Staceyann's mother did not want her, and her father was not present. No one, except her grandmother, thought Staceyann would survive.It was her grandmother who nurtured and protected and provided for Staceyann and her older brother in the early years. But when the three were separated, Staceyann was thrust, alone, into an unfamiliar and dysfunctional home in Paradise, Jamaica. There, she faced far greater troubles than absent parents. So, armed with a fierce determination and uncommon intelligence, she discovered a way to break out of this harshly unforgiving world.Staceyann Chin, acclaimed and iconic performance artist, now brings her extraordinary talents to the page in a brave, lyrical, and fiercely candid memoir about growing up in Jamaica. She plumbs tender and unsettling memories as she writes about drifting from one home to the next, coming out as a lesbian, and finding the man she believes to be her father and ultimately her voice. Hers is an unforgettable story told with grace, humor, and courage.

    Childhood photographs are accompanied by sweet, funny, and at times heartbreaking personal stories. Collected from around the world and dating from the 1940s to today, these memories speak to the hardships of an unaccepting world and the triumph of pride, self-love, and self-acceptance. This intimate little book is a wonderful gift for all members of the LGBTQ community as well as their friends and families. Like Dan Savage’s It Gets Better Project, Born This Way gives young people everywhere the courage to say, “Yes, I’m gay. And I was born this way. I’ve known it since I was very young, and this is my story.”

    Their divorce triggered her rebellious adolescence and first forays into drinking at age 11, which coincided with her passion for punk rock and playing drums. Her efforts to come to terms with her sexuality further drove her memorably hard playing, and by the late '80s Schemel was performing regularly in well-regarded bands in Tacoma, Seattle, and Olympia. She met Kurt Cobain at a Melvins show, pre-Nirvana, and less than five years later she would be living with him and his wife, Hole front-woman Courtney Love, at the height of his fame and on the cusp of hers. As Hole's new drummer, Schemel contributed memorable, driving drum parts to hits like "Beautiful Son," "Violet," "Doll Parts," and "Miss World." But the band was plagued by tragedy and addiction, and by the time Hole went on tour in support of their ironically titled and critically acclaimed album Live Through This in 1994, both Cobain and Hole bassist Kristen Pfaff were dead at age 27.With surprising candor and wit, Schemel intimately documents the events surrounding her exit from the band in 1998 that lead to her dramatic descent into a life of homelessness and crime on the streets of Los Angeles and the difficult but rewarding path to sobriety after over twenty serious attempts to get clean. Hit So Hard chronicles the extraordinary coming of age of a musician and an addict during the last great era of rock 'n' roll excess.

    With Odd Girl Out, Bannon introduces Laura Landon, whose love affair with her college roommate Beth launched the lesbian pulp fiction genre.

    Hollibaugh is a lesbian sex radical, ex-hooker, incest survivor, gypsy child, poor-white-trash, high femme dyke. She is also an award-winning filmmaker, feminist, Left political organizer, public speaker, and journalist. My Dangerous Desires presents over twenty years of Hollibaugh’s writing, an introduction written especially for this book, and five new essays including “A Queer Girl Dreaming Her Way Home,” “My Dangerous Desires,” and “Sexuality, Labor, and the New Trade Unionism.” In looking at themes such as the relationship between activism and desire or how sexuality can be intimately tied to one’s class identity, Hollibaugh fiercely and fearlessly analyzes her own political development as a response to her unique personal history. She explores the concept of labeling and the associated issues of categories such as butch or femme, transgender, bisexual, top or bottom, drag queen, b-girl, or drag king. The volume includes conversations with other writers, such as Deirdre English, Gayle Rubin, Jewelle Gomez, and Cherríe Moraga. From the groundbreaking article “What We’re Rollin’ Around in Bed With” to the radical “Sex Work Notes: Some Tensions of a Former Whore and a Practicing Feminist,” Hollibaugh charges ahead to describe her reality, never flinching from the truth. Dorothy Allison’s moving foreword pays tribute to a life lived in struggle by a working-class lesbian who, like herself, refuses to suppress her dangerous desires. Having informed many of the debates that have become central to gay and lesbian activism, Hollibaugh’s work challenges her readers to speak, write, and record their desires—especially, perhaps, the most dangerous of them—“in order for us all to survive.”

    In The Kid, Savage tells a no-holds-barred, high-energy story of an ordinary American couple who wants to have a baby. Except that in this case the couple happens to be Dan and his boyfriend. That fact, in the face of a society enormously uneasy with gay adoption, makes for an edgy, entertaining, and illuminating read. When Dan and his boyfriend are finally presented with an infant badly in need of parenting, they find themselves caught up in a drama that extends well beyond the confines of their immediate world. A story about confronting homophobia, falling in love, getting older, and getting a little bit smarter, The Kid is a book about the very human desire to have a family.

    As Tala’s wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.Moving between the vast enclaves of Middle Eastern high society and the stunning backdrop of London’s West End, I Can’t Think Straight explores the clashes between East and West, love and marriage, conventions and individuality, creating a humorous and tender story of unexpected love and unusual freedoms.

    When Kate Vincent and her partner travel to Spain, Kate is accidentally transported back in time... way back in time... to 1085. What does a woman like Kate do in a world of no antibiotics, no feminism, no Diet Coke? She denies it as long as possible, then sets her mind to getting home. Tricky with her now useless twenty-first century skills. Things don't go well. Kate is captured by a band of mercenary soldiers and becomes an unwitting pawn in the violent conflict between the Catholic kings and the Islamic Moors. In her struggle to stay alive and return to the future, Kate must flee exotic harems, filthy dungeons, and treacherous Moorish courts. But when a sword-brandishing woman with an astonishing secret sweeps into Kate's life, Kate is suddenly torn between two women, and between two centuries. The Spanish Pearl is an epic adventure spiced with humor, lust, and danger—a story with surprising twists that will capture your imagination just as Kate's dilemma captures your heart.

    First love. First heartbreak. At once romantic and devastating, brutally honest and full of humor, this graphic-novel memoir is a debut of the rarest sort.Maggie Thrash has spent basically every summer of her fifteen-year-old life at the one-hundred-year-old Camp Bellflower for Girls, set deep in the heart of Appalachia. She’s from Atlanta, she’s never kissed a guy, she’s into Backstreet Boys in a really deep way, and her long summer days are full of a pleasant, peaceful nothing . . . until one confounding moment. A split-second of innocent physical contact pulls Maggie into a gut-twisting love for an older, wiser, and most surprising of all (at least to Maggie), female counselor named Erin. But Camp Bellflower is an impossible place for a girl to fall in love with another girl, and Maggie’s savant-like proficiency at the camp’s rifle range is the only thing keeping her heart from exploding. When it seems as if Erin maybe feels the same way about Maggie, it’s too much for both Maggie and Camp Bellflower to handle, let alone to understand.

    Nidali mixes humor with a sharp, loving portrait of an eccentric middle-class family, and this perspective keeps her buoyant through the hardships she encounters: the humiliation of going through a checkpoint on a visit to her father’s home in the West Bank; the fights with her father, who wants her to become a famous professor and stay away from boys; the end of her childhood as Iraq invades Kuwait on her thirteenth birthday; and the scare she gives her family when she runs away from home. Funny, charming, and heartbreaking, A Map of Home is the kind of book Tristram Shandy or Huck Finn would have narrated had they been born Egyptian-Palestinian and female in the 1970s.

    Big time. Forced to move to London thanks to her father’s new job, she has to leave her friends, school, and, most importantly, her girlfriend Amy, far behind. To make matters worse, Tabby’s parents enroll her in the exclusive Queen Victoria Independent School for Girls, hoping that it will finally make a lady of her.But Tabby has other ideas.Loathing her new school, Tabby fights against everything and everyone, causing relations with her parents to hit rock bottom. But when the beautiful and beguiling Eden Palmer walks into her classroom one day and catches her eye, Tabby begins to wonder if life there might not be so bad after all.When Amy drops a bombshell about their relationship following a disastrous visit, Tabby starts to see the need for new direction in her life. Fighting her own personal battles, Eden brings the possibility of change for them both. Gradually, Tabby starts to turn her life around—and it’s all because of her.

    Allen Ginsberg. William S. Burroughs. LeRoi Jones. Theirs are the names primarily associated with the Beat Generation. But what about Joyce Johnson (nee Glassman), Edie Parker, Elise Cowen, Diane Di Prima, and dozens of others? These female friends and lovers of the famous iconoclasts are now beginning to be recognized for their own roles in forging the Beat movement and for their daring attempts to live as freely as did the men in their circle a decade before Women's Liberation.Twenty-one-year-old Joyce Johnson, an aspiring novelist and a secretary at a New York literary agency, fell in love with Jack Kerouac on a blind date arranged by Allen Ginsberg nine months before the publication of On the Road made Kerouac an instant celebrity. While Kerouac traveled to Tangiers, San Francisco, and Mexico City, Johnson roamed the streets of the East Village, where she found herself in the midst of the cultural revolution the Beats had created. Minor Characters portrays the turbulent years of her relationship with Kerouac with extraordinary wit and love and a cool, critical eye, introducing the reader to a lesser known but purely original American voice: her own.

    Peopled by a cast of gay icons such as Dusty Springfield, Billie Jean King, Dirk Bogarde and Alan Turing, and featuring key moments such as Stonewall, Gay Pride and Section 28, Sensible Footwear: A Girl’s Guide, is the first graphic history documenting lesbian life from 1950 to the present. It is a stunning, personal, graphic memoir and a milestone itself in LGBTQI+ history.In 1950, when Kate was born, male homosexuality carried a custodial sentence. But female homosexuality had never been an offence in the UK, effectively rendering lesbians even more invisible than they already were—often to themselves. Growing up in Yorkshire, the young Kate had to find role models wherever she could, in real life, books, film and TV.Sensible Footwear: A Girl’s Guide is a fascinating history of how post-war Britain transformed from a country hostile towards ‘queer’ lives to the LGBQTI+ universe of today, recording the political gains and challenges against a backdrop of personal experience: realising her own sexuality, coming out to her parents, embracing lesbian and gay culture, losing friends to AIDS. Kate’s ex-navy dad said to her: ‘You shouldn’t have told her, love… you should have just told me.’ But it turned out her mother might have known a bit more about life, too.

    Stevie is a bookworm, yet she longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin' trash, "kicking butt," and boys.With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a 'fro instead of straightened, to refuse to use skin bleach, and to confront the prejudice she observes in blacks as well as whites. April Sinclair writes frankly about a young black woman's sexuality, and about the confusion Stevie faces when she realizes she's more attracted to the school nurse—who is white—than her teenage boyfriend. As readers follow Stevie's at times harrowing, at times hilarious story, they will learn what it was like to be black before black was beautiful.

    In "Reminiscences," the first of five pieces, she focuses on the death of her mother, "the greatest disaster that could happen," and its effect on her father, the demanding Victorian patriarch. Three of the papers were composed to be read to the Memoir Club, a postwar regrouping of Bloomsbury, which exacted absolute candor of its members."A Sketch of the Past" is the longest and most significant of the pieces, giving an account of Virginia Woolf's early years in the family household at 22 Hyde Park Gate. A recently discovered manuscript belonging to this memoir has provided material that further illuminates her relationship to her father, Leslie Stephen, who played a crucial role in her development as an individual and as a writer.