Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly.The Wasp Factory is a work of horrifying compulsion: horrifying, because it enters a mind whose realities are not our own, whose values of life and death are alien to our society; compulsive, because the humour and compassion of that mind reach out to us all. A novel of extraordinary originality, imagination and comic ferocity.

    Kuper’s electric drawings—which merge American cartooning with German expressionism—bring Kafka’s prose to vivid life, reviving the original story’s humor and poignancy in a way that will surprise and delight readers of Kafka and graphic novels alike. “A brilliant illustrated adaptation of Franz Kafka’s famous story. It’s a real pleasure to read and one in which everyone will recognize the existential drama and uncanny wit of the original text."—Susan Bernstein, associate professor of comparative literature and German studies, Brown University

    But though his courage won him a place at court and the heart of a lovely Princess, he was ill at ease with the normal ways of wizardry. Yet Pug's strange sort of magic would one day change forever the fates of two worlds. For dark beings from another world had opened a rift in the fabric of spacetime to being again the age-old battle between the forces of Order and Chaos.

    

    The richest, most depraved man on Earth, Malachi Constant, is offered a chance to take a space journey to distant worlds with a beautiful woman at his side. Of course there's a catch to the invitation—and a prophetic vision about the purpose of human life that only Vonnegut has the courage to tell.

    The dialogue is smart, arch and always rings true, and the visuals, rendered digitally, are alluring and inventive. The Stalk, an eight-eyed, eight-limbed female bounty hunter, remains a creepy favorite." -The New York TimesAt long last, a deluxe hardcover of the Hugo Award-winning Saga is finally on its way! Collecting the first three trade paperbacks (issues #1-18) of the smash-hit series, this massive edition features a striking new cover, as well as special extras, including never-before-seen sketches, script pages, and a roundtable discussion with the creators about how Saga is really made. Altogether, this hardcover contains over 500 pages for less than fifty bucks! Written by Eisner Award-winning "Best Writer" Brian K. Vaughan (Y: The Last Man, The Private Eye) and drawn by Harvey Award-winning "Best Artist" Fiona Staples (Mystery Society, North 40) Saga is the story of Hazel, a child born to star-crossed parents from opposite sides of a never-ending galactic war. Now, Hazel's fugitive family must risk everything to find a peaceful future in a harsh universe that values destruction over creation. Fantasy and science fiction are wed like never before in a sexy, subversive drama for adults that Entertainment Weekly called, "The kind of comic you get when truly talented superstar creators are given the freedom to produce their dream book."Collects: Saga #1-18.

    From the darkness of fallout, mutants and a race of vampires known as the Nobility have spawned. They rule the weak with no remorse. Once bitten by a Nobility, one is cursed to become a member of the undead. Villagers cower in fear, hoping and praying for a savior to rid them of their undying nightmare. All they have to battle this danger is a different kind of danger -- a Vampire Hunter.

    It is not the one we wanted, but it is the one we deserved. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in Death.Collecting: East Of West 1-5

    The inventor of the world's first clock is punished for trying to measure God's greatest gift. He is banished to a cave for centuries and forced to listen to the voices of all who come after him seeking more days, more years. Eventually, with his soul nearly broken, Father Time is granted his freedom, along with a magical hourglass and a mission: a chance to redeem himself by teaching two earthly people the true meaning of time.He returns to our world - now dominated by the hour-counting he so innocently began - and commences a journey with two unlikely partners: one a teenage girl who is about to give up on life, the other a wealthy old businessman who wants to live forever. To save himself, he must save them both. And stop the world to do so.

    Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD?  Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown?Gives you fresh insights into the complex inner world of Batman and Bruce Wayne and the life and characters of Gotham CityExplains psychological theory and concepts through the lens of one of the world’s most popular comic book charactersWritten by a psychology professor and “Superherologist” (scholar of superheroes)

    In the first installment, Carter wins the affections of the "princess of Mars" and the respect of the Martian warlords whom he befriends. The excitement continues in The Gods of Mars when Carter engages the Black Pirates in airborne combat above the dead seas of Mars and leads a revolt to free the Martian races from a religion that thrives on living sacrifices. In the third book, Warlord of Mars, Carter overcomes the forces of evil that would destroy the planet. By the end of the trilogy the Martians all clamor for a triumphant John Carter to be their king.About the Author:Born in Chicago, Illinois, on September 1, 1875, Edgar Rice Burroughs grew to maturity during the height of the Industrial Revolution and witnessed the emergence of the United States as a twentieth-century world power. Hailing from a well-to-do family, Burroughs was given an aristocratic education steeped in Latin and Greek, but he was drawn more to an itinerant life of adventure than to a life in the boardroom. The author of Tarzan of the Apes (1912), Burroughs did not confine himself to a single genre; he also wrote medieval romances (The Outlaw of Torn, 1914), westerns (The War Chief of the Apaches, 1927), and mainstream novels (The Girl from Hollywood, 1922).

    A grand miasma of doom and foreboding weaves over the sterile rituals of the castle. Villainous Steerpike seeks to exploit the gaps between the formal rituals and the emotional needs of the ruling family for his own profit.

    Tracks the progress of a giant black cloud that comes towards Earth and sits in front of the sun, causing widespread panic and death. A select group of scientists and astronomers - including the dignified Astronomer Royal, the pipe smoking Dr Marlowe and the maverick, eccentric Professor Kingsly - engage in a mad race to understand and communicate with the cloud, battling against trigger happy politicians.

    Some inhabitants of a peaceful kingdom cannot tolerate the act of cruelty that underlies its happiness.The story "Omelas" was first published in New Dimensions 3, a hard-cover science fiction anthology edited by Robert Silverberg, in October 1973, and the following year it won Le Guin the prestigious Hugo Award for best short story.It was subsequently printed in her short story collection The Wind's Twelve Quarters in 1975.

    I can't even guess myself what it must be to live the life of a human being.Plagued by a maddening anxiety, the terrible disconnect between his own concept of happiness and the joy of the rest of the world, Yozo Oba plays the clown in his dissolute life, holding up a mask for those around him as he spirals ever downward, locked arm-in-arm with death.Osamu Dazai’s immortal—and supposedly autobiographical—work of Japanese literature, is perfectly adapted here into a manga by Junji Ito. The imagery wrenches open the text of the novel one line at a time to sublimate Yozo’s mental landscape into something even more delicate and grotesque. This is the ultimate in art by Ito, proof that nothing can surpass the terror of the human psyche.