No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Groenloh, the highly successful director of the Holland-Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio’s stories.Contents:The freeloaderWhen we were titansThe writing on the wallOut along the IJLittle poetFrom an unfinished novelThe valley of obligationsThe endInsula dei

    Love in Excess and its reception provide a lively and valuable record of the challenge that female desire posed to social decorum.

    Thompson, Joyce Johnson, Richard Hell, and others. It includes rare pieces from the Rolling Stone archives by William Burroughs, Lester Bangs, and Robert Palmer as well as intimate photographs by Robert Frank, Annie Leibovitz, and rarely seen photos taken by the Beats themselves. A rich tapestry of voices and a visual treat, this treasury of Beat lore and literature is a true collector's item whose entertainment value will go on...and on."A huge dim sum cart of a book...a first-rate companion." --Publishers Weekly"Compelling reading."--The Denver Post

    Its poets mark the conflict in ways that are both intensely personal and as enduring as any monument. Their lines have come to express the feelings of a nation about the horrors and consequences of war.This new anthology provides a definitive record of the achievements of the Great War poets and offers a fresh assessment of the work on the centenary of the Great War's outbreak. Focusing on the poets themselves, the book is organized by writer, not theme or chronology. It offers generous selectionsfrom the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, whilst also incorporating less well-known writing by civilian and women poets. It also includes two previously unpublished poems by Ivor Gurney.A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context.Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.

    What would he do for an encore?Any number of artists have produced evocative work, paintings that could trigger a literary response. But none came to mind who could equal Hopper in turning out canvas after canvas. If no single artist could take Hopper’s place, how about a full palette of them? Suppose each author was invited to select a painting from the whole panoply of visual art—From the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried.And what a dazzling response! Joyce Carol Oates picked Le Beaux Jours by Balthus. Warren Moore chose Salvador Dali’s The Pharmacist of Ampurdam Seeking Absolutely Nothing. Michael Connelly, who sent Harry Bosch to Chicago for a close look at Nighthawks, has a go at The Garden of Earthly Delights by Harry’s namesake Hieronymous Bosch. S. J. Rozan finds a story in Hokusai’s The Great Wave, while Jeffery Deaver’s "A Significant Find” draws its inspiration from—yes—those prehistoric cave drawings at Lascaux. And Kristine Kathryn Rusch moves from painting to sculpture and selects Rodin.In artists ranging from Art Frahm and Norman Rockwell to René Magritte and Clifford Still, the impressive concept goes on to include Thomas Pluck, Sarah Weinman, David Morrell, Craig Ferguson, Joe R. Lansdale, Jill D. Block, Justin Scott, Jonathan Santlofer, Gail Levin, Nicholas Christopher, and Lee Child, with each story accompanied in color by the work of art that inspired it.

    'All for Love' is a collection of brief quotations by many hands, chosen and illustrated with exquisite wit by Laura Stoddart.Here the raptures of love are counter-balanced by the rueful, comic, and often rather crisply cynical observations of men and women who have been there before. Divided into sections on the nature of love, the pursuit of love, love and marriage and the love affair, the book ranges from the passionate to the severely practical. We can smile at the silliness of those blinded by love (Shakespeare), feel a pang of heartache for jilted lovers (Dorothy Parker) reflect with Byron that there is little to be said about a happy marriage, and take note of P G Wodehouse advising girls that chumps make the best husbands, while relishing snatches of great poetry about great loves, from Sappho, Marlowe, Wordsworth, John Clare and Thomas Hardy.'All for Love' is a rare treat for everyone who is in love, contemplating marriage, has a broken heart, or has put the whole business behind them, and wants to be cheered up by some brilliant insights and by Laura Stoddart's enchanting visual comments on them.

    Under Nina Baym's direction, the editors have considered afresh each selection and all the apparatus to make the anthology an even better teaching tool.

    Auden and Norman Holmes Pearson, presents the greatest of the Romantics in all the fullness and ardor of their vision, including William Blake, Robert Burns, Samuel Taylor Coleridge, William Wordsworth, Lord Byron, Percy Bysshe Shelley, John Keats, Ralph Waldo Emerson, Henry David Thoreau, and Edgar Allan Poe. What emerges is a panoramic view of a generation of artists struggling to remake the world in their own image—and miraculously succeeding.

    See your family smile at your dependable, consistent results. Feel more confident and adventurous with your Instant Pot. Ruth “Rootitoot” McCusker has converted her treasured family recipes into Instant Pot masterpieces. This book is like having a loving grandmother at your side in the kitchen. Her step-by-step instructions, gentle humour and mouth-watering recipes will have you cooking with confidence in no time. Welcome Rootitoot into your kitchen and cook like a grandma in your Instant Pot.

    She rides those new- fangled bicycles and doesn't like to be told what to do. And, in crime fiction, such female detectives as Loveday Brooke, Dorcas Dene, and Lady Molly of Scotland Yard are out there shadowing suspects, crawling through secret passages, fingerprinting corpses, and sometimes committing a lesser crime in order to solve a murder. In The Penguin Book of Victorian Women in Crime, Michael Sims has brought together all of the era's great crime-fighting females- plus a few choice crooks, including Four Square Jane and the Sorceress of the Strand.

    Reputedly a black magician, he was imprisoned by Queen Mary for allegedly attempting to kill her through sorcery. When Matthew Palmer inherits an old house in Clerkenwell, he feels that he has become part of its past.

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    Johnson always suspected that his father was different. Only as a teenager did he discover the truth: his father was a spy, one of the CIA's most trusted officers. At first the secret was thrilling. But over time Scott began to have doubts. How could a man so rigorously trained to deceive and manipulate simply turn off those skills at home? His father had been living a double life for so long that his lies were hard to separate from the truth. When Scott embarked on a career as a foreign correspondent, he found himself returning to many of the troubled countries of his youth. In the dusty streets of Pakistan and Afghanistan, amid the cold urbanity of Yugoslavia, and down the mysterious alleys of Mexico City, he came face to face with his father's murky past--and his own complicity in it. Scott learned that his chosen profession was not so different from his father's: they both worked to gain people's trust and to uncover their secrets. The only difference was what they did with that information.In the aftermath of 9/11, father and son found themselves on assignment in Afghanistan and the Middle East, one as a CIA contractor, the other as a reporter for Newsweek. Suddenly, an unsettled Scott was forced to keep his father's secret all over again. As their professional lives collided, Scott and his father inched toward a personal reckoning, struggling to overcome a lifetime of suspicion and deception.The Wolf and the Watchman is a provocative, meditative account of truth and duplicity, of manipulation and loyalty. It is also a moving, intensely personal portrait of a bond between father and son that endured in the shadow of one of the world's most secretive and unforgiving institutions.

    How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience. In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and Jane Austen to Samuel Beckett and J. K. Rowling.

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Hailed as “a Tolstoy with jokes” by one critic, George Bernard Shaw was the most significant British playwright since the seventeenth century. Pygmalion persists as his best-loved play, one made into both a classic film—which won Shaw an Academy Award for best screenplay—and the perennially popular musical My Fair Lady.Pygmalion follows the adventures of phonetics professor Henry Higgins as he attempts to transform cockney flower girl Eliza Doolittle into a refined lady. The scene in which Eliza appears in high society with the correct accent but no notion of polite conversation is considered one of the funniest in English drama. Like most of Shaw’s work, Pygmalion wins over audiences with wit, a taut morality, and an innate understanding of human relationships.This volume also includes Major Barbara, which attacks both capitalism and charitable organizations, The Doctor’s Dilemma, a keen-eyed examination of medical morals and malpractice, and Heartbreak House, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.John A. Bertolini is Ellis Professor of the Liberal Arts at Middlebury College, where he teaches dramatic literature, Shakespeare, and film. He has written The Playwrighting Self of Bernard Shaw and articles on Hitchcock, and British and American dramatists. Bertolini also wrote the introduction and notes to the Barnes & Noble Classics edition of Shaw’s Man and Superman and Three Other Plays.