The book explores the influences that have affected the photo story, such as key twentieth century events and the life of photographic magazines such as Newsweek, Time, and Paris Match, all of which have helped to define the genre.

    These landmark images now have a clarity and depth not achievable in earlier editions.

    Based on ten years of original, exclusive interviews with the man himself and conversations with a legion of musical associates like Queens of the Stone Age frontman Josh Homme, DC punk legend Ian MacKaye, and Nevermind producer Butch Vig, this is Grohl's story. He speaks candidly and honestly about Kurt Cobain, the arguments that almost tore Nirvana apart, the feuds that threatened to derail the Foo Fighters's global success, and the dark days that almost caused him to quit music for good.Dave Grohl has emerged as one of the most recognizable and respected musicians in the world. He is the last true hero to emerge from the American underground. This Is a Call vividly recounts this incredible rock 'n' roll journey.

    Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato’s definition of art in The Republic, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol’s famous shipping cartons, which are visually indistinguishable from the everyday objects they represent.Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production.

    Being a prison officer was something I used to be proud of. I soon realised the truth of what its like working as a screw, though.It's afucking headache. Corruption, danger, violence. Welcome to my world.'Ronnie Thompson was just an ordinary guy. That is, until hebecame a prison officer. By the time he started work at HMP Romwell, he realised he was actually a nurse, a copper, a probation officer, a carer, a councillor, a social worker and, of course, an incarcerator all in one. Oh, and a punch bag for the cons and bosses.In SCREWED, Ronnie tells it like it is. Hereveals what really goes on behind bars-the times when force is necessary and used, and when it is unnecessary but still used.He exposes the underworld of bent screws, the drugs they traffic, the firms they work for and what they get paid for their sins.He shows how it is left down to a small group of officers to control an over-flowing prison, keep an eye out for corrupt govenors, and dodge the deluded human rights campaigners. Ultimately, he shows us that being a good screw doesnt always mean sticking to the rules...

    Here is an unforgettable testimony to the strength, beauty and brillance of the female spirit. Bursting with color, each hand painted page is both wise and wonderful.

    Rahman. This book, unique for Indian cinema, illuminates the genius of the man behind these and eighteen other masterly films. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, about his art, as well as his life before films.In these freewheeling conversations, candid, witty, pensive, and sometimes combative, many aspects of his films are explored. Mani elaborates in a personal vein on his choice of themes, from the knottiness in urban relationships (Agni Natchatiram) to the rents in the national fabric (Bombay); his directing of children (Anjali); his artful use of songs; his innovative use of lighting, as also his making films in Hindi and other languages. There are fond recollections of collaborations with stalwarts like Balu Mahendra, P.C. Sreeram, Thotta Tharani, and Gulzar, among many others. And delectable behind-the-scenes stories—from the contrasting working styles of the legendary composer Ilayaraja and Rahman to the unexpected dimensions Kamal Haasan brought to the filming of Nayakan to what Raavan was like when originally conceived. In short, like Mani Ratnam’s films, Conversations with Mani Ratnam surprises, entertains and stimulates.With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, and with posters, script pages, and numerous stills, this book is a sumptuous treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.

    Was he exactly the bold and fearless policy doctor that the troubled body politic of Malaysia needed? Or was he just another mendacious mediocrity with a record of persistent misdiagnoses, phony remedies and self-serving justifications? Only history's judgment can offer the final verdict but Dr Mahathir himself is in no doubt. In a riveting series of unprecedented conversations, Malaysia's most famous former prime minister reveals to American journalist and author Tom Plate a panoramic panoply of views on governing, on Islam, on Jews, on the West and on Malays that are striking in historical sweep and contemporary relevance.

    A mother speaks out against the fundamentalist leaders of her country. Meanwhile, her family’s watchful eyes never leave their beloved son and brother, whose rare heart condition means that he will never lead a normal life.When the Taliban gave an order for the execution of Hamed Amiri’s mother, the family knew they had to escape, starting what would be a long and dangerous journey, across Russia and through Europe, with the UK as their ultimate destination.Travelling as refugees for a year and a half, they suffered attacks from mafia and police; terrifying journeys in strangers’ cars; treks across demanding terrain; days spent hidden in lorries without food or drink; and being robbed at gunpoint of every penny they owned.The family’s need to reach the UK was intensified by their eldest son’s deteriorating condition, and the prospect of life-saving treatment it offered.The Boy with Two Hearts is not only a tale of a family in crisis, but a love letter to the NHS, which provided hope and reassurance as they sought asylum in the UK and fought to save their loved ones.

    They were born on May 11, 1811, on a bamboo mat in a small houseboat afloat on the river in the village of Meklong, located sixty miles west of Bangkok, the capital of Siam. They became world celebrities, American Citizens, married two native-born Southern sisters, and between them fathered twenty-one children, while acquiring respectable status as landowners, famers, slave owners, and pillars of their local community."They" were the famous, the first, the original Siamese Twins, Chang and Eng, and their story is told in this fascinating and remarkable book in such detail, with such enormous insight and warmth, and with such a superb sense of drama that one understands, for the first time, just how bizarre, heroic, tragic and human their lives in fact were. Linked by Nature, Chang and Eng were fated to spend their lives joined by a thick, fleshy ligament resembling an arm, five to six inches long and eight inches in circumference, that connected them at the base of their chests. Yet they could swim, perform gymnastic feats and lead "normal" lives. Together they built their own house, opened a store, became wealthy gentlemen farmers, skilled horse breakers and, when necessary, defended themselves with their fists. The most fascinating part of the story is, of course, their physical link to each other; for as Chang and Eng grew older, each dreamed of a separate life, despite the obvious risks that an operation would entail, and each feared that the death of one would cause the death of the other. Nor were their natures altogether harmonious, for each was a highly individual person—Eng, quiet, contemplative and even-tempered; Chang, hot-tempered, quarrelsome and, as he grew older, inclined to bouts of heavy drinking. Chang's insistence on going to his own house in midwinter (the brothers arranged to alternate three days in one's house and three days in the other's) eventually led to exactly the death both had feared, for Eng died, perhaps out of fright and shock, an hour after Chang's life ended.The Two is a biography of two remarkable lives, astonishing in its extraordinary descriptions of the brothers' triumph over their handicap and fascinating in its exploration of just how the Siamese Twins lived, spent their childhood, adjusted to fame, fought against being exploited by showmen, promoters and well-wishers, loved (and made love) and searched in vain for the surgical miracle that could separate them. It is a startling, original, and moving book.

    Excerpts from the Taoist classic the Chuang-tzu and the writings of Western aesthetes are complemented by over 60 photographs from the work of such canonical photographers as Henri Cartier-Bresson, Alfred Stieglitz, and Dorothea Lange. Lucid instructional text and enlightening exercises assure that photographers of all levels will be able to incorporate the lessons of the Tao into their own work.

    Amy rescues these children and provides a safe, healthy home for them.

    Eric Lax has been with Woody Allen almost every step of the way. He chronicled Allen's transformation from stand-up comedian to filmmaker in On Being Funny (1975). His international best seller, Woody Allen: A Biography (1991), was a portrait of a director hitting his stride. Conversations with Woody Allen comprised interviews that illustrated Allen's evolution from 1971 to 2008. Now, Lax invites us onto the set--and even further behind the scenes--of Allen's Irrational Man, which was released in 2015, and starred Joaquin Phoenix and Emma Stone. Revealing the intimate details of Allen's filmmaking process, Lax shows us the screenplay being shaped, the scenes being prepared, the actors, cinematographers, other crew members, the editors, all engaged in their work. We hear Allen's colleagues speak candidly about working with him, and Allen speaking with equal openness about his lifetime's work. An unprecedented revelation of one of the foremost filmmakers of our time, Start to Finish is sure to delight not only movie buffs and Allen fans, but everyone who has marveled at the seeming magic of the artistic process.

    Former prison counselor to the messianic killer, George enraged Manson as an agent of the state's criminal justice system, listened to him as a trusted confessor, spoke for him as an erstwhile press agent-and-almost-connected with him as a friend. George saw Manson in a way the public never would, witnessing the method to his madness, the charisma that underlies his sickness, the pathetic abandoned boy within the homicidal man. If you read Helter Skelter and think you know the whole story about Charlie Manson, think again. You don't know it all until you've read Taming the Beast: Charles Manson's Life Behind Bars.

    This friendly and informative guide is the essential how-to book for shooting gorgeous instant pictures with personal panache and a touch of romance. Packed with tips on how to shoot with various cameras, details about the different types of film available, advice on composition and lighting techniques, plus creative projects to transform snapshots into keepsake mementos and portfolios of beautiful images for inspiration, this is the ultimate companion for capturing instant memories.