At the height of their fame, The Nolan Sisters were one of the biggest acts around, touring with Frank Sinatra, performing at the Royal Variety Performance and travelling around the world to play for their adoring fans.Surrounded by a bevy of loving sisters, two protective brothers and parents who wanted to see their children succeed, how could Anne Nolan's childhood have been anything but idyllic? And yet behind the fairytale script - the fame and glitz lay hidden a dark family secret that has, until now, never been told.Anne's story - which starts in her birthplace Dublin and moves to the Northern club scene of Blackpool - tells of this other life - one that had to remain hidden, one of fear and pain that has cast a terrible shadow over her entire life. After so many years of silence, she has decided the time has come to speak of the brutal truth behind the carefully cultivated image, that was The Nolans.

    George Mitchell grew up in a working class family in Maine, experiencing firsthand the demoralizing effects of unemployment when his father was laid off from a lifelong job. But education was always a household priority, and Mitchell embraced every opportunity that came his way, eventually becoming the ranking Democrat in the Senate during the administrations of George H.W. Bush and Bill Clinton.Told with wit, frankness, and a style all his own, Senator Mitchell's memoir reveals many insights into the art of negotiation. Mitchell looks back at his adventures in law and politics--including instrumental work on clean air and water legislation, the Iran-Contra hearings, and healthcare reform--as well as life after the Senate, from leading the successful Northern Ireland peace process, to serving as chairman of The Walt Disney Company, to heading investigations into the use of steroids in baseball and unethical activity surrounding the Olympic Games. Through it all, Senator Mitchell's incredible stories--some hilarious, others tragic, all revealing--offer invaluable insights into critical moments in the last half-century of business, law, and politics, both domestic and international.

     Lauren Berry's bracing and emotionally charged first collection of poetry delivers visions of a gothic South that Flannery O'Connor would recognize. Set in a feverish swamp town in Florida, The Lifting Dress enters the life of a teenage girl the day after she has been raped. She refuses to tell anyone what has happened, and moves silently toward adulthood in a community that offers beauty but denies apology. Through lyric narratives, readers watch her shift between mirroring and rejecting the anxious swelter of her world, until she ultimately embraces it with the same violent affection once tendered to her.

    Afterlife is a journey from the darkness to the light again, and again, and again.This poetry collection discusses depression, anxiety, trauma flashbacks, intrusive thoughts, death, self-harm, suicidal ideations, strong language.Please practice self-care while reading this poetry collection.Please see appendix at the end of the collection for detailed page number content warnings.Also available for download on Payhip: https://payhip.com/b/hYbl

    As a young actor thrust into the spotlight as a poster girl for sexual liberation – intent on exploring the next relationship, the lowest weight and the wildest high – her path pointed her to chaos, starvation and isolation.Until – unexpectedly – she met God.In this memoir, Anna shares the story of reconciling with her body, mapping its journey from another product in a marketplace, to a vessel of inherent power and worth.Metanoia is the cry of a body broken and resurrected, the song of a bird set free.

    The eight short stories of this collection have a dual theme: Ireland - its people, its personality - and woman - woman betrayed, or sacrificed, innocence involuntarily lost, happiness stolen or mislaid..

    

    The authors celebrate the variety and complexity in the lives of modern women: from giving birth and facing death, to the whys of listening to teenagers and the wherefores of being good neighbors. Whether writing at the hearth of family concerns or in the arena of public issues, the two authors embrace honest differences as they bridge distances, seek harmony in the midst of change, and hold fast to faith.

    In “Bhagavad Gita for Beginners: The Song of God in Simplified Prose,” author Edward Viljoen uses contemporary, simplified language to bring this inspiring work to life. That which seems to be forcing people to act in selfish--even evil--ways is really the accumulation of desires coming together in a strong, irresistible appetite for self-satisfaction. These desires are rooted in the senses, and sense information can be misleading. More powerful than the senses, though, is the mind. And more powerful than the mind is the will (or intellect), and that which is above it all,--the Real Self, that part of us not deluded by the information of the sense world. The Bhagavad Gita For Beginners: The Song Of God In Simplified Prose will inspire uninitiated readers of the Bhagavad-Gita to delve into the original text, as well as bring a newly-found clarity and perspective to those already familiar with it.

    The Book of Craw -- comprised of poems and proverbs from Craw's own notebook -- is the companion volume to The Dirty Parts of the Bible: A Novel.

    Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

    Every minute there reminds her of all the reasons she left and she has no desire to reacquaint herself with her home village. Or with Rory O’Donovan, her lost love.Then, she reads her mother’s will. Her inheritance is a chest full of letters and journals, written by her grandmother and great-aunt, that answer a long held secret. Who murdered her great-uncle in the Irish Civil War.. and why? How did what an uprising for Irish freedom and independence degenerate into a bitter civil war where neighbor turned against neighbor, and family against family– leaving a legacy of lies, secrets, and silences for generations to come?As Jo unearths the bitter, buried history she shares with Rory she finally understands why their love was doomed from the start. But what about now? Can she stay true to both her heart and her heritage? She knows from her own life how the wild energy of rebellion can carry someone away… but what happens after the rising?

    

    Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham. In addressing key stakes within contemporary art, architecture, music, and the performance of male and female gender roles, Gordon provides a prescient analysis of such figures as Kelley, Glenn Branca, Rhys Chatham, Tony Oursler, and Raymond Pettibon, in addition to reflecting on her own position as a woman on stage. The result—Is It My Body?—is a collection that feels as timely now as when it was written. This volume additionally features a conversation between Gordon and Jutta Koether, in which they discuss their collaborations in art, music, and performance.