Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    She has just returned to Boston after two years of mourning in Europe. Although her husband was loving, the marriage was an arranged one, and Nicholette would like to wed again--this time for love...and to someone safeAs she acclimates to life in Back Bay again, Nicholette meets someone she can't help but fall for. But when she learns of the danger and sacrifices Cal Hawthorne takes on for the safety of others, will her heart be strong enough to keep her fears of "what if" at bay?

    Gina Shaw is a servant in his uncle’s house. Clearly out of place in the position in which she has been discovered, she becomes a source of fascination . . . and curiosity. A girl with a blighted past and a fortune she deems a curse, Gina has lowered herself in order to find escape from her family and their scheming designs. But when she is found, the stakes suddenly become dire. All Gina wants is the freedom to live her life as she would wish. All her aunts want is the money that comes with her. But there is more than one way to trap an insect. An arranged marriage might turn out profitable for more parties than one. Mr. Hamilton is about to make the acquisition of a lifetime. But will the price be worth it? Can a woman captured and acquired learn to love the man who has bought her?

    With all the intricate detail of historical nonfiction and all the pace of romantic drama, this is beautifully written stuff.”—Glamour (UK) In Oxford’s Bodleian Library, Elizabeth Staveley has found a fragment of ancient paper that may hold the key to a story hidden for four centuries: a British sea captain’s daughter held captive in the sultan’s harem. Constantinople, 1599. In the sultan’s palace, the chief eunuch has been poisoned by a beautiful ship made of spun sugar, and a rebellion is rising within the palace’s most private quarters. A British merchant, Paul Pindar, brings a precious gift to the sultan and discovers that the woman he once loved, Celia, may be alive, hidden among the ranks of slaves in the sultan’s harem. Can this really be his shipwrecked Celia? And if it is, can they be reunited? Steeped in mystery and sexual intrigue, The Aviary Gate transports readers to exotic sixteenth-century Constantinople, offering the rarest glimpse into the forbidden confines of the sultan’s harem.

    Then on her day off, she links up with two hiking companions who have inadvertently stumbledupon a scene of blood vengeance. And suddenly the life Nicola adores is in danger of coming to an abrupt, brutal, and terrifying end . .

    The Wreckage is a truly epic, yet twisted, romance that unfolds over decades and continents. It engages readers on the austere shores of Newfoundland’s fishing villages and drags them across to Japanese POW camps during some of the worst events of the Second World War. Haunting, lyrical, and deeply intimate, Crummey’s language fully exposes his characters’ vulnerabilities as they struggle to come to terms with their guilt and regret over decisions made during their impulsive youths. In the fishing villages of Newfoundland we come across an itinerant Wish Furey. He’s a drifter and a projectionist, traveling from island to island bringing films to isolated communities. A Catholic in a staunchly Protestant community, working with an alcoholic, gambling partner, Wish is immediately labeled an outsider. On Little Fogo Island, he spots a desirable young woman in the audience and embarks on an unwavering mission to possess her. Mercedes Parsons – Sadie – is equally infatuated and yields to Wish's advances as much as her chaste upbringing will allow.Crummey masterfully captures the ferocity of the young romance, the coiled up sexual tension exploding in instances of pure pleasure and ending often in frustration. The pair can steal only scattered moments alone as Sadie’s mother puts up a formidable defense against Wish, whom she believes will bring only trouble. However intent he seems on winning Sadie, Wish's character remains mysteriously closed. He is painfully silent around her family, which only strengthens their mistrust. Crummey seems to purposefully disclose only the barest of Wish's intimate thoughts and motivations. While the romance intensifies, Crummey casts his lovers in a wider shadow. He brings to life the Newfoundland coastline, its unforgiving waters, the religious fervor and prejudice of its inhabitants, their ceaseless work, and the collective anxiety about the burgeoning war.Unable to defeat Sadie’s mother, and unable to quell his conscience after Sadie's breathless pleading, "Don't make a whore of me," Wish flees to St. John’s and enlists in the British army. Sadie embarks on a frantic pursuit only to find him gone. Defying her family she stays in the capital, building a new life, the reality of Wish's disappearance – the acute, constant ache of it – gradually settling in. Wish lands somewhere in southeast Asia and then, finally, in a Japanese POW camp. He suffers agonizing torture under a particularly cruel guard known initially as the Interpreter. We have met the Interpreter already. Crummey has woven this man's narrative through the novel, slowly revealing the origins of his unique hatred toward the Canadian prisoners. Born in British Columbia, Nishino has experienced a harsh brand of discrimination. It is through Nishino that Crummey provides a chilling example of how prejudice can breed exceptionally brutal cycles of violence.Crummey unveils the depths of his characters’ personalities with slow deliberation. The layers of their pain, suffering, and love are peeled back with each recounted memory as the novel makes its transition into contemporary times. With each memory that is unleashed the reader comes closer to understanding the choices the protagonists made, the consequences they endured, and their subsequent feelings of frustration and guilt. Fifty years after Sadie’s flight from St. John’s, she returns to Newfoundland to scatter the ashes of her dead husband and collides with Wish whom she believed dead. Sadie reflects, “It was like being handed a photograph from a stranger’s collection, one more unexpected glimpse of that face when she thought her memories of it were complete.” Memories can be taken out, tampered with, much like the film of the projectionist. It is here that Crummey cracks open Wish's character. There is a flood of revelations; his sexual exploits as a teenager, the bet made that he could conquer Sadie, Nishino's murder, and his own troubling reaction to it. It's a narrative coup. The reader is left, as Sadie is, stunned and grappling with these revelations and how our perceptions of his character have been altered. Wish is angry, sullen, and paralyzed with guilt. Yet he is still capable of love and being loved and Sadie is the only one left to remind him.It is a testament to Crummey’s gifts as a novelist that he can flow quite easily through time, across landscapes, and between vastly different characters. He vividly captures the mental and physical anguish Wish experienced in the prison camps, and with calm lucidity explores the motives of a Japanese soldier whose actions seem inhumanly cold and calculating. Crummey toys with the readers’ sympathies, suggesting there are few distinctions between the enemy and us. He incorporates heartbreaking tragedy – the dropping of the atom bomb, lynchings in America, murderous revenge – to underscore the darker side of humanity. Crummey shows that we are capable of violence, but in the end he proves we are also capable of redemption, forgiveness, and can be led, unashamed, back to the ones we love.From the Hardcover edition.

    Then her uncle dies, leaving her the family’s Revolutionary-era home and, she believes, an escape from her chaotic marriage. But one afternoon, while searching for a rake, she discovers a man in her garden shed — and a free fall through the centuries. As her life spins wildly out of control, Kathleen finds her heart and in the process, her own place in time.

    In their historic Fifth Avenue mansion, filled with a century's worth of family secrets, Michele discovers the biggest family secret of all - an ancestor's diary that, amazingly, has the power to send her back in time to 1910, the year it was written. There, at a glamorous high-society masquerade ball, Michele meets the young man with striking blue eyes who has haunted her dreams all her life. And she finds herself falling for him, and into an otherworldly romance.Soon Michele is leading a double life, struggling to balance her contemporary high school world with her escapes into the past. But when she stumbles upon a terrible discovery, she is propelled on a race through history to save the boy she loves - and to complete a quest that will determine their fate.

    She provides comfort for the grieving, advises them on funeral fashion and etiquette, and arranges funerals.Unbeknownst to his wife, Graham, who has nursed a hatred of America since his grandfather soldiered for Great Britain in the War of 1812, becomes involved in a scheme to sell arms to the South. Meanwhile, Violet receives the commission of a lifetime: undertaking the funeral for a friend of Queen Victoria and Prince Albert. But her position remains precarious, especially when Graham disappears and she begins investigating a series of deaths among the poor. And the closer she gets to the truth, the greater the danger for them both…

    As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    Love Story, Coming-of-Age, Historical - Paperback or eBook) In 1960 when Clair Wagner's friends are showing off their new bikinis at the local swimming hole and planning weddings, Clair is plotting her escape from her rural farm-community life. She is headed for college on the shores of Lake Erie with plans for the future and dreams of a "handsome sailor with the constellations of the Northern Seas in his eyes". Into her life comes Pio, a beautiful Italian fisherman, who longs for a life of adventure on the Great Lakes under the aurora borealis. Clair soon meets Gary, the dashing son of a wealthy shipping magnate, who introduces her to Canal Street on the waterfront where she encounters The Old Mermaid Inn, a tavern that, as Gary tells her, "deserves its reputation".But The Old Mermaid Inn, with its giant painting of a seductive mermaid, is home to some fascinating people including Tessie, the owner and original mermaid, and the intriguing Baptiste, a Breton mariner injured in a shipwreck, who earns his living as a musician.With Pio, Clair discovers passion, with Gary she gains entry into the world of the commercial waterfront, and with Baptiste she discovers all-consuming love. But as her relationship with Baptiste grows she discovers he is far more complex and mysterious than she could imagine. He has secrets and his secrets will alter her life forever.

    But from their first meeting, she and Nathaniel Hawthorne begin an intense romantic partnership. Together, they cross continents, raise children, and experience all the beauty and tragedy of life fully lived. Sophia’s vivid journals and masterful paintings inspire Nathaniel’s writing. But their children’s needs and personal losses fuel a perennial tug-of-war between Sophia’s domestic duties and her own desires.Spanning the years from the 1830s to the Civil War, and moving from Massachusetts to England, Portugal, and Italy, The House of Hawthorne explores the story of a woman, forgotten by history, who inspired one of the greatest writers of American literature…Readers Guide Included

    Nightly air raids become grimly mundane. The tightening vice of rationing curtails every comfort. Men leave to fight and die. And five women forge an unlikely bond of friendship that will change their lives forever.Alice Osbourne, the stolid daughter of the late vicar, is reeling from the news that Richard Fairfax broke their engagement to marry Evangeline Fontaine, an American girl from the Deep South. Evangeline’s arrival causes a stir in the village—but not the chaos that would ensue if they knew her motives for being there. Scrappy Elsie Pigeon is among the poor of London who see the evacuations as a chance to escape a life of destitution. Another new arrival is Tanni Zayman, a young Jewish girl who fled the horrors of Europe and now waits with her newborn son, certain that the rest of her family is safe and bound to show up any day. And then there’s Frances Falconleigh, a madcap, fearless debutante whose father is determined to keep her in the countryside and out of the papers.As the war and its relentless hardships intensify around them, the same struggles that threaten to rip apart their lives also bring the five closer together. They draw strength from one another to defeat formidable enemies—hunger, falling bombs, the looming threat of a Nazi invasion, and a traitor in their midst—and find remarkable strength within themselves to help their friends. Theirs is a war-forged loyalty that will outlast the fiercest battle and endure years and distance.When four of the women return to Crowmarsh Priors for a VE Day celebration fifty years later, television cameras focus on the heartwarming story of these old women as war brides of a bygone age, but miss the more newsworthy angle. The women’s mission is not to commemorate or remember—they’ve returned to settle a score and avenge one of their own.

    It can be found only in the final book of the series that made her a famous writer. But does that book exist?This absorbing novel spans the entire twentieth century, telling the moving story of a mother, her daughter, and two granddaughters, one of whom is the only person alive who knows the whereabouts of Harriet's final book. When a hospitalization brings the family back together, the mystery not only of Harriet's last book, but also of her life, hangs in the balance. Will the truth ever be known, or is Harriet's story gone forever?A multi-generational tale of long-lost love, motherhood, and family secrets, this is Baggott's most sweeping and mesmerizing novel yet.

    She mourned the death of her father and suffered a teen-life crisis, which delayed her university plans. But when her father’s will reveals a family-owned property in Northern England, Josie leaves London to find clarity at the secluded manor house. While exploring the estate, she discovers two-hundred-year-old love letters written by an elusive novelist, all addressed to someone named Josephine. And then she discovers a novel in which it seems like she’s the heroine…1820: Novelist Elias Roch loves a woman he can never be with. Born the bastard son to a nobleman and cast out from society, Elias seeks refuge in his mind with the quirky heroine who draws him into a fantasy world of scandal, betrayal, and unconditional love. Convinced she’s his soulmate, Elias writes letters to her, all of which divulge the tragedy and trials of his personal life.As fiction blurs into reality, Josie and Elias must decide: How does one live if love can’t wait? Separated by two hundred years, they fight against time to find each other in a story of her, him, and the novel written by the man who loves her.