The heart of his concern is the ego, which he sees battling with three forces: the id, the super-ego, and the outside world.Of the various English translations of Freud's major works to appear in his lifetime, only one was authorized by Freud himself: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey.Freud approved the overall editorial plan, specific renderings of key words and phrases, and the addition of valuable notes, from bibliographical and explanatory. Many of the translations were done by Strachey himself; the rest were prepared under his supervision. The result was to place the Standard Edition in a position of unquestioned supremacy over all other existing versions.

    Yet comprehending the vast, often fractious, 2000 year story of his followers can be a bewildering task. Stephen Tomkins leads readers on an enjoyable and enlightening journey through the key stages of Christian development, covering the people, the movements, the controversies of the ever-expanding Church. His "Short History of Christianity" is a penetrating, energetic account sure to please a wide spectrum of those interested in the Christian story.

    Chidester explores the emergence of the major streams of Christian thought and practice, distilling the cultural history of the Church and its impact on the world into this superbly readable book. Alongside this broad panorama is a richly human story that the author brilliantly encapsulates in incisive character sketches and historical vignettes.Christianity, in all its many facets, has been and continues to be one of the most influential forces in history. Chidester shows that this religion, with its roots deep in the ancient world, has always been in a constant state of evolution, affecting and affected by the religions and societies around it. At times Christianity has coexisted peacefully with other forms of belief, exchanging ideas and practices with them. At other times profound, even violent, conflict has arisen. In this book David Chidester intelligently and objectively portrays Christians in different times and places, as a minority and as the majority group, a religion both absorbing and resisting the world around it. Christianity reveals the religion as it was and is lived in the life of everyday people rather than focusing on the dry dogmas and beliefs that fill most histories. Chidester's accomplishment is to capture the complexity and grand sweep of this story in one remarkable volume that is destined to take its place as a classic of religious history.

    From difficult childhoods to fashion icons, from love matches to divorces, and from unrehearsed coronations to assassination attempts and untimely deaths.Curiosity about Britain’s rulers and their next of kin never seems to wane, and it is this compendium about the lives of the members of the Royal Family that makes this so utterly compelling.

    To Hogshire, pills are the quintessence of Western culture, embodying our desires, fears, ambivalence about life and death, health and freedom -- as well as our faith in the quick fix.Hogshire muses on pill naming and marketing, presents up-to-the-minute pill news, and discusses celebrities and their pills of choice. Along the way, he provides histories of drug manufacturers and examines how pills are the product of decades of scientific exploration and the result of billions of dollars in research.

    Dr. Stephen De Young, creator of the popular The Whole Counsel of God blog and podcast, traces the lineage of Orthodox Christianity back to the faith and witness of the apostles, which was rooted in a first-century Jewish worldview. The Religion of the Apostles presents the Orthodox Christian Church of today as a continuation of the religious life of the apostles, which in turn was a continuation of the life of the people of God since the beginning of creation.

    Many people today have little sense of how their lives have benefited from Christianity’s influence, often viewing the church with hostility or resentment. How Christianity Changed the World is a topically arranged Christian history for Christians and non-Christians. Grounded in solid research and written in a popular style, this book is both a helpful apologetic tool in talking with unbelievers and a source of evidence for why Christianity deserves credit for many of the humane, social, scientific, and cultural advances in the Western world in the last two thousand years. Photographs, timelines, and charts enhance each chapter. This edition features questions for reflection and discussion for each chapter.

    Why spend time wandering around a country that remains a sort of dead zone for many foreigners, surrounded as it is by a force field of historical, linguistic, climatic, and gastronomic barriers? Winder's book is propelled by a wish to reclaim the brilliant, chaotic, endlessly varied German civilization that the Nazis buried and ruined, and that, since 1945, so many Germans have worked to rebuild.Germania is a very funny book on serious topics — how we are misled by history, how we twist history, and how sometimes it is best to know no history at all. It is a book full of curiosities: odd food, castles, mad princes, fairy tales, and horse-mating videos. It is about the limits of language, the meaning of culture, and the pleasure of townscape.

    On the occasion of Mozart's two hundred and fiftieth birthday, read Maynard Solomon's Mozart: A Life, universally hailed as the Mozart biography of our time.

    It became instead what Pirenne refers to as "a Musulman lake," thereby causing "the axis of life [to shift] northwards from the Mediterranean" for the first time in history.Brilliant and controversial, this volume garnered these words of praise from the critics: "It is a dull reader indeed who does not recognize the light of genius in the pages of this book, without doubt a landmark in contemporary historiography." — G. C. Boyce, Annals of the American Academy. "… Pirenne's crowning triumph. The fire of his genius, the boldness of his mind, his profound learning and vivid pen make this volume pleasant reading." — Commonweal. "… an important, seminal book, worthy to close one of the most distinguished careers in European scholarship." — Saturday Review of Literature.Pirenne's masterly study is essential reading for history students, medievalists, and general readers with an interest in the decline of the Roman Empire and the beginnings of the Middle Ages.

    They have become cultural icons, standing not only for different kinds of art but also for different ways of living. Matisse, known for his restraint and intense sense of privacy, for his decorum and discretion, created an art that transcended daily life and conveyed a sensuality that inhabited an abstract and ethereal realm of being. In contrast, Picasso became the exemplar of intense emotionality, of theatricality, of art as a kind of autobiographical confession that was often charged with violence and explosive eroticism. In Matisse and Picasso , Jack Flam explores the compelling, competitive, parallel lives of these two artists and their very different attitudes toward the idea of artistic greatness, toward the women they loved, and ultimately toward their confrontations with death.

    This is popular Catholic history at its finest. The drama of the Great War and the Russian Revolution are juxtaposed with the spiritual dimension of the Age: the diabolism of Rasputin, the Apparition of the Virgin at Fatima, the malignancy of Lenin, the saintly courage of (the now blessed) Charles of Austria. Few standard histories have ever given such a high degree of consideration to the supernatural and the Christian interpretation of history as 1917 does.

    Hailed by Robert Creeley as "both a deeply useful work book and an unequivocal delight," and by the Los Angeles Times Book Review as one of the hundred most recommended American books of the last thirty-five years, it appears here in a revised and expanded version several years in the making. Rothenberg's revision follows the structure and themes of the original version while reworking the contents to include a European section and a large number of newly gathered and translated poems that reflect the work set in motion since 1968.

    Beginning with the first Christians and continuing in our present day, the Church has been planted in every nation on earth.The Catholic Church claims Jesus Christ himself as her founder, and in spite of heresy from within and hostility from without, she remains in the twenty-first century the steadfast guardian of belief in his life, death, and resurrection. The teachings and redemptive works of Jesus as told in the Gospels are expressed by the Church in a coherent and consistent body of doctrine, the likes of which cannot be found in any other Christian body.The history of the Catholic Church is long, complicated, and fascinating, and in this book it is expertly and ably told by historian James Hitchcock. As in the parable of Christ about the weeds that were sown in a field of wheat, evil and good have grown together in the Church from the start, as Hitchcock honestly records. He brings before us the many characterssome noble, some notoriouswho have left an indelible mark on the Church, while never losing sight of the saints, who have given living testimony to the salvific power of Christ in every age.This ambitious work is comprehensive in its scope and in incisive in its understanding, a valuable addition to any school or home library.

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.