She left the rural Yorkshire village where she grew up for life as a family lawyer in London, but what secrets did she take with her?When a familiar voice telephones her with tragic news, Anna knows that running away is no longer an option, and that she has to return to face her demons.What led Anna to flee from her home, and what is it that causes her to return?"Charcoal" unfolds a dramatic sequence of events that demonstrate the consequences of desires.

    Meg McKenna spent the last decade avoiding her crazy mother's shamrock-shaped world of Celtic witchery and bad Irish luck that brought nothing but heartbreak. But when locals threaten to put her mother's newly-opened Irish shop out of business, the prodigal daughter returns, attracting unexpected surprises, laughter, friendship, romance, and more bad Irish luck-which her mother swears is a good thing.

    THIS CAN'T BE LIFE is Dana Ward's first full-length collection of poetry. Although some of this writing may look like prose, everything here is written both AS, and under the sign of, "poetry." THIS CAN'T BE LIFE is an infinite frame-dissolve between art and life engined by the thoughts and feelings associated with the relationship between mortality and politics. These things, working together and against one another, constitute the funeral fun-house physics which delimit the (temporary) reality in which the book operates. Following Notley and Kerouac, Ward's poetics is a generative problematics of voice in which "the counter-poised figures of porousness, multiplicity, & instability are first principals."

    But best friend Charlotte is determined, and soon a camera crew follows Laura everywhere. Wined, dined, and pampered, she sees the charms of younger men, specifically gorgeous TV director Cal. When she turns detective to protect Charlotte’s marriage, things go horribly wrong.

    Life is good - nice and tidy. Until, that is, on her fiftieth birthday when her boyfriend does the unthinkable: He proposes. Libby's been down the marriage road before and it just didn't work. While she's trying to persuade her guy to keep things status quo, she reconnects online with her high-school boyfriend and begins an email correspondence...just for fun.But fun soon turns to flirtation and Libby is startled to feel some stirrings of the passion she felt at seventeen. How is that possible? She thought she had things all figured out. Now she must take stock of her life and everyone in it, to answer for herself the question everyone has been asking --What more could you wish for?

    Along the way, they fight dysentery, a racist Mel Gibson, syphilis, and consumption while learning that letting go is sometimes easier than starting over. Read the book, play the game, and never welcome the small pox welcome wagon. We have done bad things, and we will pay for them.

    As the voyage takes her farther and farther from her traditional support systems, her world becomes more and more defined by forces outside her control. Mary's travels through often uncharted island communities, provides a compelling metaphor for a journey of self-discovery.

    Fables, written in prose form, shows the reader different settings (mountains, ocean, Paris) of Zucker's travels and meditations on place. The Pedestrians brings us back to her native New York and the daily frustrations of a woman torn by obligations.That Great DiasporaI'll never leave New York & when I doI too will be unbodied—what? youimagine I might transmogrify? I'm fromnowhere which means here & so wade outinto the briny dream of elsewheres likea released dybbyk but can't standthe soulessness now everyone who evermade sense to me has died & everyone I lovegrows from my body like limbs on a rootless treeRachel Zucker is the author of Museum of Accidents, which was a finalist for the National Book Critics Circle Award. She is also the author of The Bad Wife, The Last Clear Narrative, Eating in the Underworld, and Annunciation.

    The two other acrobats were thieves. --from "Elegy with a Darkening Trapeze Inside It"The Darkening Trapeze collects the last poems by Larry Levis, written during the extraordinary blaze of his final years when his poetry expanded into the ambitious operatic masterpieces he is known for. Edited and with an afterword by David St. John and published twenty years after Levis's death, this collection contains major unpublished works, including final elegies, brief lyrics, and a coda believed to be the last poem Levis wrote, a heart-wrenching poem about his son. The Darkening Trapeze is an astonishing collection by a poet many consider to be among the greatest of late-twentieth-century American poetry.

    Chronicling the relationship between a lonely artist and her absent--albeit abusive--muse, Magic with Skin On will gently break you, then put you back together again.

    Kurt Cobain. Amy Winehouse. Janis Joplin. They died at 27. Six friends reunite in London. From the outside their lives are enviable; from the new father, to the rich entrepreneur to the carefree traveller. But underneath their facades, they are starting to unravel. Dave is made redundant, Renee's marriage is crumbling and Katie is forced to return home to her parents after six years abroad. In a world fuelled by social media and ravaged by recession, the friends must face up to the choices they must make to lead the lives they truly want to live.“The characters are sharply observed and as I read, I quickly came to feel they were my friends too… All along we feel we are in the hands of an accomplished storyteller, and of course there is a satisfying climax.” "Well written and interesting...this was great and I wanted to read more." - Amazon Breakthrough Novel Expert Reviewer“This is a fantastic read for the summer holidays. A genuinely lovely warm surprising story. I loved the characters and felt part of their journey. Can highly recommend.” “An enjoyable read for a generation who are obsessed with how others perceive them and who measure success in terms of job titles and relationship statuses.”“27 is one of those books that you really want to finish so that you can find out what's happened but on the other hand, you want it to carry on so that you can stay with the characters that little bit longer!” “The characters are realistic, their dramas riveting and the writing profoundly charming as Ruth Heald expertly takes you through a tumultuous year-long journey through the lives of the modern daytwenty-something.

    With a storyteller’s rhythm, Lease braids humor, political bite, psychological intensity, and lyric beauty, taking us to a place of warning, critique, and elegy.

    It's a collection of poetry and passages that depict struggle of a human mind with it's veiled and untamed nature. It show how far we can go if we incline ourselves to that side and how much we are willing to give up.Psychaotic tells you the harsh realities of life rather than filling your head with fantasies and dreams that will never happen.In that reality check, this book will change how you think about certain things. It will tell you, that wrongs can be right and right can be wrongs as well as, bad can be good and good can turn out to be bad.

    A faceless figure. A disturbing, thought-provoking exploration of simple, yet unsettling facts of everyday life. The taboos we, as social beings, have chosen to hide under irrational, complex layers of linguistics.By taking full advantage of their author's lack of identity and extreme levels of introspection, The Unwords cut straight through the pretenses and the fallacies in our language as they unleash a full-scale attack on all fronts of cultural and social decay.Words are meant to be spoken. In a dishonest world, what remains unspoken can only be the truth. In a dishonest world... all words can go to hell.

    Rogue’s debut poetry collection tells the tale of a once-in-a-lifetime love unreturned. These heartwrenching and soul-crushing poems are confessional while also being relatable. This collection will make you feel seen in all your heartbreak.“I will write stories about how we lost each other, because that’s the part I will never get over. That’s the part I know best.”The Exquisite Pain of the Unrequited was previously published as La Douleur Exquise, which translates to the exquisite pain.