As united by their opposition as they are divided by their goals, the members of the New Right are willfully suspicious of those in the mainstream who would seek to tell their story. Fortunately, author Michael Malice was there from the very inception, and in The New Right recounts their tale from the beginning.Malice provides an authoritative and unbiased portrait of the New Right as a movement of ideas--ideas that he traces to surprisingly diverse ideological roots. From the heterodox right wing of the 1940s to the Buchanan/Rothbard alliance of 1992 and all the way through to what he witnessed personally in Charlottesville, The New Right is a thorough firsthand accounting of the concepts, characters and chronology of this widely misunderstood sociopolitical phenomenon.Today's fringe is tomorrow's orthodoxy. As entertaining as it is informative, The New Right is required reading for every American across the spectrum who would like to learn more about the past, present and future of our divided political culture.

    For this and other reasons I chose to translate Toward the Creative Nothing by Renzo Novatore and publish several of his shorter pieces. Written shortly after World War I, as a revolution was occurring in Russia and uprisings were happening in Germany and Italy, this poetic text responds to the upheaval of its time with a call for a revolution that could truly move the human race beyond the spiritual impoverishment, the equality in baseness that democracy and socialism offered. Bourgeois society seemed to have reached its dusk, and Novatore saw the hope for a new dawn only in such a revolution-one that went beyond the mere economic demands of the socialists and communists--a revolution moved by great ideas and great passions that would break with the low values of bourgeois democratic civilization.

    The following sixteen years saw politics and pop music come together as never before to challenge racism, gender inequality and social and class divisions. For the first time in UK history, musicians became instigators of social change and their political persuasion as important as the songs they sang.Through the voices of campaigners, musicians, artists and politicians, Daniel Rachel charts this extraordinary and pivotal period between 1976 and 1992, following the rise and fall of three key movements of the time: Rock Against Racism, 2 Tone and Red Wedge, revealing how they both shaped, and were shaped by, the music of a generation.Consisting of new and exclusive in-depth conversations with over 100 contributors, including Pauline Black, Billy Bragg, Jerry Dammers, Phill Jupitus, Neil Kinnock, Linton Kwesi-Johnson, Tom Robinson, Clare Short, Tracey Thorn and many more, Walls Come Tumbling Down is a fascinating, polyphonic and authoritative account of those crucial sixteen years in Britain's history, from the acclaimed writer of Isle of Noises.Walls Come Tumbling Down also features more than 150 images – many rare or previously unpublished – from some of the greatest names in photography, including Adrian Boot, Chalkie Davies, Jill Furmanovsky, Syd Shelton, Pennie Smith, Steve Rapport and Virginia Turbett.

    Written in an accessible style and with a wry sense of humor, Lynda Gray provides readers with a broad overview of the diverse and complex day-to-day realities of Firs Nations people. Jam-packed with information on more than 70 subjects including urbanization, veterans, feminism, appropriate questions to ask a First Nations person, child welfare, the medicine wheel, food access, Two-spirit (LGBT), residential schools, the land bridge theory, National Aboriginal History Month, and language preservation, First Nations 101 endeavors to leave readers with a better understanding of the shared history of First Nations and non-First Nations people. Ultimately, the author calls upon all of us--individuals, communities, and governments--to play active roles in bringing about true reconciliation between First Nations and non-First Nations people.

    But for Detective Inspector Nikolai Hoffner and his young assistant, Hans Fichte, the revolution is a mere inconvenience. Four women from the slums of Berlin have turned up dead, all with identical markings etched into their backs, and Hoffner and Fichte have spent the better part of six weeks trying to crack the bizarre case.Things take a troubling turn when the political police begin to show an interest in Hoffner's investigation. Hoffner has no idea why the Polpo would want to get their hands dirty with a serial murderer, until he is shown the lifeless body of Rosa Luxemburg, the same eerie markings on her back. Rumors abound that Rosa, one of the leaders of the suppressed socialist uprising, was assassinated by an angry mob, but the pattern carved into her back tells a different story.

    Documenting a complete history of the sport, this perceptive work also reflects on common criticisms, including the ways that soccer ferments nationalism, serves right-wing powers, and fosters competitiveness. Acknowledging these concerns, alternative perspectives on the game and practical examples of how to achieve egalitarian matches are explored. Serving as both as an orientation for the politically conscious football supporter and as an inspiration for those who try to pursue the love of the game away from television sets and big stadiums, this thoughtful examination reclaims the notion of soccer as “the people’s game.”

    You are wasting your time.In a world of fake news, deep-fakes, manipulated feeds of information and divisive social-media agendas, it's easy to believe that our time is the most challenging in human history. It's just not true.It is a time of extraordinary opportunity. But only if you have the right mindset. Fear of the future breeds inaction and leads to strategic paralysis. We put off decisions until we can have certainty. We look for signals. We wait. And while we do that, the world moves on around us.Problem-solvers thrive in chaotic and uncertain times because they act to change their future. Winners recognise that in a world of growing uncertainty, you need to resort to actions on things you can control.And the only things over which you have absolute control are your attitude and your mindset. These, in turn, determine the actions you will take and that will define your future.A robust mindset is the one common characteristic Bruce Whitfield has identified in two decades of interrogating how South Africa's billionaires and start-up mavericks think differently. They are not naive Pollyannas. They don't ignore risk or hope that problems will go away. They constantly measure, manage, consider and weigh up opportunities in a tumultuous sea of uncertainty and find ways around obstacles.If, as Nobel Prize-winning economist Robert Shiller suggests, the stories we tell affect economic outcomes, then we need to tell different stories amidst the noise and haste of a rapidly evolving world.

    In it, Thoreau argues that individuals should not permit governments to overrule or atrophy their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice. Thoreau was motivated in part by his disgust with slavery and the Mexican–American War (1846–1848).

    We are again riding the crest of a revolutionary epic, much like 1848 or 1917, from the Arab Spring to movements against austerity in Greece to the Occupy movement. In Wages of Rebellion, Chris Hedges—who has chronicled the malaise and sickness of a society in terminal moral decline in his books Empire of Illusion and Death of the Liberal Class—investigates what social and psychological factors cause revolution, rebellion, and resistance. Drawing on an ambitious overview of prominent philosophers, historians, and literary figures he shows not only the harbingers of a coming crisis but also the nascent seeds of rebellion. Hedges' message is clear: popular uprisings in the United States and around the world are inevitable in the face of environmental destruction and wealth polarization.Focusing on the stories of rebels from around the world and throughout history, Hedges investigates what it takes to be a rebel in modern times. Utilizing the work of Reinhold Niebuhr, Hedges describes the motivation that guides the actions of rebels as “sublime madness” — the state of passion that causes the rebel to engage in an unavailing fight against overwhelmingly powerful and oppressive forces. For Hedges, resistance is carried out not for its success, but as a moral imperative that affirms life. Those who rise up against the odds will be those endowed with this “sublime madness.”From South African activists who dedicated their lives to ending apartheid, to contemporary anti-fracking protests in Alberta, Canada, to whistleblowers in pursuit of transparency, Wages of Rebellion shows the cost of a life committed to speaking the truth and demanding justice. Hedges has penned an indispensable guide to rebellion.

    Music sure as hell changed me." - Tom MorelloRock god. Justice fighter. Rabble-rouser. Ivy Leaguer. An American renegade and fearless truth teller. Rage Against the Machine’s guitar virtuoso, Tom Morello, is many things, but perhaps he himself sums it up best: a one man revolution. For the first time ever, hear Morello fuse the deeply personal with the political in a rapturous, badass, one-man show that skillfully balances soul-bearing stories with spellbinding guitar fury. This is Tom Morello at Minetta Lane Theatre: Speaking Truth to Power Through Stories and Song.Executive produced by the legendary, multi-Grammy winning producer and composer T Bone Burnett, Morello’s performance adds to a growing list of iconic talent (Patti Smith, James Taylor, Common) who give voice to Audible’s Words and Music series: a new type of audio-only memoir that blends storytelling, music, and performance to create a one-of-a-kind listening experience.Morello begins at the beginning, opening up about his tumultuous childhood in small-town Illinois, his grappling with sense of identity and ultimate artistic purpose. "I was the only black kid in an all-white town, the only anarchist at a conservative high school, the only heavy metal shredding guitar player at Harvard University, and the only Ivy League Star Trek loving nerd in the world’s biggest political rock rap band." As Morello takes us thru poignant moments of an astounding and meaningful career (Rage Against the Machine, Audioslave, the Nightwatchman, Springsteen and the E-Street Band, Prophets of Rage, The Atlas Underground) we hear firsthand of the triumphs and tragedies, riffs and rebellions that mark a life in shattering artistic bounds, confronting the establishment, and creating/collaborating on music that matters.By the time Tom closes out the show by leading a palpably super-charged audience through a banging version of "Killing in the Name Of", Lennon’s working-class anthem "Power to the People", and, finally, a spirited and wholly sincere "This Land Is Your Land", a piercing truth resounds: Tom Morello is a singular force and a most essential type of artist: the kind who not only inspires but empowers. In the words of T Bone Burnett, who provides a tender lead-in to the rare performance, "There is no more articulate or intelligent musician today than Tom Morello. He is a magical guitarist and a deep storyteller whose life and artistry reflect and challenge the time we live in."©2019 Tom Morello (P)2020 AO Media LLC

    Herman and Noam Chomsky show that, contrary to the usual image of the news media as cantankerous, obstinate, and ubiquitous in their search for truth and defense of justice, in their actual practice they defend the economic, social, and political agendas of the privileged groups that dominate domestic society, the state, and the global order.Based on a series of case studies—including the media’s dichotomous treatment of “worthy” versus “unworthy” victims, “legitimizing” and “meaningless” Third World elections, and devastating critiques of media coverage of the U.S. wars against Indochina—Herman and Chomsky draw on decades of criticism and research to propose a Propaganda Model to explain the media’s behavior and performance. Their new introduction updates the Propaganda Model and the earlier case studies, and it discusses several other applications. These include the manner in which the media covered the passage of the North American Free Trade Agreement and subsequent Mexican financial meltdown of 1994-1995, the media’s handling of the protests against the World Trade Organization, World Bank, and International Monetary Fund in 1999 and 2000, and the media’s treatment of the chemical industry and its regulation. What emerges from this work is a powerful assessment of how propagandistic the U.S. mass media are, how they systematically fail to live up to their self-image as providers of the kind of information that people need to make sense of the world, and how we can understand their function in a radically new way.

    collective offers up a collection of stories, anecdotes from in and around the margins of drop-out culture. "We dumpstered, squatted, and shoplifted our lives back. Everything fell into place when we decided our lives were to be lived. Life serves the risk taker..." Guaranteed to be a best-seller. Snap em up while you can.

    For centuries, authors have used the veil of fiction to cast a critical eye toward the larger society around them: think of Émile Zola, Victor Hugo, Issac Asimov, Margaret Atwood, Aldous Huxley, J.R.R. Tolkien, H.G. Wells, and even Mary Shelley. Now, for the first time, in an unprecedented new release from AK Press, some of the biggest names in contemporary fiction discuss this relationship with a specific focus on anarchist politics.Sci-fi powerhouses Ursula K. LeGuin, Alan Moore, Michael Moorcock, and Lewis Shiner join activist authors Derrick Jensen, Starhawk, Cristy C. Road, and a variety of other up-and-coming young writers in a series of interviews that explore fiction’s deeply political roots. Ranging in scope from serious political discussions to hilarious personal anecdotes, the interviews collected here paint an intimate portrait of the author as a political agent.Compiled and annotated by SteamPunk Magazine founder Margaret Killjoy, and with an introduction by Kim Stanley Robinson, Mythmakers and Lawbreakers is an engaging and highly readable book—a must-read for any serious fan of sci-fi or political fiction, and a useful tool for both new and seasoned authors interested in developing their own political utopias.

    It is bold, innovative, radical, compelling, and shows how free-market economic theory is the clarifying lens through which to see the failures of the state & see the alternative that is consistent with human liberty. He shows that even the worst, off-the-cuff scenario of life under private ownership of roads would be fantastic by comparison to the existing reality of government-ownership. That is only the beginning of what Block has done. He has made a lengthy, detailed, and positive case that the privatization of roads would be socially optimal in every way. It would save lives, curtail pollution, save us (as individuals!) money, save us massive time, introduce accountability, & make transportation a pleasure instead of a pain in the neck. Because this is the first-ever complete book on this topic, the length & detail are necessary. He shows that this is not some libertarian pipe-dream but the most practical application of free-market logic. Block is dealing with something that confronts us everyday. And in so doing, he illustrates the power of economic theory to take an existing set of facts and help you see them in a completely different way. What's also nice is that the prose has great passion about it, despite the great scholarly detail. He loves answering the objections (aren't roads public goods? Aren't roads too expensive to build privately?) and making the case, fully aware that he has to overcome a deep and persistent bias in favor of public ownership. The writer burns with a moral passion on the subjects of highway deaths and pollution issues. His "Open Letter to Mothers Against Drunk Driving" is a thrill to read! The book comes together as a battle plan against government roads and a complete roadmap for a future of private transportation.

    Wilde argues that under capitalism the majority of people spoil their lives by an unhealthy and exaggerated altruism-are forced, indeed, so to spoil them: instead of realizing their true talents, they waste their time solving the social problems caused by capitalism, without taking their common cause away. Thus, caring people seriously and very sentimentally set themselves to the task of remedying the evils that they see in poverty, but their remedies do not cure the disease: they merely prolong it because, the proper aim is to try and reconstruct society on such a basis that poverty will be impossible.