Contains Chandler's essay on the art of detective stories and a collection of 8 classic Chandler mysteries.

    THEY THOUGHT WRONG.It all began with the phone call asking former porn star Angel Dare to do one more movie. Before she knew it, she'd been shot and left for dead in the trunk of a car. But Angel is a survivor. And that means she'll get to the bottom of what's been done to her even if she has to leave a trail of bodies along the way...

    Now the author of the Lincoln Rhyme series has collected for the first time his award-winning, spine-tingling stories of suspense -- stories that will widen your eyes and stretch your imagination. A beautiful woman goes to extremes to rid herself of her stalker; a daughter begs her father not to go fishing in an area where there have been a series of brutal killings; a contemporary of the playwright William Shakespeare vows to avenge his family's ruin; and Jeffery Deaver's most beloved character, criminalist Lincoln Rhyme, is back to solve a chilling Christmastime disappearance. Diverse, provocative, eerie and inspired, this collection of Jeffery Deaver's best stories exhibits the amazing range and signature plot twists that have earned him the title "master of ticking-bomb suspense" (People). With nods to O. Henry and Edgar Allan Poe, these beautifully crafted pieces, never before compiled in one volume, pulse with subtle intrigue and Deaver's incomparable imagination.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    His beat is a rough New Jersey neighborhood where the drug murders blur together, until the day Victor Dunham — a twenty-year-old with a steady job and a clean record — confesses to a shooting outside a fast-food joint. It doesn't take long for Rocco's attention to turn to Victor's brother, a street-corner crack dealer named Strike who seems a more likely suspect for the crime. At once an intense mystery, and a revealing study of two men on opposite sides of an unwinnable war, Clockers is a stunningly well-rendered chronicle of modern life on the streets.

    Dennis Lehane (Mystic River, The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city—the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane’s own contribution—the longest story in the volume—is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader. In 2003, Lehane’s novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane’s best-selling 2003 novel of the same title, hits the big screen. Dennis Lehane is the author of The New York Times bestseller Mystic River (also an Academy Award–winning major motion picture); Prayers for Rain; Gone, Baby, Gone (also a major motion picture); Sacred; Darkness, Take My Hand; A Drink Before the War, which won the Shamus Award for Best First Novel; and, most recently, The Given Day. A native of Dorchester, Massachusetts, he splits his time between the Boston area and Florida.PART I: FEAR & LOATHINGLYNNE HEITMANExit InterviewFinancial DistrictDENNIS LEHANEAnimal RescueDorchesterJIM FUSILLIThe Place Where He BelongsBeacon HillPATRICIA POWELLDark WatersWatertownPART II: SKELETONS IN THE CLOSETDANA CAMERONFemme SoleNorth EndBRENDAN DUBOISThe Dark IslandBoston HarborSTEWART O'NANThe RewardBrooklineJOHN DUFRESNEThe Cross-Eyed BearSouthiePART III: VEILS OF DECEITDON LEEThe Oriental Hair PoetsCambridgeITABARI NJERIThe CollarRoxburyRUSS ABORNTurn SpeedNorth Quincy

    Among them is Vernon Smothers' son Lucas, a teenaged boy about whom only Vernon and Billy Bob know the truth. Lucas is really Billy Bob's illegitimate son, and when Lucas is arrested for murder, Billy Bob knows that he has no choice but to confront the past and serve as the boy's criminal attorney. During Lucas's trial, Billy Bob realizes that he will have to bring injury upon Lucas as well as himself in order to save his son. And as a result, Billy Bob creates enemies that are far more dangerous than any he had faced as a Texas Ranger.

    Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner.  She wants Burke to find a monster for her—so she can kill him with her bare hands.In this cauterizing thriller, Andrew Vachss's renegade investigator teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements.  Fearfully knowing, crackling with narrative tension, and written in prose as forceful as a hollow-point slug, Flood is Burke at his deadliest—and Vachss at the peak of his form.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    The two detectives soon find themselves up against institutionalised racism and the worst killers in the USA.

    But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

    Much to his horror, the future part begins to come true.

    A graduate student at Columbia University, he grew up on the streets of New York, usually on the wrong side of the law. Then he met Joe Graham, a one-armed P.I. who introduced him to the Bank, an exclusive New England institution with a sideline in keeping its wealthy clients happy and out of trouble. They pay Neal's college tuition, and Neal gets an education that can't be found in any textbook-- from learning how to trail a suspect to mastering the proper way to search a room.Now it's payback time. The Bank wants Neal to put his skills to work in finding Allie Chase, the rebellious teenage daughter of a prominent senator. The problem: Allie has gone underground in London, and to get her back, Neal has to follow her into the punk scene, a violent netherworld where drugs run rampant and rage is the name of the game. Up against punk junkies, antique book thieves, and murderous betrayal, Neal has his work cut out for him to save Allie-- and get back above ground for good.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    He's up to his third drink of the morning when an attractive young woman walks into his office and asks him to find her brother. He takes on what seems a routine missing-person case in hopes of getting to know her better, but finds himself involved in what is most definitely the wrong case. Everyone is a victim, one way or another, of a crime that took place long before the novel begins.