Hence: Can Machiavelli, who makes the following observations, be Machiavellian as we understand the disparaging term? 1. So it is that to know the nature of a people, one need be a Prince; to know the nature of a Prince, one need to be of the people. 2. If a Prince is not given to vices that make him hated, it is unsusal for his subjects to show their affection for him. 3. Opportunity made Moses, Cyrus, Romulus, Theseus, and others; their virtue domi-nated the opportunity, making their homelands noble and happy. Armed prophets win; the disarmed lose. 4. Without faith and religion, man achieves power but not glory. 5. Prominent citizens want to command and oppress; the populace only wants to be free of oppression. 6. A Prince needs a friendly populace; otherwise in diversity there is no hope. 7. A Prince, who rules as a man of valor, avoids disasters, 8. Nations based on mercenary forces will never be solid or secure. 9. Mercenaries are dangerous because of their cowardice 10. There are two ways to fight: one with laws, the other with force. The first is rightly man’s way; the second, the way of beasts.

    Set in a landscape of stunning natural beauty, Light of the Moon is a chronicle of mothers and daughters, friendship and family, and an electrifying love that illuminates a path through heartbreak and loss…and will shine in your memory long after the final page.Spurred by her mother’s dying wish, Susannah Connolly has traveled from her lifelong home on the Connecticut shoreline to the fabled French Camargue, to see its famous white horses and find a mysterious saint linked to her family’s history. An accomplished anthropologist, Susannah has always been confident of her ability to navigate anywhere on the globe. But in the wake of a failed love affair and grieving the loss of her mother, she is adrift and uncertain, seeking only time alone to dig deeply into the personal archaeology of her own life.American-born Grey Dempsey had come to the Camargue as a journalist, fell in love with a celebrated Romany rider, and suffered a devastating loss of his own. Now he operates a ranch as he struggles to raise his spirited but troubled young daughter who, after a terrible night years ago, fears the horses she once loved.Within their bittersweet private orbit, in the midst of the endless silvered marshlands, Susannah Connolly will find a part of herself she hadn’t known she had lost. And here she will find herself embraced by a circle of strong and passionate women bound together by their abiding faith in the legendary slave-saint Susannah seeks and in the miracles she is said to still perform for those who believe. Yet old secrets swirl within the fog-shrouded landscape, betrayals that may be beyond the power of any saint, or supplicant, to repair.Singular, lyrical, Light of the Moon is Luanne Rice at her most spell-binding, as she explores—as only she can—how sometimes to find your way home you must travel far away.

    Henry Prize Stories 2013 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. The winning stories take place in such far-flung locales as a gorgeous sailboat in Hong Kong, a Cuban sugar plantation, the Kenai River in Alaska, a mansion in New Delhi, a ship torpedoed by a German U-boat, and the ghost-haunted rubble of a Turkish girls’ school. Also included are the editor’s introduction, essays from the jurors (Lauren Groff, Edith Pearlman, and Jim Shepard) on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.

    They tell of corporate betrayals and lost opportunities, and of the obsessions, hopes, fears, and vagaries of desire.

    First published in Norway as two books in 1924 and 1925, the author collaborated with Minnesotan Lincoln Colcord on the English translation.The novel follows a Norwegian family's struggles as they try to make a new life as pioneers in the Dakota territory. Rølvaag is interested in psychology and the human cost of empire building, at a time when other writers focused on the glamor and romance of the West. The book reflects his personal experiences as a settler as well as the immigrant homesteader experience of his wife’s family. Both the grim realities of pioneering and the gloomy fatalism of the Norse mind are captured in depictions of snow storms, locusts, poverty, hunger, loneliness, homesickness, the difficulty of fitting into a new culture, and the estrangement of immigrant children who grow up in a new land. It is a novel at once palpably European and distinctly American.Giants in the Earth was turned into an opera by Douglas Moore and Arnold Sundgaard; it won the Pulitzer Prize for Music in 1951.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    This selection of his writings on religion, ethics, politics, women and many other themes is taken from Schopenhauer's last work, Parerga and Paralipomena, which he published in 1851. He depicts humanity as locked in a struggle beyond good and evil, each individual absolutely free within a Godless world in which art, morality and self-awareness are our only salvation. This innovative and pessimistic view proved powerfully influential upon philosophy and art, affecting the work of Nietzsche and Wittgenstein among others.

    From “The Fig Tree” written in 1960, his first year as an undergraduate at Makere University College in Uganda, to the playful “The Ghost of Michael Jackson,” written while a Distinguished Professor of English and Comparative Literature at the University of California Irvine, these collected stories reveal a master of the short form.Covering the period of British colonial rule and resistance in Kenya to the bittersweet experience of independence—and including two stories that have never before been published in the United States—Ngũgĩ’s characters include women fighting for their space in a patriarchal society, big men in their Bentleys and Mercedes who have inherited power from the British; and rebels who still embody the fighting spirit of the downtrodden. One of Ngũgĩ’s most beloved stories, “Minutes of Glory,” tells of Beatrice, a sad, but ambitious waitress who fantasizes about being feted and lauded over by the middle class clientele in the city’s beer halls. Her dream leads her on a witty and heartbreaking adventure.Published for the first time in America, Minutes of Glory and Other Stories celebrates the storytelling might of one of Africa’s best-loved writers.

    Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times.

    Edited by the award-winning Robert Stone, the 1992 volume gathers 20 of the year's richest stories from magazines large and small. Includes such outstanding authors as Joyce Carol Oates, Alice Munro, and Reynolds Price among others.

    Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler and The Master Builder.

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    A children's magician in the English countryside is asked by his bank to explain the unsolicited arrival of more than five million pounds sterling in his young daughter's modest trust. A freighter bound for Liverpool is boarded by Russian coast guards in the Black Sea. The celebrated London merchant venturer "Tiger"Single disappears into thin air.In Single & Single the writer who both epitomizes and transcends the novel of espionage opens with a haunting set piece, then establishes a sequence of events whose connections are mysterious, complex and compelling. This is a story of corrupt liaisons between criminal elements in the new Russian states and the world of legitimate finance in the West. Le Carré's finest novel in years, it is also an intimate portrait of two families: one Russian, the other English; one trading illicit goods, the other laundering the profits; one betrayed by a son-in-law, the other betrayed, and redeemed, by a son.This is territory le Carré knows better than anyone. Masterful and prescient, he is writing at the height of his creative powers, and Oliver Single, the central protagonist, is one of his most fascinating characters.

    Writing in the intensely lyrical prose style that is his trademark, the man, Jean Cocteau, dubbed France's "Black Prince of Letters" here reconstructs his early adult years - time he spent as a petty criminal and vagabond, traveling through Spain and Antwerp, occasionally border hopping across to the rest of Europe, always trying to stay one step ahead of the authorities.