There is Victoria, a Pre-Raphaelite beauty intent on marriage; Maurice, shaking his fist at the injustices of the world; Stanley, a follower of Ruskin ad Morris, doing good as radical fashion dictates; Irving, a lusty young capitalist, and Una, born for happy marriage and maternity. All are watched from the sidelines by their sister Rome. Detached, intelligent, urbane, she observes three generations of her family strut and fret their hour upon the stage. To her their sound and fury signify nothing -- but to us the memory of Rome's one brief love affair strikes the final note of truth, defiantly affirming that it is better to have loved and lost...

    He was surviving alone, outside the war, until he happened to win a cake at the fête. From that moment, he is ruthlessly hunted by Nazi agents and finds himself the prey of malign and shadowy forces. This Penguin Classics edition features an introduction by Alan Furst.

    She lives for three years on a desert island before being rescued by a destroyer in 1943. When she returns to England it seems to her to have gone mad: she cannot buy clothes without 'coupons', and she is considered uncivilised if she walks barefoot or is late for meals.

    --Delia Owens, author of Where the Crawdads SingSpanning World War II and the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.A woman. A war. The child who changed everything.December 1940. As German bombs fall on Southampton, England during World War II, the city's residents flee to the surrounding villages. In Upton village, amid the chaos, newly married Ellen Parr finds a girl asleep, unclaimed at the back of an empty bus. Little Pamela, it seems, is entirely alone.Ellen has always believed she does not want children, but when she takes Pamela into her home, the child cracks open the past Ellen thought she had escaped and the future she and her husband Selwyn had dreamed for themselves. As the war rages on, love grows where it was least expected, surprising them all. But with the end of the fighting comes the realization that Pamela was never theirs to keep. Spanning the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.

    After living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. Waiting in Ipswich is Silvana's husband Janusz, who has not seen his wife and son for six years. He has found his family a house and works hard planting a proper English garden to welcome them. But the six years apart have changed them all. To make a real home, Silvana and Janusz will have to come to terms with what happened during the war, accept that each is different, and allow their beloved but wild son Aurek to be who he truly is.

    She should not speak of "being friends" with him -- a young man is either eligible or he is not-and never, but never, should she get herself talked about, for a young girl who does so is doomed. "Men may dance with her, or flirt with her, but they don't propose." It would be quite a coup for a girl to find a husband during her first season, but if, God forbid, three seasons pass without success, she must join the ranks of those sad women who are a great embarrassment to society and, above all, to their disappointed mothers . . . With such thoughts in mind, how can Monica fail to look forward to her first ball?

    Young American scholar Kendra Van Zant, eager to pursue her vision of a perfect life, interviews Isabel McFarland just when the elderly woman is ready to give up secrets about the war that she has kept for decades...beginning with who she really is. What Kendra receives from Isabel is both a gift and a burden—one that will test her convictions and her heart. 1940s, England. As Hitler wages an unprecedented war against London’s civilian population, hundreds of thousands of children are evacuated to foster homes in the rural countryside. But even as fifteen-year-old Emmy Downtree and her much younger sister Julia find refuge in a charming Cotswold cottage, Emmy’s burning ambition to return to the city and apprentice with a fashion designer pits her against Julia’s profound need for her sister’s presence. Acting at cross purposes just as the Luftwaffe rains down its terrible destruction, the sisters are cruelly separated, and their lives are transformed...

    In June of that year, Hitler’s army captures the Channel Islands—the only part of Great Britain occupied by German forces. Abandoned by Mr. Churchill, forgotten by the Allies and cut off from all help, the Islands’ situation is increasingly desperate.Hedy Bercu is a young Jewish girl who fled Vienna for the island of Jersey two years earlier during the Anschluss, only to find herself trapped by the Nazis once more—this time with no escape. Her only hope is to make herself invaluable to the Germans by working as a translator, hiding in plain sight with the help of her friends and community—and a sympathetic German officer. But as the war intensifies, rations dwindle and neighbors are increasingly suspicious of one another. Hedy’s life is in greater danger every day. It will take a definitive, daring act to save her from certain deportation to the concentration camps.A sweeping tale of bravery and love under impossible circumstances, Hedy’s remarkable story reminds us that it’s often up to ordinary people to be quiet heroes in the face of injustice.

    Stevenson's characteristic freshness and charm.The thirty-ninth novel from the beloved author of The Blue Sapphire, Bel Lamington, and Fletcher's Eng -- this new work centers around Katherine Wentworth, married at the age of nineteen to a man with whom she was very much in love. Widowed after only four years of happiness with Gerald, Katherine is left to bring up her stepson, Simon, as well as her own twins, Daisy and Denis.Katherine's struggle to raise her children wisely is one which will move every reader deeply. Told in first person, the story sensitively evokes the personality of Katherine's husband, whose many outstanding qualities are now perpetuated in his children. When Simon, growing to manhood, suddenly becomes heir to the family fortunes, he faces the difficult decision of either moving to the estate of his domineering grandfather or giving up the inheritance to remain free, as his father did before him.While Simon wrestles with his problem, Katherine finds romance entering her life in the person of Alec Maclaren, the brother of an old friend. Thrown together on a vacation in the Scottish Highlands, the two realize in each other's company a new zest for living, and soon Katherine is faced with a future that promises she will no longer be alone.As in her many other works, D.E. Stevenson has again created a realistic world of warm, believable people whose company brings delight to the reader.~~from the dust jacket flaps

    Temporarily, this is home for Julia, who has joined her husband Roddy at the behest of the RAF. Although she can accept the pomposities of service life, Julia's honesty and sense of humor prevent her from taking her role as seriously as her husband, that leader of men, might wish; for Roddy, merely love cannot suffice - he needs homage as well as admiration. And Julia, while she may be a most unsatisfactory officer's wife, is certainly no hypocrite.An Alternate Cover for this edition can be found here.

    Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when people still had no idea which way the war was going, A House in the Country has a verisimilitude denied to modern writers. Sebastian Faulks in Charlotte Gray or Ian McEwan in Atonement do their research and evoke a particular period, but ultimately are dependent on their own and historians' interpretation of events; whereas a novel like this one is an exact, unaffected portrayal of things as they were at the time. The TLS praised 'its evocation of the preoccupations of wartime England, and its mood of battered but sincere optimism'; and The Tablet remarked on its 'comic energy, compelling atmosphere and richly apt vocabulary.'

    She’s tried for decades to forget, but now an unexpected event pulls her back to the 1940s British countryside. She finds herself remembering the brilliant, lustrous colors of the silk she helped to weave at her family’s mill, the relentless pressure of the worsening war, and the kind of heartbreaking loss that stops time. In this evocative novel of love and consequences, Lily finally confronts the disastrous decision that has haunted her all these years.

    To survive, he must find a deep strength greater than all the events that surround him.Shanghai, 1941 — a city aflame from the fateful torch of Pearl Harbor. In streets full of chaos and corpses, a young British boy searches in vain for his parents. Imprisoned in a Japanese concentration camp, he is witness to the fierce white flash of Nagasaki, as the bomb bellows the end of the war...and the dawn of a blighted world.Ballard's enduring novel of war and deprivation, internment camps and death marches, and starvation and survival is an honest coming-of-age tale set in a world thrown utterly out of joint.

    James's Park begins young Lorna and Matt's intense relationship. Wholly in love, they leave London for a cottage in a rural Somerset village. Their intimate life together—--Matt’'s woodcarving, Lorna's self-discovery, their new baby, Molly—--is shattered with the arrival of World War II. In 1960s London, Molly happens upon a forgotten newspaper--—a seemingly small moment that leads to her first job and, eventually, a pregnancy by a wealthy man who wants to marry her but whom she does not love. Thirty years later, Ruth, who has always considered her existence a peculiar accident, questions her own marriage and begins a journey that takes her back to 1941 —and a redefinition of herself and of love. Told in Lively's incomparable prose, Consequences is a powerful story of growth, death, and rebirth and a study of the previous century--—its major and minor events, its shaping of public consciousness, and its changing of lives.

    Stella Rodney is one of those who chose to stay. But for her, the sense of impending catastrophe becomes acutely personal when she discovers that her lover, Robert, is suspected of selling secrets to the enemy, and that the man who is following him wants Stella herself as the price of his silence. Caught between these two men, not sure whom to believe, Stella finds her world crumbling as she learns how little we can truly know of those around us.