Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.

    Since the title character is a "childe", it means he was a noble who forgoes his destiny back home for the exciting unknown. It's also eerily similar to Lord Byron's own life story, of a man who traveled across Europe to take part in other nations' wars.

    Here men from all walks of life don the garb of their fantasies and act them out: a man from the gas company wears the robe and mitre of a bishop; another customer becomes a flagellant judge, and still another a victorious general, while a bank clerk defiles the Virgin mary. These costumed diversions take place while outside a revolution rages on which has isolated the brothel from the rest of the rebel-controlled city. In a stunning series of macabre, climactic scenes, Genet presents his caustic view of man and society.

    Daneel Olivaw, who would later become his favorite protagonists. The book's central crime is a murder, which takes place before the novel opens. Roj Nemmenuh Sarton, a Spacer Ambassador, lives in Spacetown, the Spacer outpost just outside New York City. For some time, he has tried to convince the Earth government to loosen its anti-robot restrictions. One morning, he is discovered outside his home, his chest imploded by an energy blaster. The New York police commissioner charges Elijah with finding the murderer. Elijah must work with a Spacer partner, a highly advanced robot who is visually identical to a human, named R. Daneel Olivaw, even though Elijah, like many Earth residents, has a low opinion of robots. Together, they search for the murderer and try to avert an interstellar diplomatic incident. Like its famous predecessor, The Nakes Sun is a whodunit story, in addition to being science fiction. The story arises from the murder of Rikaine Delmarre, a prominent scientist of Solaria, a planet politically hostile to Earth. Elijah Baley is called in to investigate, at the request of the Solarian government. He is again partnered with the humaniform robot R. Daneel Olivaw. The Robots of Dawn is the third novel in Asimov's Robot series. Elijah Baley and R. Daneel Olivaw team up to solve the roboticide of a robot identical to Olivaw on the Spacer world of Aurora. The robot's inventor, Han Fastolfe, has been implicated. Fastolfe, who was last seen in The Caves of Steel, is the best roboticist on Aurora. He has admitted that he is the only person with the skill to have done it, although he denies doing it. Fastolfe is also a prominent member of the Auroran political faction that favors Earth. Implication in the crime threatens his political career; therefore, it is politically expedient that he be exonerated.

    However, there is a running Japanese thesaurus at the bottom of each page for the more difficult English words highlighted in the text. There are many editions of Poems of Emily Dickinson, Series 1. This edition would be useful if you would like to enrich your Japanese-English vocabulary, whether for self-improvement or for preparation in advanced of college examinations. Websters edition of this classic is organized to expose the reader to a maximum number of difficult and potentially ambiguous English words. Rare or idiosyncratic words and expressions are given lower priority compared to difficult, yet commonly used English words. Rather than supply a single translation, many words are translated for a variety of meanings in Japanese, allowing readers to better grasp the ambiguity of English without using the notes as a pure translation crutch. Having the reader decipher a words meaning within context serves to improve vocabulary retention and understanding. Each page covers words not already highlighted on previous pages. This edition is helpful to Japanese-speaking students enrolled in an English Language Program (ELP), an English as a Foreign Language (EFL) program, an English as a Second Language Program (ESL), or in a TOEFL or TOEIC preparation program. Students who are actively building their vocabularies in Japanese or English may also find this useful for Advanced Placement (AP) tests. TOEFL, TOEIC, AP and Advanced Placement are trademarks of the Educational Testing Service which has neither reviewed nor endorsed this book. This book is one of a series of Websters paperbacks that allows the reader to obtain more value from the experience ofreading. Translations are from Websters Online Dictionary, derived from a meta-analysis of public sources, cited on the site.

    Rauan Klassnik's HOLY LAND is not a book for the faint of heart. His poems--dreamlike fables that conflate the domestic and quotidian with the dangerous and the perverse--are bathed in tears and blood: a trip to the bank becomes a journey to Auschwitz; bullets and gore find equivalence in rivers, birds and lush grass. In Klassnik's startling vision, 'the world knows what you want, and it knows what you need. It brings you bodies. And it brings you a gun.--Gary Young

    In November of 2010, I read at the ‘Ear Eater’ reading series in Chicago. Ana was another reader. She was reading via Skype. There were a lot of people at the reading. After I read, I walked out of the room and stood in a hallway, staring at the floor. After a few difficult conversations with people in the hallway, I heard the host of the reading talking to someone on the computer. It was Ana. Ana started reading. I laughed a lot and enjoyed her reading. Seemed like other people weren’t enjoying it as much as me but I was enjoying it a lot. I stood in the hallway laughing and shaking my head ‘Yes’ and people looked at me. I kept thinking, ‘I want to go into the room and watch her face reading’ but then I would think, ‘No, don’t do that, just listen.’ Not sure why I kept telling myself not to go into the room where she was reading but I stood in the hallway and listened and enjoyed it a lot. Two years later, Ana emailed me Baby Babe. I opened the PDF just to skim a few poems but then I read the whole book. When I was done reading the book, I thought, ‘I’ll be glad to have this book so I can look at it whenever I want.’” — Sam Pink

    The 'scholars' are a cross-section of the local community, from a semi-literate young farmer to and elderly polygot autodidact who reads and quotes Homer in the orginal.In a nearby field camps a recently arrived detachment of the Royal Engineers, engaged on behalf of the Britsh Army and Government in making the first Ordnance Survey. For the purposes ofr cartography, the local Gaelic place names have to be recorded and transliterated - or translated - into English, in examining the effects of this operation on the lives of a small group of people, Irish and English, Brian Friel skillfully reveals the unexperctedly far-reaching personal and cultural effects of an action which is at first sight purely administrative and harmless. While remaining faithful to the personalities and relationshiops of those people at that time he makes a richly suggestive statement about Irish - and English - history.

    I say, plunge them into the hive,& his hands go in.—from "Blind Huber"Blindness does not deter François Huber—the eighteenth-century beekeeper—in his quest to learn about bees through their behavior. Through an odd, but productive arrangement, Huber's assistant Burnens becomes his eyes, his narrator as he goes about his work. In Nick Flynn's extraordinary new collection, Huber and Burnens speak and so do the bees. The strongest virgin waits silently to kill the other virgins; drones are "made of waiting"; the swarm attempts to protect the queen. It is a cruel existence. Everyone sacrifices for the sweet honey, except the human hand that harvests it all in a single afternoon. Blind Huber is about the body, love, and devotion and also about the limits of what can be known and what will forever be unknown. Nick Flynn's bees and keepers—sometimes in a state of magnificent pollen-drunk dizziness—view the world from a striking and daring perspective.

    Likewise Swensen’s lyrics, which, with elliptical phrasing and play between visual and aural, change the act of seeing—and reading—offering glimpses of the spirit (or ghost) that enters a poem where the rational process breaks down.From “The Invention of Streetlights”Certain cells, it’s said, can generate light on their own.There are organisms that could fit on the head of a pin.and light entire rooms. .Throughout the Middle Ages, you could hire a man.on any corner with a torch to light you home. were lamps made of horn.and from above a loom of moving flares, we watched.Notre Dame seem small. .Now the streets stand still. .By 1890, it took a pound of powdered magnesium.to photograph a midnight ball.“Goest, sonorous with a hovering ‘ghost’ which shimmers at the root of all things, is a stunning meditation—even initiation—on the act of seeing, proprioception, and the alchemical properties of light as it exists naturally and inside the human realm of history, lore, invention and the ‘whites’ of painting. Light becomes the true mistress and possibly the underlying language of all invention. Swensen’s poetry documents a penetrating ‘intellectus’—light of the mind—by turns fragile, incandescent, transcendent.”—Anne Waldman

    On the brink of twenty, Charles High-way preps desultorily for Oxford, cheerfully loathes his father, and meticulously plots the seduction of a girl named Rachel -- a girl who sorely tests the mettle of his cynicism when he finds himself falling in love with her.

    it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    "The work is deeply felt...Bernstein has been there and brought it back. Bernstein is a writer." [William S. Burroughs]

    Life for Breavman is made up of dazzling colour – a series of motion pictures fed through a high-speed projector: the half-understood death of his father; the adult games of love and war, with their infinite capacity for fantasy and cruelty; his secret experiments with hypnotism; the night-long adventures with Krantz, his beloved comrade and confidant. Later, achieving literary fame as a college student, Breavman does penance through manual labour, but ultimately flees to New York. And although he has loved the bodies of many women, it is only when he meets Shell, whom he awakens to her own beauty, that he discovers the totality of love and its demands, and comes to terms with the sacrifices he must make.

    He seems to be writing the poems we all need to read right now." --Antioch Review Larry Levis was born in Fresno, California, in 1946. His first book of poems, Wrecking Crew, won the United States Award from the International Poetry Forum, and was published in the Pitt Poetry Series in 1972. His second book, The Afterlife, won the Lamont Award from the American Academy of Poets in 1976. In 1981, The Dollmaker's Ghost was a winner of the Open Competition of the National Poetry Series. Among his other awards were three fellowships in poetry from the National Endowment for the Arts, a Fulbright Fellowship, and a Guggenheim Fellowship. Larry Levis died in 1996.