David Lamb, who spent years as a correspondent in Cairo, explores the Arabs’ religious, political, and cultural views, noting the differences and key similarities between the many segments of the Arab world. He explains Arab attitudes and actions toward the West, including the growth of terrorism, and situates current events in a larger historical backdrop that goes back more than a thousand years.Now thoroughly revised and updated, The Arabs takes the story up to 2001. Lamb analyzes the developments that led to the attacks on the World Trade Center and the Pentagon, and helps the reader to understand how things got to that point. A veteran journalist, Lamb combines his extensive experience in covering international politics with his deeply informed insider’s knowledge to provide an intimate portrait of the Arab world today.

    In this book, Muhammad Abdel Haleem examines its recurrent themes and for the first time sets them in the context of the Qur'an's linguistic style. Haleem examines the background to the development of the surahs (chapters) and the ayahs (verses) and the construction of the Qur'an itself.

    Now Blanford has written the first comprehensive inside account of Hezbollah and its enduring struggle against Israel. Based on more than a decade and a half of reporting in Lebanon and conversations with Hezbollah’s determined fighters, Blanford reveals their ideology, motivations, and training, as well as new information on military tactics, weapons, and sophisticated electronic warfare and communications systems.Using exclusive sources and his own dogged investigative skills, Blanford traces Hezbollah’s extraordinary evolution—from a zealous group of raw fighters motivated by Iran’s 1979 Islamic revolution into the most formidable non-state military organization in the world, whose charismatic leader vows to hasten Israel’s destruction. With dramatic eyewitness accounts, including Blanford’s own experiences of the battles, massacres, triumphs, and tragedies that have marked the conflict, the story follows the increasingly successful campaign of resistance that led to Israel’s historic withdrawal from Lebanon in 2000.Warriors of God shows how Hezbollah won hearts and minds with exhaustive social welfare programs and sophisticated propaganda skills. Blanford traces the group’s secret military build-up since 2000 and reveals the stunning scope of its underground network of tunnels and bunkers, becoming the only journalist to independently discover and explore them. With the Middle East fearful of another, even more destructive war between Lebanon and Israel, Blanford tenaciously pursues Hezbollah’s post-2006 battle plans in the Lebanese mountains, earning him newspaper scoops as well as a terrifying interrogation and a night in jail.Featuring sixteen years of probing interviews with Hezbollah’s leaders and fighters, Warriors of God is essential to understanding a key player in a region rocked by change and uncertainty.

    Bennison contradicts the common assumption that Islam somehow interrupted the smooth flow of Western civilization from its Graeco-Roman origins to its more recent European and American manifestations. Instead, she places Islamic civilization in the longer trajectory of Mediterranean civilizations and sees the ‘Abbasid Empire (750–1258 CE) as the inheritor and interpreter of Graeco-Roman traditions.At its zenith the ‘Abbasid caliphate stretched over the entire Middle East and part of North Africa, and influenced Islamic regimes as far west as Spain. Bennison’s examination of the politics, society, and culture of the ‘Abbasid period presents a picture of a society that nurtured many of the “civilized” values that Western civilization claims to represent, albeit in different premodern forms: from urban planning and international trade networks to religious pluralism and academic research. Bennison’s argument counters the common Western view of Muslim culture as alien and offers a new perspective on the relationship between Western and Islamic cultures.

    But this assumption fails to recognize that social and political change comes in many guises. In this eye-opening book, Asef Bayat reveals how under the shadow of the authoritarian rule, religious moral authorities, and economic elites, ordinary people can make meaningful change through the practices of everyday life.Though not as visible on the world-stage as a mass protest or a full-scale revolution, millions of people across the Middle East are discovering or creating new social spaces within which to make their claims heard. The street vendor who sets up his business in the main square, squatters who take over public parks, Muslim youth who frequent public hangouts in blue jeans, and protestors who march in the streets, poor housewives who hang their wash in the alleyways, and educated women who pursue careers doing "men's work"—all these people challenge the state's control and implicity question the established public order through their daily activities. Though not coordinated in their activities, these "non-movements" offer a political response, not of protest but of practice and direct daily action.Offering a window into the complex social processes in a too-often misunderstood part of the world, this unique book provides a much-needed Middle Eastern perspective on global debates over the meaning of social movements and the dynamics of social change.

    In newspapers, on television, and during orchestrated spectacles Asad is praised as the "father," the "gallant knight," even the country's "premier pharmacist." Yet most Syrians, including those who create the official rhetoric, do not believe its claims. Why would a regime spend scarce resources on a cult whose content is patently spurious?Wedeen concludes that Asad's cult acts as a disciplinary device, generating a politics of public dissimulation in which citizens act as if they revered their leader. By inundating daily life with tired symbolism, the regime exercises a subtle, yet effective form of power. The cult works to enforce obedience, induce complicity, isolate Syrians from one another, and set guidelines for public speech and behavior. Wedeen's ethnographic research demonstrates how Syrians recognize the disciplinary aspects of the cult and seek to undermine them. Provocative and original, Ambiguities of Domination is a significant contribution to comparative politics, political theory, and cultural studies.

    Al-Qaeda’s chilling ideology calls for a relentless jihad against non-Muslim “infidels,” repudiates democracy in favor of Islamic law, stresses the importance of martyrdom, and mocks the notion of “moderate” Islam.Perhaps the most disturbing aspect of these works is how grounded they are in the traditional sources of Islamic theology: the Koran and the teachings of the Prophet. The founders of al-Qaeda use these sources as powerful weapons of persuasion, reminding followers (and would-be recruits) that Muhammad and his warriors spread Islam through the power of the sword and that the Koran is not merely allegory or history but literal truth that commands all Muslims to action.In addition to laying bare al-Qaeda’s ultimate motives, The Al Qaeda Reader includes the organization’s propagandist speeches, which are directed primarily at Americans, Europeans, and Iraqis. Here, al-Qaeda’s many "official" accusations against the West are meticulously delineated, from standard complaints such as the Palestinian issue and Iraq to wholly unexpected ones concerning the U.S.’s exploitation of women and the environment.Taken together, the Theology and Propaganda sections of this volume reveal the most comprehensive picture of al-Qaeda to date. They also highlight the double-speak of bin Laden and Zawahiri, who often say one thing to Muslims in their religious treatises ("We must hate and fight the West because Islam commands it") and another in their propaganda directed at the West ("The West is the aggressor and we are fighting back merely in self-defense").Westerners from across the political spectrum will be fascinated and enlightened by The Al Qaeda Reader’s insights into the nature of Islamic texts and the ways in which al-Qaeda has used these texts to manufacture hatred against our civilization and our way of life.

    Why the French Don't Like Headscarves explains why headscarves on schoolgirls caused such a furor, and why the furor yielded this law. Making sense of the dramatic debate from his perspective as an American anthropologist in France at the time, John Bowen writes about everyday life and public events while also presenting interviews with officials and intellectuals, and analyzing French television programs and other media.Bowen argues that the focus on headscarves came from a century-old sensitivity to the public presence of religion in schools, feared links between public expressions of Islamic identity and radical Islam, and a media-driven frenzy that built support for a headscarf ban during 2003-2004. Although the defense of la�cit� (secularity) was cited as the law's major justification, politicians, intellectuals, and the media linked the scarves to more concrete social anxieties--about communalism, political Islam, and violence toward women.Written in engaging, jargon-free prose, Why the French Don't Like Headscarves is the first comprehensive and objective analysis of this subject, in any language, and it speaks to tensions between assimilation and diversity that extend well beyond France's borders.

    A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” They are as representative of the world of Islam today as the conservatives and extremists we see every night on the news. Heavy metal, punk, hip-hop, and reggae are each the music of protest, and in many cases considered immoral in the Muslim world. This music may also turn out to be the soundtrack of a revolution unfolding across that world. Why, despite governmental attempts to control and censor them, do these musicians and fans keep playing and listening? Partly, of course, for the joy of self-expression, but also because, in this region, everything is political. In Heavy Metal Islam, Mark LeVine explores the influence of Western music on the Middle East through interviews with musicians and fans, introducing us young Muslims struggling to reconcile their religion with a passion for music and a desire for change. The result is a revealing tour of contemporary Islamic culture through the evolving music scene in the Middle East and Northern Africa. Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music just might be the true democratizing force.

    Known as ‘the shadow commander’, he enacted the wishes of the country’s Supreme Leader across the Middle East, establishing the Islamic Republic as a major force in the region. But all this was a long way from where he began – on the margins of a nation whose ruler was seen as a friend of the West. Through Soleimani, Arash Azizi examines how Iran came to be where it is today. Providing a rare insight into a country whose actions are often discussed but seldom understood, he reveals the global ambitions underlying Iran’s proxy wars, geopolitics and nuclear programme.

    He wrote his poetry in Urdu and Farsi (1873-1938), and that bridged and encompassed the past many centuries of man's endeavours in the realms of thought and intuition. He emblazoned the high standards set by Mirza Asadullah Khan 'Ghalib', and glorified the literature in his own way. He was a scholarly personality, and wrote on various subjects, from philosophy to politics, from romance to emotions and so on. He wrote world famous poem 'sare jahan se acha Hindustan hamara' and many other such 'nazams' which are even today considered as great poetical creations. He was honoured with the title 'sir' by the British Government for his contributions to the literature.The present collection is a representative of Iqbal's Urdu poetry, which has been transliterated into English verses, with translation into Devanagari (Hindi) and Roman script. The English translation has been done by Khwaja Tariq Mahmood, who earlier translated the poems of Mirza Ghalib and Sahir Ludhianvi, and is now working on many other collections.

    Specifically, it is the story of the Samashki Massacre, a symbol of the Russian brutality that was employed to crush Chechen resistance. Thomas Goltz is a member of the exclusive journalistic cadre of compulsive, danger-addicted voyeurs who court death to get the story. But in addition to providing a tour through the convoluted Soviet and then post-Soviet nationalities policy that led to the bloodbath in Chechnya, "Chechnya Diary" is part of a larger exploration of the role (and impact) of the media in conflict areas. And at its heart, "Chechnya Diary" is the story of Hussein, the leader of the local resistance in the small town that bears the brunt of the massacre as it is drawn into war. This is a deeply personal book, a first person narrative that reads like an adventure but addresses larger theoretical issues ranging from the history of ethnic/nationalities in the USSR and the Russian Federation to journalistic responsibility in crisis zones." Chechnya Diary" is a crossover work that offers both the historical context and a ground-level view of a complex and brutal war.

    Taking the controversial Danish cartoons of Mohammad as a point of departure, Talal Asad, Wendy Brown, Judith Butler, and Saba Mahmood inquire into the evaluative frameworks at stake in understanding the conflicts between blasphemy and free speech, between religious taboos and freedoms of thought and expression, and between secular and religious world views. Is the language of the law an adequate mechanism for the adjudication of such conflicts? What other modes of discourse are available for the navigation of such differences in multicultural and multi-religious societies? What is the role of critique in such an enterprise? These are among the pressing questions this volume addresses.

    Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.

    Middle Eastern studies. Translated from the French by the author. Reprinted with a new foreward by Jalal Toufic. This book, a masterwork of the dislocations and radiant outcries of the Arab world, reaffirms Etel Adnan, who authored the great poem, Jebu, as among the foremost poets of the French Language. THE ARAB APOCALYPSE is an immersion into a rapture of chaos clawing towards destiny, and nullified hope refusing its zero. Is is also the journey of soul through the cartography of a global immediacy rarely registered by maps, replete with signposts like hieroglyphs in a storm of shrapnel and broken glass. And above all it is a book that, though capable of being read in its orderly sequence, has so surrendered to 'being there, ' it can rivet the sensibility to the Middle Eastern condition at any point in the text--so rapid are its mutations, so becoming its becomingness--like a wisdom book or a book of Changes--Jack Hirschman.It has a power and intensity that few poets today can muster--only Allen Ginsberg's Howl comes to mind.--Alice MolloyThe power of Adnan's language and imagery reminds us that she is indeed one of the most significant post-modern poets in contemporary Arab culture.--Kamal BoullattaTHE ARAB APOCALYPSE is, to date, Adnan's most triumphant battle with the exactness of words.--Douglas PowellThe poem invokes a mythic past of Gilgamesh, Tammouz, and Ishtar to presage a present that resists narration, THE ARAB APOCALYPSE contests an uncritical reflection on the immediate historical past.--Barbara Harlow