. . intellectual and religious history of late medieval and Reformation Europe.”—Christianity Today"A learned, humane, and expressive book."—Gerald Strauss, Renaissance Quarterly The seeds of the swift and sweeping religious movement that reshaped European thought in the 1500s were sown in the late Middle Ages. In this book, Steven Ozment traces the growth and dissemination of dissenting intellectual trends through three centuries to their explosive burgeoning in the Reformations—both Protestant and Catholic—of the sixteenth century. He elucidates with great clarity the complex philosophical and theological issues that inspired antagonistic schools, traditions, and movements from Aquinas to Calvin. This masterly synthesis of the intellectual and religious history of the period illuminates the impact of late medieval ideas on early modern society.

    Now he focuses on the tiny borderlands of Istria and Italy where he was born and where he has lived most intensely. From the forests of Monte Nevoso, to the hidden valleys of the Tyrol, to a Trieste café, Microcosms pieces together a mosaic of stories - comic, tragic, picaresque, nostalgic - from life's minor characters. Their worlds might be small, but they are far from minimalist: in them flashes the great, the meaningful, the unrepeatable significance of every existence.Microcosms won the Strega Prize in 1997.

    In the end, as John Keegan notes, contemporaries felt that Napoleon's defeat had "reversed the tide of European history." Even 190 years later, the name Waterloo resounds. Italian historian Alessandro Barbero's majestic new account stands apart from previous British and French histories by giving voice to all the nationalities that took part. Invoking the memories of British, French, and Prussian soldiers, Barbero meticulously re-creates the conflict as it unfolded, from General Reille's early afternoon assault on the chateau of Hougoumont, to the desperate last charge of Napoleon's Imperial Guard as evening settled in. From privates to generals, Barbero recounts individual miracles and tragedies, moments of courage and foolhardiness, skillfully blending them into the larger narrative of the battle's extraordinary ebb and flow. One is left with indelible images: cavalry charges against soldiers formed in squares; the hand-to-hand combat around farmhouses; endless cannon balls and smoke. And, finally, a powerful appreciation of the inevitability and futility of war. To be published on the 190th anniversary of Waterloo, The Battle is a masterpiece of military history.

    The variety, the complexity, the sheer humanity of the middle ages live most meaningfully in their own authentic voices." The Portable Medieval Reader assembles an entire chorus of those voices—of kings, warriors, prelates, merchants, artisans, chroniclers, and scholars—that together convey a lively, intimate impression of a world that might otherwise seem immeasurably alien. All the aspects and strata of medieval society are represented here: the life of monasteries and colleges, the codes of knigthood, the labor of peasants and the privileges of kings. There are contemporary accounts of the persecution of Jews and heretics, of the Crusades in the Holy Land, of courtly pageants, popular uprisings, and the first trade missions to Cathay. We find Chaucer, Petrarch, Boccaccio, Saint Francis of Assisi, Thomas Aquinas and Abelard alongside a host of lesser-known writers, discoursing on all the arts, knowledge and speculation of their time. The result, according to the Columbia Record, is a broad and eminetly readable "cross section of source history and literature...as rich and varied as a stained glass window."

    In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth - the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains - the Renaissance.

    Barbara Tuchman anatomizes the century, revealing both the great rhythms of history and the grain and texture of domestic life as it was lived.

    He explains how the mafia began, how it responds to threats and challenges, and introduces us to the real-life characters that inspired the American imagination for generations, making the mafia an international, larger than life cultural phenomenon. Dickie's dazzling cast of characters includes Antonio Giammona, the first "boss of bosses''; New York cop Joe Petrosino, who underestimated the Sicilian mafia and paid for it with his life; and Bernard "the Tractor" Provenzano, the current boss of bosses who has been hiding in Sicily since 1963.

    Since then, a number of historians have built on Jonathan Riley-Smith's original conclusions. Now in its fourth edition, this classic starting point for the study of the crusading movement has been updated to take into account the latest developments in the field.What Were the Crusades?   elucidates key ideas and institutions which have been neglected in the past   demonstrates, through the analysis of European campaigns, that the movement was not confined to expeditions launched to recover the Holy Land - or to defend the Christian presence there - and shows that it continued, in one form or another, into the eighteenth century and perhaps beyond   draws attention to the increasing interest of historians in the motivation of crusaders   now includes material on a child crusader and concludes with a short discussion of the current effects of aggressive Pan-Islamism   features a new map illustrating the different theatres of war       Original in its conception, this essential guide is a contribution of major importance to crusading scholarship. In its clear and concise treatment of the issues, it remains an unequalled introduction to the subject for students and general readers alike.

    Focusing on the village of Elton, in the English East Midlands, the Gieses detail the agricultural advances that made communal living possible, explain what domestic life was like for serf and lord alike, and describe the central role of the church in maintaining social harmony. Though the main focus is on Elton, c. 1300, the Gieses supply enlightening historical context on the origin, development, and decline of the European village, itself an invention of the Middle Ages.Meticulously researched, Life in a Medieval Village is a remarkable account that illustrates the captivating world of the Middle Ages and demonstrates what it was like to live during a fascinating—and often misunderstood—era.

    Before his astonishing career had ended, he had conquered half of Europe and his armies had marched through Italy, Germany, and Spain. In a glittering Christmas Day ceremony in Rome, in the year 800, he was crowned the new Holy Roman Emperor. More than the heroic conqueror of Western Europe, Charlemagne was an intense and thoughtful human being. His succession of five wives brought him a palace full of children. So warm was his love for his daughters that he could never bear to see them married away from the court, even though enticing alliances with other rulers were offered them. A deeply religious man, Charlemagne became the protector of orthodox Christianity against medieval heresies. A patron of learning, he established schools and brought artists and scholars to his court to work and study. As a result, most classical literature comes down to us in copies of books made in Charlemagne's time. Here, from National Book Award winner Richard Winston, is his remarkable story.

    The result is a superb work of history through which these six women become as memorable for their own achievements--and mistakes--as they have always been for their fateful link to Henry VIII. Illustrations.

    

    Dr. Plumb’s impressive and provocative narrative is accompanied by contributions from leading historians, including Morris Bishop, J. Bronowski, Maria Bellonci, and many more, who have further illuminated the lives of some of the era’s most unforgettable personalities, from Petrarch to Pope Pius II, Michelangelo to Isabella d'Este, Machiavelli to Leonardo. A highly readable and engaging volume, THE ITALIAN RENAISSANCE is a perfect introduction to the movement that shaped the Western world.

    Actually, it was Only the Beginning... Welcome to the Year 1000. This is What Life was Like. How clothes were fastened in a world without buttons, p.10 The rudiments of medieval brain surgery, p.124 The first millennium's Bill Gates, p.192 How dolphins forecasted weather, p.140 The recipe for a medieval form of Viagra, p.126 Body parts a married woman had to forfeit if she committed adultery, p.171 The fundamental rules of warfare, p.154 How fried and crushed black snails could improve your health, p.127 And much more...

    Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature.The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste.Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.