This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

    It celebrates a unifying heritage and illustrates an uplifting sense of sisterhood and the strong links that endure from generation to generation as well as the common obstacles that female writers of colour continue to face as they negotiate issues of race, gender and class.A glorious portrayal of the richness, magnitude and range of the singular and combined accomplishments of these women, New Daughters of Africa also testifies to a wealth of genres: autobiography, memoirs, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches.It showcases key figures and popular contemporaries, as well as overlooked historical authors and today’s new and emerging writers. Amongst the 200 contributors are: Chimamanda Ngozi Adichie, Patience Agbabi, Sefi Atta, Ayesha Harruna Attah, Malorie Blackman, Tanella Boni, Diana Evans, Bernardine Evaristo, Aminatta Forna, Danielle Legros Georges, Bonnie Greer, Andrea Levy, Imbolo Mbue, Yewande Omotoso, Nawal El Saadawi, Taiye Selasi, Warsan Shire, Zadie Smith and Andrea Stuart.A unique and seminal anthology, New Daughters of Africa represents the global sweep, diversity and extraordinary literary achievements of Black women writers whose voices, despite on going discussions, remain under-represented and underrated.

    The magazine jumpstarted the careers of bestselling authors such as Roger Zelazny, Bruce Sterling, and Jane Yolen and continues to champion bold new crossover talents including Paolo Bacigalupi and Ken Liu. Now drawing upon F&SF's impressive history of classic and contemporary tales, this extraordinary companion anthology revisits and expands upon sixty-five years' worth of top-notch fiction. These broad-ranging, award-winning tales appeal to readers of genre fiction and beyond, exploring alternate history, time travel, urban fantasy, virtual reality, modern myth, horror, interstellar travel, epic fantasy, mystery, and space opera. Contents "The Third Level" by Jack Finney "Fondly Fahrenheit" by Alfred Bester "The Cosmic Charge Account" by C. M. Kornbluth "The Anything Box" by Zenna Henderson "The Prize of Peril" by Robert Sheckley "---All You Zombies---" by Robert A. Heinlein "Green Magic" by Jack Vance "The Doors of His Face, the Lamps of His Mouth" by Roger Zelazny "Narrow Valley" by R. A. Lafferty "Sundance" by Robert Silverberg "Attack of the Giant Baby" by Kit Reed "The Hundredth Dove" by Jane Yolen "Jeffty Is Five" by Harlan Ellison "Salvador" by Lucius Shepard "The Aliens Who Knew, I mean, Everything" by George Alec Effinger "Rat" by J. P. Kelly "The Friendship Light" by Gene Wolfe "The Bone Woman" by Charles de Lint "The Lincoln Train" by Maureen McHugh "Maneki Neko" by Bruce Sterling "Winemaster" by Robert Reed "Suicide Coast" by M. John Harrison "Have Not Have" by Geoff Ryman "The People of Sand & Slag" by Paolo Bacigalupi "Echo" by Liz Hand "The New York Times at Special Bargain Rates" by Stephen King "The Paper Menagerie" by Ken Liu

    This is the dance of history in our age: slow, slow, quick, quick, slow, back and forth and from side to side, we step across these fixed and shifting lines. —from Part IVWith astonishing range and depth, the essays, speeches, and opinion pieces assembled in this book chronicle a ten-year intellectual odyssey by one of the most important, creative, and respected minds of our time. Step Across This Line concentrates in one volume Salman Rushdie’s fierce intelligence, uncanny social commentary, and irrepressible wit—about soccer, The Wizard of Oz, and writing, about fighting the Iranian fatwa and turning with the millennium, and about September 11, 2001. Ending with the eponymous, never-before-published speeches, this collection is, in Rushdie’s words, a “wake-up call” about the way we live, and think, now.

    When first published, La Batarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir. Like that of Henry Miller, Leduc's brilliant writing style and attention to language transform this autobiography into a work of art.Violette Leduc was born the illegitimate daughter of a servant girl and was encouraged to write by Maurice Sachs and Simone de Beauvoir. Her first novel, L'Asphyxie (In the Prison of Her Skin), was published by Camus for Gallimard and earned her praise from Jean-Paul Sartre, Jean Cocteau, and Jean Genet. She went on to write eight more books, including Ravages, L'Affamee, and La Folie en tete (Mad in Pursuit), the second part of her literary autobiography.

    These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

    The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

    In fact, this librarian will stop at nothing to service her readers. To that end, she has carefully collected a fantastic and fantasy-filled set of stories guaranteed to satisfy literary lusts in The Sexy Librarian's Big Book of Erotica. This voracious volume is simply bursting at the binding with amorous archives and bibliophilic bliss; it is a veritable dictionary of desires, with stories by top eroticists Rachel Kramer Bussel, Tamsin Flowers, and Salome Wilde, as well as Rose Caraway, the sexy librarian herself.

    Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.

    It once appeared on the Berlin Wall, and symbolizes the subversive nature of 2000AD that changed so many readers’ lives and influenced generations of film directors, actors, rock bands, novelists and even school headmasters.Everything you’ve always wanted to know about Judge Dredd, Slaine, Nemesis, ABC Warriors, Flesh, Bill Savage and more, is in this book. Plus the writers and artists who created them and the real-life people and events they drew on for inspiration. The scandals, the back-stabbing and the shocking story that was regarded as “too sensitive” to ever see the light of day is finally told.Pat relates the dark story of the maths teacher who inspired his version of Judge Dredd, the creators’ angry battles with the censors and each other, why certain writers, stories and even readers have been banished from the comic, a step-by-step account of how Judge Dredd was created, and how to write or draw for 2000AD too.There are new insights on the 2000AD creators' invasion of American comics, their failed French invasion, the Judge Dredd films, the forthcoming Judge Dredd TV series, other possible films featuring 2000AD heroes, the unusual secret of the comic’s current success, the tough challenges it faces today, and its exciting future.From the hilarious origins when Judge Dredd writer-creator John Wagner and Pat began their careers writing together in a garden shed by paraffin lamp, to the tragic stories of legendary comic artists who have passed, and the challenges as 2000AD fought for survival against The Suits determined to destroy it, this is a unique, personal, and passionate account by the man who made 2000AD happen.Funny, sad, angry, defiant, and outrageous: it’s the Comic Book memoir of the year!

    It follows Eddy Nugent, a bored fifteen-year-old, living in Manchester, as he travels through the drinking, swearing and sex-obsessed world of our nation's finest.

    Biography, memoir, narrative history, reportage, the travel account: all these forms now have their interesting and original practitioners in India. In this Granta issue they tackle questions ranging from rape in village India to scandal in Mumbai clubs. And there is room, as always, for the best of India's fiction.

    Tom Cavendish goes to Japan to build lighthouses and his wife Ally, Doctor Moberley-Cavendish, stays and works at the Truro asylum. As Ally plunges into the institutional politics of mental health, Tom navigates the social and professional nuances of late 19th century Japan. With her unique blend of emotional insight and intellectual profundity, Sarah Moss builds a novel in two parts from Falmouth to Tokyo, two maps of absence; from Manchester to Kyoto, two distinct but conjoined portraits of loneliness and determination. An exquisite continuation of the story of Bodies of Light, Signs for Lost Children will amaze Sarah Moss's many fans.

    While providing a fascinating look at the course of gay consciousness over the past fifty years, it also, most enthrallingly, offers the best sexually arousing fiction centering on gay men.Featuring two original tales by Anne Rice, this elegantly written collection also includes such literary luminaries as Edmund White and Alan Hollinghurst, and such legendary cult figures as Larry Townsend and Pat Califia. The stories here range from the nonphysical but highly charged "Brian's Bedroom" by Leigh Rutledge, to the famous, boundary pushing story "Blue Light" by Aaron Travis - a fantasic, haunting piece that explores reversal, compulsion, domination, and otherness in a Texas boarding house. But whether an understated gem or an unforgettable, flamboyant display of sexuality, each of these works has a power of its own, while editor John Preston's commentary places them all in context. This collection of short fiction and nonfiction is for both gay and straight readers who enjoy masterully written erotica. It is at once a cross-section of fine erotic writing, a chronical of gay male sexuality and its growing influence on the culture at large, and an imporatnt addiction to gay literature.Contents:Correspondence with George Platt Lynes by Samuel M. StewardThe sergeant with the rose tattoo by Samuel M. Steward writing as Phil AndrosFrom 'Cruising horny corners' by "Clay Caldwell" writing as Lance LesterWorkout by Roy F. WoodPeekers by T.R. Witomski writing as Ray WaldheimThey call me "Horsemeat" by D.V. Sadero writing as Rick LaneA cowboy Christmas by Lars EighnerThe shirt by Robin MetcalfeNegative image by Michael Lassell writing as Michael LewisBrian's bedroom by Leigh RutledgeBlue light by Steven Saylor writing as Aaron TravisGetting Timchenko by Steven Saylor writing as Aaron TravisBelonging by Pat CalifiaElliott : the garden and the bar by Anne RiceElliott : below stairs by Anne RiceFrom 'Run little leather boy' by Larry Townsend"Malory's big brother" from 'The green hotel stories by Gordon HobanFrom 'A boy's own story' by Edmund WhiteFrom 'The beautiful room is empty' by Edmund White"The Brutus cinema" from 'The swimming pool-library' by Alan Hollinghurst"Mmmmpfgh" by Andrew HolleranThinking off by Scott O'Hara writing as SpunkSafe sex without condoms by John WagenhauserSoggy Biscuit by Barry LoweThe reality of a dream by W. Delon StrodeThe group by John Wagenhauser writing as WolfgangGood with words by Stephen Greco

    In a heightened state of emotion, people speak at the rate of 160 words per minute. Inspired by the intersection of these two seemingly unrelated concepts, Pulitzer Prize-winning author Robert Olen Butler wrote sixty-two stories, each exactly 240 words in length, capturing the flow of thoughts and feelings that go through a person's mind after their head has been severed. The characters are both real and imaginedMedusa (beheaded by Perseus, 2000 BC), Anne Boleyn (beheaded at the behest of Henry VIII, 1536), a chicken (beheaded for Sunday dinner, Alabama, 1958), and the author (decapitated, on the job, 2008). Told with the intensity of a poet and the wit of a great storyteller, these final thoughts illuminate and crystallize more about the characters' own lives and the worlds they inhabit than many writers manage to convey in full-length biographies or novels. The stories, which have appeared in literary magazines across the country, are a delightful and intriguing creative feat from one of today's most inventive writers.