Set in Atlantic Canada.

    "Executed with chromatic splendor--a unique combination of brilliance and restraint".--The Horn Book. Full-color illustrations.

    With plenty of repetition, this adventure is perfect for reading aloud and for joining in, and a satisfying ending provides a reassuring touch.

    Or rather the psychic images of the fairies, who quickly turned it into a game, where they leapt between the closing pages in an effort to outdo each other to produce the most outrageous poses.

    She gets her chance after making a deal with an evil sea witch, but something’s fishy! Can Flounder, Sebastian, and Scuttle help make the little mermaid’s dream come true? Find out in this full-color retelling of Disney’s classic film, The Little Mermaid.

    Just like a "real boy." Until he learns that to become truly real, he must open his heart and think of others.

    Gaylan soon discovers that the entire kingdom is on the brink of civil war, and must enlist help to define "delicious" and save the country.

    No one knows when he came to the farm, no one has ever seen him, but everyone knows it is the troll Tomten who walks about the lonely old farmhouse on a winter's night, talking to all the animals and reminding them of the promise of Spring.Adapted by Astrid Lindgren from a poem by Viktor Rydberg

    With its great feasts, its white stone churches, its merchant visitors from many lands, Sadko felt there was no better place to be. Yet he was lonely too, for the rich young ladies who danced to his music would never favor anyone so poor. One night he takes his twelve-string gusli and goes alone to play by the River Volkhov. Suddenly from the water rises the Sea King, who invites the astonished musician to play at his underwater palace. But how will Sadko get there? And how will he get back? And will he want to return at all, when he meets the Sea King's lovely daughter? One of the most popular legends of Russia, Sadko's story is found in medieval epic ballads, as well as in a popular opera by Rimsky-Korsakov. It is retold here in elegant prose, complemented by the entrancing illustrations of a modern Russian master. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Gennady Spirin, with a style he describes as "fairy-tale realism," is one of the world’s most esteemed children’s illustrators. His honors include five gold medals from the Society of Illustrators, the Golden Apple from the Bratislava International Biennial, First Prize at the Bologna and Barcelona international book fairs, and four appearances on the New York Times list of Ten Best Illustrated Books of the Year. Born and trained in Russia before moving to the United States, Gennady already knew well the legend of Sadko and welcomed the chance to contribute his sumptuous art to this retelling.  ///////////////////////////////////////////////// HONORS 1997 New York Times Ten Best Illustrated Books of the Year  1998 American Library Association Notable Children's Books  1998 NCSS/CBC Notable Trade Books in the Field of Social Studies  1997 Aesop Accolade, American Folklore Society  1998 Honor Title, Storytelling World Awards  1997 Cincinnati Enquirer Best Illustrated Children's Books  American Bookseller Pick of the Lists  Starred review, Publishers Weekly  Featured on "CBS This Morning" ///////////////////////////////////////////////// "Emotionally authentic prose and jewel-like illustrations make this an exquisite volume. . . . [A] mood of eloquent enchantment." -- Publishers Weekly, Aug. 25, 1997, starred review "Exquisite." -- The New York Times Book Review, Oct. 26, 1997 "Knock-your-socks-off beautiful. . . . Will stay in a family's library forever." -- Valerie Lewis, "CBS This Morning," Dec. 11, 1997 "Retains the flavor of Old Russia. . . . A fascinating spin on mermaid/human interaction." -- Denise Anton Wright, School Library Journal, Dec. 1997 "The telling is descriptive yet very accessible. . . . The pictures are gorgeous and resplendent with extraordinary details." -- Stephanie Zvirin, American Library Association Booklist, Nov. 15, 1997

    Brown's illustrated translation of Perrault's tale in which Cinderella leaves behind a glass slipper in her haste to flee the palace before the fairy godmother's magic loses effect won the 1955 Caldecott medal.A free translation from the French of Charles Perrault, with pictures by Marcia Brown.

    The result is an enchanting, unforgettable new novel, enlivened by delightful illustrations, in which William Horwood has recaptured all the joy, magic, and good humor of Grahame's great work - and Toad is still as exasperatingly lovable as he ever was.

    Through richly detailed full-color paintings and line drawings, magical kingdoms emerge from a sea of dreams. Cassandra Aisling, who is nine years and eleven months old, doesn't care “a jot” about what sensible people think. She likes strange, mysterious, and magical things. So when her world gets tumbled upside down, she boards the H.M.S. Basset, ready to explore the landscape of her imagination. Pledging allegiance to the Basset's motto, “Credendo do Vides...Believing is Seeing,” Cassandra, her skeptical older sister Miranda, and their father, Professor Algernon Aisling, set out in search of the ancient legends. From the flickering flight of fairies and the mermaids' siren songs to a labyrinth-bound Minotaur and a fire-breathing dragon, the Aisling family witnesses firsthand the wonder of mythological worlds. In this lavishly illustrated edition, Cassandra's adventures intertwine with her father's scientific scribblings to present both new tales and the essence of classical myths. From the two voices, readers learn the power of imagination, the importance of believing in oneself, the value of family, and the need for creative, cooperative problem-solving. The story of a magical journey and the exquisite fantasy artwork will appeal to young and old alike.

    Cinder Edna was forced to work for her wicked stepmother and stepsisters, just as her neighbor, Cinderella, was.Edna, on the other hand, had learned a thing or two from doing all that housework, such as how to make tuna casserole sixteen different ways and how to get spots off everything from rugs to ladybugs. And she was strong and spunky and knew some good jokes.Then one day the king announced that he would give a ball ...

    Living in homes built out of tumbleweeds and saguaro ribs (from the fallen giant cacti), the first two javelinas are soon running from the hungry coyote, who had hoped to eat them with red chile sauce. And where do they go for shelter? Why, to their wise sister's house, made strong with adobe bricks. This clever and humorous tale is sure to delight children of all ages, especially those familiar with the Southwest. Dressed in cowboy duds and prepared for life in the rugged desert, these characters are more than any coyote bargained for.

    That was before they burst upon my life as vibrant, luminous beings, permeating my art and my everyday existence, causing glorious havoc..." In the long-awaited sequel to the international bestseller "Faeries", artist Brian Froud rescues pixies, gnomes, and other faeries from the isolation of the nursery and the distance of history, bringing them into the present day with vitality and imagination. In this richly imagined new book, Brian reveals the secrets he has learned from the faeries-- what their noses and shoes look like, what mischief and what gentle assistance they can give, what their souls and their dreams are like.As it turns out, faeries aren't all sweetness and light. In addition to such good faeries as Dream Weavers and Faery Godmothers, Brian introduces us to a host of less well behaved creatures-- traditional bad faeries like Morgana le Fay, but also the Soul Shrinker and the Gloominous Doom. The faery kingdom, we find, is as subject to good and evil as the human realm. Brilliantly documenting both the dark and the light, "Good Faeries/Bad Faeries" presents a world of enchantment and magic that deeply compels the imagination.