with a tough Milwaukee racketeer and two completely different women, but he is haunted by childhood trauma. Psychologically complex and told in an array of stylistic variations, it is a tour de force with a savagely ironic ending not to be soon forgotten.

    All her neighbors in the declining seaside resort town of Manduwoc want her dead. Some, like her young husband Ralph and his girlfriend Danny, want the thousands of dollars she keeps hidden under the mattress she spends her days resting on. Others want her to stop her malicious gossip--some of which could ruin lives.Told from multiple perspectives, The Kill-Off tells the story of a woman not long for this earth--but who will finally take matters into their own hands, and when? THE KILL-OFF was the basis of Maggie Greenwald's critically acclaimed film of the same name.

    Los Angeles.  In no other city do sex, celebrity, money, and crime exert such an irresistible magnetic field.  And no writer has mapped that field with greater savagery and savvy than James Ellroy.  With this fever-hot collection of reportage and short fiction, he returns to his native habitat and portrays it as a smog-shrouded netherworld where"every third person is a peeper, prowler, pederast, or pimp."From the scandal sheets of the 1950s to this morning's police blotter, Ellroy reopens true crimes and restores human dimensions to their victims.  Sublimely, he resurrects the rag Hush-Hush magazine.  And in a baroquely plotted novella of slaughter and corruption he enlists the forgotten luminaries of a lost Hollywood.  Shocking, mesmerizing, and written in prose as wounding as an ice pick, Crime Wave is Ellroy at his best.

    She is hurt and frightened. The man and woman who live there take her in. But their decency is utterly unequipped to deal with the Woman in the Dark, or with the designs of the men who want her.First published in installments in Liberty magazine [in 1933] and now rediscovered after many years, Woman in the Dark shows Dashiell Hammett at the peak of his narrative powers. With an introduction by Robert B. Parker, the author of the celebrated Spenser novels.A one-time detective and a maser of deft understatement, Dashiell Hammett virtually invented the hard-boiled crime novel.

    Marshal Raylan Givens of TV’s Justified fame), and, quite simply, some of the very best suspense novels written over the past century. Killshot is prime Leonard—a riveting story of a husband and wife caught in the crossfire when they foil a criminal act and are forced to defend themselves when the legal system fails them from the murderous wrath of a pair of vengeful killers. When it comes to cops and criminals stories, Killshot and Leonard are as good as it gets—further proof why “the King Daddy of crime writers” (Seattle Times) deserves his current place among John D. MacDonald, Dashiell Hammett, James M. Cain, and the other legendary greats of the noir fiction genre.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    It was published, and the rest is history.One Night Stands and Lost Weekends is a sterling collection of short crime fiction and suspense novelettes penned between 1958 and 1962 by a budding young master and soon-to-be Grand Master—an essential slice of genre history, and more fun than a high-speed police chase following a bank job gone bad.

    Nothing more has been heard of him. Gerry Kells, the antihero of his shocking, brutal novel, is equally mysterious. A loner with a reputation but without a visible past, Kells simply appears, arranges the lives of the Los Angeles underworld, and then is heard no more.Only the strong prosper in the world of the depression. Seemingly amoral, Kells does prosper. He strikes to survive, kills without conscience, with­out time for conscience. But he never becomes a mere killing machine. His integrity, his humanity, abides in a code demanding that he pay for all services: those rendered for him, those rendered against him.Fast paced and very readable, the novel limns a true character who should take his place in our national literature, if only for his representation of the individual will to survive in one of the toughest times in American life.

    She was never successful in this, but her Chandler-influenced novel No Good From a Corpse was so impressive in its hard-boiled dialogue that Howard Hawks insisted its author, unseen, be brought in to work on the screenplay adaption of The Big Sleep (together with a fella by the name of Faulkner.) Though Hawks was stunned to discover that Leigh was a woman, she got the job, and worked on what was probably the best film adaptation of a Chandler novel. No Good From a Corpse offers hard-boiled private eye Ed Clive, who gets involved with a dead girl, and suspects every one of her boyfriends--an ex-husband, a playboy, a blackmailer and a brute. There's a woman suspect as well, and a long chase through Sunset Strip.

    While Chicago cabbie Eddie Miles drives the city streets at midnight, two killers--one targeting prostitutes, the other cab drivers--are out plying their trade.

    Renowned for their meanness and always armed with their legendary nickel-plated colts, they patrol the streets of Harlem and attempt to keep some semblance of law and order.

    From the Academy Award-Nominated Screenwriter of BREAKFAST AT TIFFANY'S and THE MANCHURIAN CANDIDATE Comes a Breathtaking Story of Murder and Mischief...IT'S THE STORY of a big-game hunter, fisherman, fighter, visitor to Cuba, drunk, and Nobel Prize-winning author, recently deceased of a self-inflicted gunshot wound, whose final unpublished manuscript could fetch a mint...IT'S THE STORY of a short, balding man with a high-pitched voice and a vicious wit, whose cocktail parties are the talk of the town, especially when a beautiful woman dies at one of them...IT'S THE STORY of Hollywood's sexiest starlet, who manages to conceal things even when she's wearing nothing but a towel......and it's the story of Dick Sherman, intrepid New York publisher, on the trail of the literary find of the century-and the killer who will stop at nothing to keep it from being found.

    MYSTERYIncludes the following stories:Find the womanGone girlThe bearded ladyThe suicideGuilt-edged blondeThe sinister habitWild goose chaseMidnight blueSleeping dog