What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    The New York production featured knockout performances by Sarah Jessica Parker and Amy Sedaris. Ben Brantley, in the "New York Times" wrote "clearly, Mr. Lindsay-Abaire hasn't lost his playfully wicked eye, equally appalled and affectionate . . . his style both embraces and spoofs the All-American appetite for spiritual lift, sitcom perkiness, and slimy tabloid prurience." A firm believer in destiny-and inspired by a Marilyn Monroe movie-Cass leaves her husband and boards a bus to Niagara Falls, where she hopes to meet the unknown man she believes herself fated to end up with. Along the way toward the inevitable climax on the brink of the waterfall, she checks items off her list of "things to do in life," and takes the audience on an often moving, always hilarious journey.

    In his newest play, Celebration, he continues to examine the darker places of relationships. Celebration is an acerbic portrait of a sated culture choking on its own material success. Startling, full of black humor and wicked satire, Celebration displays a vivid zest for life. Also included in this volume is Pinter's classic play The Room. Both plays are invested with the elements that make Pinter's work unique: the disturbingly familiar dialogue, subtle characterization, and abrupt mood and power shifts among characters, which can be by turns terrifying, moving, and wildly funny.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile.”—Edward Albee“An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged.”—GuardianWinner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story.Will Eno has been called “a Samuel Beckett for the Jon Stewart generation” (New York Times)—he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Oh, the Humanity and other good intentions, The Flu Season, Tragedy: a tragedy, and Intermission.

    The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

     In remote Pakistan, Nick Bright awaits his fate. A successful financial trader, Nick is kidnapped by an Islamic militant group, but with no one negotiating his release, he agrees to an unusual plan. He will earn his own ransom by helping his captors manipulate and master the world commodities and currency markets. "[A] tense, provocative thriller about the unholy nexus of international terrorism and big bucks...."-Seattle Times "Ahktar again turns hypersensitive subjects into thought-provoking and thoughtful drama"-Newsday "The prime theme is pulsing and alive: when human lives become just one more commodity to be traded, blood eventually flows in the streets"-Financial Times "Whip-smart and twisty"-Time Out New York "The Invisible Hand offers genuine insight into the future of the West" (Village Voice).

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter—Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.

    

     Danger is no stranger to the heartaches of the world. After losing her adoptive mother, she almost crumbles under a domino effect of misfortune. When she meets Sleep, she thinks she’s finally found a captain to save her, but when she learns his main goal is to pimp her out, Danger wastes no time getting from under his thumb. On the run to get as far away from Sleep as possible, she lands in Dallas, where she reunites with her bestie. Free is the true definition of dangerous curves. A BBW with enough personality to steal any show, she’s quick to flash a smile that hides her own set of demons. It’s hard to be comfortable in your skin, especially when family is the main one trying to tear you down, but Free is determined to stunt on everybody that has a problem with her weight— family included. Add the kind of street smarts that make a natural born hustler, and Free is every hitta’s dream come true. Whether they can handle her is the real question. Stranger is a self-made boss in his own right, a dude whose name rings bells in the streets and commands respect even while he’s locked up. Growing up with a schizophrenic for a mother made him unbreakable, but not above the law when he gets caught slipping. Done serving his time, he only has two things on his mind: hitting the streets and getting to the money by any means necessary. After stumbling across a connect and an offer he can’t refuse, Stranger agrees to collect a blood debt in exchange for the keys to the streets. Will his decision cost him more than he’s willing to give up? Where Stranger is a silent killer, Spazz, his younger brother, leaves a path of destruction with anything he touches. Wild, rude, and reckless, he’s ready to get it poppin’ if you even look at him wrong, and there’s only one thing that can tame his temper: his five-year-old daughter. With a mouth to feed and a street legacy to claim, he’s down with no hesitation when Stranger brings him into his plan to re-claim the streets. With his brother by his side, Spazz is ready to put his city on the map. Stranger never let his heart take his focus off the money, until he meets Danger. Mesmerized by her effortless beauty, he just has to have her, but there’s one problem: she’s on the arm of the same guy he’s planning to take down. Is he willing to kill for love? Spazz always gets what he wants, and he knows Free will be his from the minute he meets her. Never being attracted to BBWs in the past, he’s powerless against Free’s hypnotizing thickness, and her confidence and slick mouth are just the type of bonus that makes her worth the chase. Will he convince Free to take a chance on a real one? Ain’t nothin’ like lovin’ a savage, and once you get inside the head of one, your life will never be the same. Take a journey with Danger, Free, Stranger, and Spazz as they try to cheat the past for the future. Nothing goes as planned in love, especially once you’re Turned out by a Savage.

    Bridie O’Hara, a beautiful young girl, is torn away from her native Ireland by her father – a freedom fighter, turned traitor, when he has to flee the wrath of the Fenians. Violated by him she ends up in a correction convent. Her escape, and meeting up with Bruiser Armitage, a pimp, sets her fate. One man tries to save her, Will Hadler, a kind, hard-working miner, whose love for Bridie knows no bounds. His rescue of her brings her happiness, but the demons inside her never give her peace. When Andrew Harvey, master of Hensal Grange, takes a fancy to her it is the beginning of Bridie sinking back into degradation. Her daughter, Bridget pays the price. Unprotected by her drunken mother, Bridget suffers rape and the heartbreak of having to give up her child, Megan.Book Two: AN UNBREAKABLE BOND: It is 1913 and for Megan and her friend, Hattie, the time has come to take up their placements and make their way in the world. Megan’s path leads her to fall into a marriage with a man she does not love and at whose hands she suffers beatings and rape. With Hattie’s help she finally escapes, but her path crosses that of the beautiful, rich and powerful, Laura Harvey. It is Laura’s need to have her wish at any price that triggers an eruption of violence that brings Megan near to death and sends Jack, the man both Megan and Laura love to prison, for a murder he did not commit.Hattie’s path crosses that of paedophile, Lord Marley. She is raped by him and his companion. Her ten pound silence money buys her an abortion but her choices have gone and she is forced into a life of prostitution. It is when she stumbles across an evil, child sex ring and is determined to break it that she once more encounters Lord Marley and though she succeeds in her quest and gets her revenge, she pays a terrible price. Hers and Megan’s enduring friendship bring them through.Book Three: TOMORROW BRINGS SORROWSet in 1939 – 1959, As the world faces many changes brought on by war, Megan has found happiness with Jack, but the threat of Megan’s schizophrenic son Billy, still casts a shadow over them. His release is imminent and for Sarah, Jack’s daughter, this opens up a fate she cannot fight. With her love and respect for Billy eroded over the years as she came to realise he has an evil core, Sarah now lives in fear of him and what he will do if she refuses him. Forsaking her true love, she marries Billy in an attempt to protect those who are very dear to her, but love and hate will out and the consequences are devastatingThose consequences are compounded by the incestuous love between twins Theresa and Terrence Crompton and their taking of all they need from whatever source they please.

    "You Got Older" is a tender and darkly comic new play about family, illness, and cowboys - and how to remain standing when everything you know comes crashing down around you.