. .If your mother was missing, would you tell the police? Even if the most obvious suspect was your father?This is the dilemma facing the four grown Delaney siblings.The Delaneys are fixtures in their community. The parents, Stan and Joy, are the envy of all of their friends. They’re killers on the tennis court, and off it their chemistry is palpable. But after fifty years of marriage, they’ve finally sold their famed tennis academy and are ready to start what should be the golden years of their lives. So why are Stan and Joy so miserable?The four Delaney children—Amy, Logan, Troy, and Brooke—were tennis stars in their own right, yet as their father will tell you, none of them had what it took to go all the way. But that’s okay, now that they’re all successful grown-ups and there is the wonderful possibility of grandchildren on the horizon.One night a stranger named Savannah knocks on Stan and Joy’s door, bleeding after a fight with her boyfriend. The Delaneys are more than happy to give her the small kindness she sorely needs. If only that was all she wanted.Later, when Joy goes missing, and Savannah is nowhere to be found, the police question the one person who remains: Stan. But for someone who claims to be innocent, he, like many spouses, seems to have a lot to hide. Two of the Delaney children think their father is innocent, two are not so sure—but as the two sides square off against each other in perhaps their biggest match ever, all of the Delaneys will start to reexamine their shared family history in a very new light.

    On the second floor of the famous F.G. Goode department store, in Ladies' Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns.With the lightest touch and the most tender of comic instincts, Madeleine St. John conjures a vanished summer of innocence. The Women in Black is a classic.

    And the second is a baby elephant. As his search for clues takes him across the teeming city of Mumbai, from its grand high rises to its sprawling slums and deep into its murky underworld, Chopra begins to suspect that there may be a great deal more to both his last case and his new ward than he thought. And he soon learns that when the going gets tough, a determined elephant may be exactly what an honest man needs...

    And across the centuries the fates of three women are linked: to this place, to each other.In the early 1700s, Sarah, accused of being a witch, flees for her life.In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community.Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward.Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

    But lately, retirement has been boring her and she’s found herself back in her hometown of Lachlan, Florida, remodeling the grand old mansion she’d admired as a child. It’s much too big for her alone, but she’d die before letting anyone in town know that.Then Sara’s niece Kate is offered a job in Lachlan—a start in what could be a very successful career in real estate. She accepts immediately, but with so little saved up, she’ll have to approach her estranged yet incredibly famous aunt for a place to stay while she gets herself settled. But when she arrives at Sara’s home, she finds she’s not the only long-term houseguest. Jackson Wyatt already has his own room, and though it’s impossible to deny his good looks and charm—he’s clearly got her aunt wrapped around his finger—she’s also never met anyone who irritates her quite like Jack does.However, when two skeletons are accidentally uncovered in the quiet town, this unlikely trio is suddenly thrust together by a common goal: to solve a mystery everyone else seems eager to keep under wraps. United by a sense of justice and the desire to right old wrongs, Sara, Kate and Jack will have to dig into Lachlan’s murky past to unravel the small town’s dark secrets and work to bring the awful truth to light.

    Half-starved and filthy, she won’t tell anyone her name, or her age, or where she came from. Maybe she is twelve, maybe fifteen. She doesn’t appear in any missing persons file, and her DNA can’t be matched to an identity. Six years later, still unidentified, she is living in a secure children’s home with a new name, Evie Cormac. When she initiates a court case demanding the right to be released as an adult, forensic psychologist Cyrus Haven must determine if Evie is ready to go free. But she is unlike anyone he’s ever met—fascinating and dangerous in equal measure. Evie knows when someone is lying, and no one around her is telling the truth.Meanwhile, Cyrus is called in to investigate the shocking murder of a high school figure-skating champion, Jodie Sheehan, who dies on a lonely footpath close to her home. Pretty and popular, Jodie is portrayed by everyone as the ultimate girl-next-door, but as Cyrus peels back the layers, a secret life emerges—one that Evie Cormac, the girl with no past, knows something about. A man haunted by his own tragic history, Cyrus is caught between the two cases—one girl who needs saving and another who needs justice. What price will he pay for the truth?

    Her life is organized and predictable, revolving around her husband and two children. All that changes the day she stops at the grocery store for some carrots. As the cashier rings up her purchases, a gunman is busy robbing the bank inside the store. When a customer grabs the robber's mask, he is shot and everyone runs for cover. Everyone except Shelby, who finds herself face to face with the killer. The next thing she knows, she's lying on the floor with a bullet wound to her head. Luckily, the bullet only grazes her scalp, and she doesn't suspect any lasting affects until later, when she suddenly 'hears' what people are thinking. With this uncanny ability, her life takes on a whole new dimension. Her kids think she's bossy and too old to understand them, but that's nothing compared to her husband. He says he loves her, but what is it about the redhead at work that he doesn't want her to know? As if that isn't enough, the gunman knows she can identify him, and he's out to silence her forever. In her fight to stay alive, she is saved from certain death by a handsome hit-man with ties to organized crime. This pulls Shelby even deeper into danger, where knowing someone's thoughts can not only hurt her feelings, but get her killed.

    Unfortunately, a dead body proves to be a lot more challenging to dispose of than one might anticipate, especially when it is inadvertently shipped in a cake cooler to the over-the-top billionaire wedding Meddy, her Ma, and aunties are working at an island resort on the California coastline. It's the biggest job yet for the family wedding business—"Don't leave your big day to chance, leave it to the Chans!"—and nothing, not even an unsavory corpse, will get in the way of her auntie's perfect buttercream flowers.But things go from inconvenient to downright torturous when Meddy's great college love—and biggest heartbreak—makes a surprise appearance amid the wedding chaos. Is it possible to escape murder charges, charm her ex back into her life, and pull off a stunning wedding all in one weekend?

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    It's not as if Eli's life isn't complicated enough already. He's just trying to follow his heart, learning what it takes to be a good man, but life just keeps throwing obstacles in the way - not least of which is Tytus Broz, legendary Brisbane drug dealer.But if Eli's life is about to get a whole lot more serious. He's about to fall in love. And, oh yeah, he has to break into Boggo Road Gaol on Christmas Day, to save his mum.A story of brotherhood, true love and the most unlikely of friendships, Boy Swallows Universe will be the most heartbreaking, joyous and exhilarating novel you will read all year.

    In a dusty back room of the old house, she discovers the crumbling photo of a handsome World War II medic - Samuel Riordan, the homestead's former occupant - and soon finds herself becoming obsessed with him. But as Audrey digs deeper into Samuel's story, she discovers he was accused of bashing to death a young woman on his return from the war in 1946. When she learns about other unexplained deaths in recent years - one of them a young woman with injuries echoing those of the first victim - she begins to suspect that the killer is still very much alive. And now Audrey, thanks to her need to uncover the past, has provided him with good reason to want to kill again.

    Almost teenagers, they already know some things are better left unsaid.Then a newcomer arrived in the Wimmera. Fab reckoned he was a secret agent and he and Ben staked him out. Up close, the man's shoulders were wide and the veins in his arms stuck out, blue and green. His hands were enormous, red and knotty. He looked strong. Maybe even stronger than Fab's dad. Neither realised the shadow this man would cast over both their lives.Twenty years later, Fab is still stuck in town, going nowhere but hoping for somewhere better. Then a body is found in the river, and Fab can't ignore the past any more.

    Together they'll plumb the darkest depths of Delaware, traveling from cheap motels to biker bars and beyond, as they uncover the sinister forces advancing America's opioid epidemic.

    It's the kind of place where everyone knows their neighbours, and children play in the street.Isabelle Heatherington doesn't fit into this picture of family paradise. Husbandless and childless, she soon catches the attention of three Pleasant Court mothers. But Ange, Fran and Essie have their own secrets to hide. Like the reason behind Ange's compulsion to control every aspect of her life. Or why Fran won't let her sweet, gentle husband near her new baby. Or why, three years ago, Essie took her daughter to the park - and returned home without her.As their obsession with their new neighbour grows, the secrets of these three women begin to spread - and they'll soon find out that when you look at something too closely, you see things you never wanted to see.

    Even if she can’t quite shed her too-loud, too-curvy alter ego–or the brawling family that insists on claiming kinship. So when her most famous client, buff football star “Bomber” Bomstad, starts chasing her around her desk and getting, well…unzipped…Christina gets just a little miffed–until Bomber has the bad manners to drop dead at her feet.Enter Jack Rivera, a no-nonsense detective with a grim attitude and a great butt, who’s determined to prove this cocktail-waitress-turned-shrink was engaging in some very unethical behavior. Persuading Rivera that she’s not a murderer isn’t going to be easy. Plunging headfirst into a city full of people in need of some serious therapy, Chrissy will have to use all her street smarts, a good deal of sex appeal, and a little love to clear her name–and cancel an appointment with a killer.