He is best known for his lyrical and experimental manga for "Garo," the famous alternative comics magazine. This volume collects a selection of Hayashi's most important manga from this period, including "Red Dragonfly" (1968), "Yamauba's Lullaby" (1968) and "Gold Pollen" (1971). Published here in their original full color, these stories mix traditional Japanese aesthetics with Pop art sensibilities, and range in topic from the legacies of Japanese rightwing nationalism and World War II, to the pervasive influence of America over 1960s Japanese youth culture. This first color reprinting of Hayashi's work captures the vivid experimentation of Japanese art at this time. In addition, Hayashi's youth and beginnings as an artist are illuminated by an autobiographical essay from 1972, translated here for the first time into English. Art historian Ryan Holmberg discusses Hayashi's place in postwar Japanese art and manga, as well as his wider contributions to the Tokyo avant-garde as a designer and experimental animator. This lavishly illustrated book is likely to have widespread crossover appeal for design and fashion aficionados, as well as for students of the manga genre.Seiichi Hayashi (born 1945) is best known for his lyrical and experimental manga for "Garo," the famous alternative comics magazine. His animated films have been screened at The Museum of Modern Art, New York, among other institutions. Since the 1970s Hayashi has been a nationally revered illustrator, famous for his classically informed depictions of contemporary women and an important influence on acclaimed director Hayao Miyazaki, among others. Hayashi lives and works just outside of Tokyo.

    Exhausted Salarymen are pushed beyond the brink. Blood, sweat and screams of 'FUCK YOU!' pour out of the characters within The Pits of Hell, and yet a sense of humour always shines through. Bold, absurd and all too real, Ebisu Yoshikazu's work feels distinctly underground, almost punk. The Pits of Hell collects eight classic stories by Ebisu Yoshikazu, originally published between 1969 and 1981. The collection features a foreword by Minami Shinbo and an essay by Ryan Holmberg placing Ebisu Yoshikazu and his work into context.

    This striking collection presents the most remarkable short works of Junji Ito’s career, featuring an adaptation of Rampo Edogawa’s classic horror story “The Human Chair” and fan favorite “The Enigma of Amigara Fault.” With a deluxe presentation—including special color pages, and showcasing illustrations from his acclaimed long-form manga No Longer Human—each chilling tale invites readers to revel in a world of terror.

    Published bi-monthly for over ten years, the pages of "AX "contain the most creative and cutting-edge works of independent comics in the world's largest comics industry. Now, Top Shelf presents this collection of stories from ten years of AX history, and features work by such visionaries as Yoshihiro Tatsumi, Akino Kondoh, Kazuichi Hanawa, and Shinichi Abe.

    The science fiction tale set in 2019 in Tokyo after the city was destroyed by World War III, follows the lives of two teenage friends, Tetsuo and Kaneda, who have a consuming fear of a monstrous power known as Akira.

    A modern-day Michelangelo, this twenty year-old is already an established international stage actress, an up-and-coming architect, and the next recipient of the prestigious Akutagawa Prize as Japan's best new writer. Her actions make headlines in the papers, and inspire radio and television programming. And like many great talents, her troubled past is what motivates her to greatness. She has the amazing ability to emulate the talents of others.Toshiko is also the mastermind behind a series of murders. The ultimate mimic, she has plagiarized, blackmailed, stolen and replicated the works of scores of talents. And now as her star is rising within the world of the elites and powerful she has amassed a long list of enemies frustrated by the fact that she has built critical and financial acclaim for nothing more than copying others' work. Neglected as a child, she ischallenging the concepts of gender inequality while unleashing her loneliness upon the world as she climbs the social ladder one body at a time.One of Osamu Tezuka's most wicked tales, The Book of Human Insects renders the 70's as a brutal and often polarizing bug-eat-bug world, where only those willing to sell their soul to the masses and become something less than human are capable of achieving their wildest dreams

    Each of the eight stories in the collection is lifted from the Edo-era Japanese storytelling form. As Tatsumi notes in the afterword, the world of rakugo, filled with mystery, emotion, revenge, hope, and, of course, love, overlaps perfectly with the world of Gekiga that he has spent the better part of his life developing. These slice-of-life stories resonate with modern readers thanks to their comedic elements and familiarity with human idiosyncrasies. In one, a father finds his son too bookish and arranges for two workers to take the young man to a brothel on the pretext of visiting a new shrine. In another particularly beloved rakugo tale, a married man falls in love with a prostitute. When his wife finds out, she is enraged and sets a curse on the other woman. The prostitute responds by cursing the wife, and the two escalate in a spiral of voodoo doll cursing. Soon both are dead, but even death can’t extinguish their jealousy. Tatsumi’s love of wordplay shines through in the telling of these whimsical stories, and yet he still offers timeless insight into human nature.

    Mizuki's childhood experiences with yokai influenced the course of his life and oeuvre; he is now known as the forefather of yokai manga. His spring 2011 book, Onward Towards Our Noble Deaths, was featured on PRI's The World, where Marco Werman scored a coveted interview with one of the most famous visual artists working in Japan today.Within the pages of NonNonBa, Mizuki explores the legacy left him by his childhood explorations of the spirit world, explorations encouraged by his grandmother, a grumpy old woman named NonNonBa. NonNonBa is a touching work about childhood and growing up, as well as a fascinating portrayal of Japan in a moment of transition. NonNonBa was the first manga to win the Angoulême Prize for Best Album. Much like its namesake, NonNonBa is at once funny and nostalgic, firmly grounded in a sociohistorical context and floating in the world of the supernatural.

    In the rapidly converging landscape of the 21st century Major Kusanagi is charged to track down the craftiest and most dangerous terrorists and cybercriminals, including ghost hackers When he track the trail of one hacker, her quest leads her to a world she could never have imagined.

    The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs—used camera salesman, ferryman, and stone collector—hoping to find success among the hucksters, speculators, and deadbeats he does business with.Instead, he fails again and again, unable to provide for his family, earning only their contempt and his own. The result is a dryly funny look at the pitfalls of the creative life, and an off-kilter portrait of modern Japan. Accompanied by an essay from translator Ryan Holmberg that discusses Tsuge’s importance in comics and Japanese literature, The Man Without Talent is one of the great works of comics literature.

    Creating unforgettable imagery of stark beauty, kinetic fury, and visceral thematic power, the epic samurai adventure has influenced a generation of visual storytellers both in Japan and in the West.

    New and unabridged, this is an all-new translation of the author's first-person experiences of Hiroshima and its aftermath, is a reminder of the suffering war brings to innocent people. Its emotions and experiences speak to children and adults everywhere. Volume one of this ten-part series details the events leading up to and immediately following the atomic bombing of Hiroshima.

    Europol's top detective Gesicht is assigned to investigate these mysterious robot serial murders; the only catch is that he himself is one of the seven targets.

    For now, Takezo is a cold-hearted killer, who will take on anyone in mortal combat to make a name for himself. This is the journey of a wild young brute who strives to reach enlightenment by way of the sword--fighting on the edge of death.Chapter TitlesChapter 001. "Shinmen Takezo" (新免武蔵様)Chapter 002. "Akemi" (朱実)Chapter 003. "Oko" (お甲)Chapter 004. "The Brigand Tsujikaze" (野武士辻風)Chapter 005. "Blood Game" (血遊び)Chapter 006. "The Troubles of Honi'den Matahachi at Seventeen" (本位田又八17歳の懊悩)Chapter 007. "Farewell Takezo" (さらば武蔵)Chapter 008. "Miyamoto Village" (宮本村)Chapter 009. "Fiancee" (許嫁)Chapter 010. "Left Behind" (残された者たち)

    But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami, a death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Note to rid the world of evil. But when criminals begin dropping dead, the authorities send the legendary detective L to track down the killer. With L hot on his heels, will Light lose sight of his noble goal... or his life?BoredomLight tests the boundaries of the Death Note's powers as L and the police begin to close in. Luckily, Light's father is the head of the Japanese National Police Agency and leaves vital information about the case lying around the house. With access to his father's files, Light can keep one step ahead of the authorities. But who is the strange man following him, and how can Light guard against enemies whose names he doesn't know?