K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

    She’s nice. Too nice to be a police officer, if she’s honest.She is also one of the most respected criminal analysts in the country, and finds herself in a cold northern town assigned to Donald Murphy’s team, investigating the kidnap-murders of two young women—both strikingly similar in appearance. Now a third has been taken, and they have less than a week to chip away the secrets of a high-society family, and uncover the killer’s objective.But Richard—the father of the latest victim—believes the police are not moving quickly enough, so launches a parallel investigation, utilising skills honed in a dark past that is about to catch up with him. As Richard’s secret actions hinder the police, Alicia remains in contact with him, and even starts to fall for his charms, forcing her into choices that will impact the rest of her life.

    Funny, sad, but always shocking, each tale carries a twist that will haunt readers for days after they turn the final page . . .This 25,000 word collection, available exclusively in this ebook edition, includes:12 Bolingbroke Avenue (First published in 1998)Number Thirteen (First published in 2010)Just Two Clicks (First published in 2004)Dead on the Hour (First published in 2006)Virtually Alive (First published in 1997)Meet Me at the Crematorium (First published in 2009)Venice Aphrodisiac (First published in 2011)Time Rich (First published in 2013)Christmas is for the Kids (First published in 1993)

    until obsession with a killer drove him further from his family. That life was left behind, until today. Now a part-time PI, a familiar string of murders is pulling him back into the cycle. Mason must choose between bringing the killer to justice or remaining a humble family man. With his marriage on the line, the police seek his knowledge of the unsolved case, to help identify and track down the psychopath. But now he's too close to the Lullaby Killer, who is driven to have a little fun... at Mason's expense.

    Yet before year's end three returned, and returned damaged. In 2015, a brutal murder forces those three men, now in their sixties, to journey back to London and finally confront the dark truth they have run from for five decades. Runaway is a crime novel covering fifty years of friendships solidified and severed, dreams shared and shattered and passions lit and extinguished; set against the backdrop of two unique and contrasting cities at two unique and contrasting periods of recent history.

    007, is sent to France to play in a high-stakes baccarat game in an effort to take down Le Chiffre, a financier for the villainous SMERSH. Things get more complicated when he is partnered with Vesper Lynd, a beautiful and smart MI6 employee with a dark secret. Bond is one of the most iconic characters in 20th-century literature. In addition to the 12 novels and 9 short stories written by Ian Fleming, there have been over 40 novels and short stories written about the spy by other authors, and over 25 blockbuster films starring such actors as Sean Connery and Daniel Craig.Here's the first.

    Ryan appears to be the perfect future son-in-law. There's just one problem. There's something off about Ryan. Something hidden in the shadows behind his eyes. And it seems that only Ed can see it.Terrified that his daughter is being drawn in by a psychopath, Ed sets out to uncover her fiancé's dark past - while keeping his own concealed. But no-one believes him. And the more he digs, the more he alienates her and the rest of the family who are convinced that Ryan is 'the one'.Ed knows different. For reasons of his own, he knows a monster when he sees one...

    There was Michael Chabon's The Final Solution in which "the old man," an 89-year-old beekeeper in Sussex is undoubtedly Holmes. Laurie King, a fine mystery writer, has appropriated Holmes and created a romance between him and young Mary Russell which has lasted through several enjoyable books. And now, nonagenarian Holmes reappears, most appealingly, in Mitch Cullin's A Slight Trick of the Mind. He is frail and forgetful but still observant and capable of shining the bright light of his insight and brilliance on events both past and present.Cullin has carefully woven three stories together and managed it so neatly that no threads show--worthy of Holmes himself. The first is the story of Holmes's recent return from a trip to Japan, ostensibly in search of prickly ash, a bush that he believes contributes to healthy longevity, as does his beloved and trusted royal jelly. While there, he is met by his correspondent, Mr. Umezaki, who isn't as interested in prickly ash as in gleaning information from Holmes about his long-gone father. Supposedly, they met many years before, in London, and Holmes advised him not to return home. Of course, Holmes has no recollection of the meeting but finesses it nicely.It is 1947 when they visit Hiroshima, post-atomic bomb, and Holmes marvels at what he sees. He compares it, most poignantly, to the loss of the queen in a hive, "when no resources were available to raise a new one. Yet how could he explain the deeper illness of unexpressed desolation, that imprecise pall harbored en masse by ordinary Japanese?" That is what he tells Roger, the 14-year-old son of his housekeeper. Roger is the second thread of the novel. Holmes is introducing him to beekeeping and Roger proves an apt student. His hero-worship of Holmes and his need for a father form an integral part of Cullin's intention of "humanizing" the great Sherlock Holmes.The final thread is revealed in a journal that Holmes kept, in which he entered an encounter with a married woman, many years ago. He is infatuated with her, and hardly knows what to call it or what to make of his feelings. This is unfamiliar territory for the man who is rational above all else. The man we know at the end of the book makes the reader want another installment, showing a new Sherlock with a heart as well as a brain.(Amazon Review)

    Who is he? Who was he? Who owns him? Who trained him? Secrets of state are at risk. As the truth about Pym gradually emerges, the reader joins Pym's pursuers to explore the unsettling life and motives of a man who fought the wars he inherited with the only weapons he knew, and so became a perfect spy.

    But when the killer is let off with time served on remand, Gray knows there is something fundamentally wrong with the justice system. Engaging the help of his ex-SAS buddies, he kidnaps five repeat offenders and asks the public to vote on their fate: Should they be allowed to continue their criminal ways with inadequate punishment, or has Britain had enough?His website attracts a worldwide audience and, although the authorities know where he is, they are powerless to stop him.Can Gray carry out his audacious plan? Will Andrew Harvey and his fellow MI5 operatives find a way to stop him?Gray Justice is more than a simple tale of revenge: it’s a rollercoaster ride with an ending you’ll never forget.

    Together with new colleague Skeeter Warlock, Decent quickly discovers there’s a sinister link between them all, one that will bring them face-to-face with some uncomfortable home truths.Catch as Catch Can is the first in the Merseyside Crime Series from Malcolm Hollingdrake – bestselling author of the Harrogate Crime Series.

    It is essentially a racy crime thriller full of gritty suspense. Act one builds up slowly to result in a crescendo of conflicts between personalities and ideas finally to end with an unnatural death before the interval. Is it a suicide or a murder? Act two evolves through a series of incisive interrogations to unravel the truth, which is deeply disturbing and affecting. As the play unfolds into a very well crafted situational thriller, underneath is the debate about using land for agriculture or for industry, the ethics of a working author and the nexus of a modern state all wonderfully enmeshed into its storyline and the personal lives of its subtly etched out characters. The highpoints of the play are its central conflict between a mother and her daughter and its female sleuth – Renuka.

    American genealogist Jefferson Tayte is hired to find out what happened, but it soon becomes apparent that a calculated killer is out to stop him.In the Blood combines a centuries-old mystery with a present-day thriller that brings two people from opposite sides of the Atlantic together to uncover a series of carefully hidden crimes. Tayte's research centres around the tragic life of a young Cornish girl, a writing box, and the discovery of a dark secret that he believes will lead him to the family he is looking for. Trouble is, someone else is looking for the same answers and will stop at nothing to find them.In the Blood is the first in the Jefferson Tayte mystery series.

    The charge is murder. Before all of this, she was happily married, a successful scientist, a mother of two. Now she's a suspect, squirming under fluorescent lights and the penetrating gaze of the alleged accomplice who's sitting across from her, watching: a man who's also her lover. As Yvonne faces hostile questioning, she must piece together the story of her affair with this unnamed figure who has charmed and haunted her. This is a tale of sexual intrigue, ruthless urges, and danger, which has blindsided her from a seemingly innocuous angle. Here in the courtroom, everything hinges on one night in a dark alley called Apple Tree Yard.

    Beth Moorhouse flatlines after a devastating car crash in the north of England. Simultaneously in Afghanistan Liam MacIntyre is almost killed when his army truck hits a landmine, the blast stopping his heart. Both are brought back after crossing over. Recovering from debilitating injuries, lost in fevers and delirium they experience vivid dreams that bleed through into their reality, making them yearn for a past lost to them. From the sixteenth century massacre of Glencoe in the Highlands of Scotland through eighteenth century Venice and finally to Flanders in World War One they both dream of the lives they shared together, each one cut short by Beth’s young and violent death. In each incarnation Liam‘s death shortly follows her own when he finds himself unable to go on without her, but not before avenging himself on the one who took her life. Resolved to discover the meaning behind these dreams Beth visits a gifted psychic who reveals that her murderer in each dream is a dark entity who has latched onto Beth and her soulmate with the sole purpose of destroying their happiness. She must find her love in this life and break this fatal pattern if she is to avoid another brutal death. Liam and Beth set out, determined to find one another by retracing the steps of their shared pasts. But their reunion is like a flare, drawing the dark soul to them and the race against time itself begins to save Beth from her inevitable fate. Bleed Through is a tale of love enduring centuries, sweeping through some of the most memorable events in European history and is the age old battle between good and evil.