Winner of the Edgar Award for Best First Novel, author Elliot Pattison masterfully scales the heights of the genre, taking readers to the top of the world while he chills us to the bone in... The Skull Mantra.The corpse is missing its head and is dressed in American clothes. Found by a Tibetan prison work gang on a windy cliff, the grisly remains clearly belong to someone too important for Chinese authorities to bury and forget. So the case is handed to veteran police inspector Shan Tao Yun. Methodical, clever Shan is the best man for the job, but he too is a prisoner, deported to Tibet for offending Beijing. Granted a temporary release, Shan is soon pulled into the Tibetan people's desperate fight for its sacred mountains and the Chinese regime's blood-soaked policies. Then, a Buddhist priest is arrested, a man Shan knows is innocent. Now time is running out for Shan to find the real killer...in an astonishing, emotionally charged story that will change the way you think about Tibet—and freedom—forever.

    Rose Gallagher might dream of bigger things, but she’s content enough with her life as a housemaid. After all, it’s not every girl from Five Points who gets to spend her days in a posh Fifth Avenue brownstone, even if only to sweep its floors. But all that changes on the day her boss, Mr. Thomas Wiltshire, disappears. Rose is certain Mr. Wiltshire is in trouble, but the police treat his disappearance as nothing more than the whims of a rich young man behaving badly. Meanwhile, the friend who reported him missing is suspiciously unhelpful. With nowhere left to turn, Rose takes it upon herself to find her handsome young employer.The investigation takes her from the marble palaces of Fifth Avenue to the sordid streets of Five Points. When a ghostly apparition accosts her on the street, Rose begins to realize that the world around her isn’t at all as it seems―and her place in it is about to change forever.

    What he discovers is unimaginable: a deadly vendetta against the Catholic Church by a centuries-old underground organization -- the Illuminati. In a desperate race to save the Vatican from a powerful time bomb, Langdon joins forces in Rome with the beautiful and mysterious scientist Vittoria Vetra. Together they embark on a frantic hunt through sealed crypts, dangerous catacombs, and deserted cathedrals, and into the depths of the most secretive vault on earth...the long-forgotten Illuminati lair.(back cover)

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal.After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople. Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel and free Fount Royal from the menace claiming innocent lives.

    When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do's and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job--and don't ever associate with loose women.The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail. Within a single night, his search for gainful employment--and a stiff drink--leads him to a local bar, where he is hired for what seems like a simple job: to collect a debt owed to a powerful local businessman, Hank Pittleman.Soon Archer discovers that recovering the debt won't be so easy. The indebted man has a furious grudge against Hank and refuses to pay; Hank's clever mistress has her own designs on Archer; and both Hank and Archer's stern parole officer, Miss Crabtree, are keeping a sharp eye on him.When a murder takes place right under Archer's nose, police suspicions rise against the ex-convict, and Archer realizes that the crime could send him right back to prison . . . if he doesn't use every skill in his arsenal to track down the real killer.

    She is trying to solve the mystery of a disappearing aristocrat and a hoard of arcane machines. In her way stand the rogues, freaks and self-proclaimed alchemists of a travelling circus. But when she comes up against an agent of the all-powerful Patent Office, her life and the course of history will begin to change. And not necessarily for the better…

    Their loot is priceless, impossible to resist.Bruce Cable owns a popular bookstore in the sleepy resort town of Santa Rosa on Camino Island in Florida. He makes his real money, though, as a prominent dealer in rare books. Very few people know that he occasionally dabbles in unsavory ventures.Mercer Mann is a young novelist with a severe case of writer's block who has recently been laid off from her teaching position. She is approached by an elegant, mysterious woman working for an even more mysterious company. A generous monetary offer convinces Mercer to go undercover and infiltrate Cable's circle of literary friends, to get close to the ringleader, to discover his secrets.But soon Mercer learns far too much, and there's trouble in paradise--as only John Grisham can deliver it.

    From local bars to train yards to prison, it's the story of two young men, bound to the town by family, responsibility, inertia, and the beauty around them, who dream of a future beyond the factories and abandoned homes.Left alone to care for his aging father after his mother commits suicide and his sister escapes to Yale, Isaac English longs for a life beyond his hometown. When he finally sets out to leave for good, accompanied by his temperamental best friend, they are caught up in a terrible act of violence that changes their lives forever.Evoking John Steinbeck’s novels of restless lives during the Great Depression, American Rust delves into the contemporary American heartland at a moment of profound unrest and uncertainty about the future. It's a dark but lucid vision, a moving novel about the bleak realities that battle our desire for transcendence and the power of love and friendship to redeem us.

    Compelled by this message, the wealthy, sybaritic Sextus Roscius goes not to his harlot, but to his doom—savagely murdered by unknown assassins. In the unseasonable heat of a spring morning in 80 B.C., Gordianus the Finder is summoned to the house of Cicero, a young advocate staking his reputation on this case. The charge is patricide; the motive, a son's greed. The punishment, rooted deep in Roman tradition, is horrific beyond imagining.Gordianus's investigation takes him through the city's raucous, pungent streets and deep into urban Umbria, unraveling layers of deceit, twisted passions, and murderous desperation. From pompous, rouged nobles to wily slaves to citizens of seemingly simple virtue, the case becomes a political nightmare. As the defense proceeds toward a devastating confrontation in the Forum, one man's fate may be threaten the very leaders of Rome itself.

    Gregory luxury hotel.

    Former publishing executive Joseph Kanon's first novel does all of that, and adds a layer of acute perception about recent history that immediately vaults it up into the hallowed heights of John Le Carre's Tinker, Tailor, Soldier, Spy and Charles McCarry's The Tears of Autumn--thrillers that deserve space next to Tolstoy and Dostoyevsky. In the spring of 1945, as the war in Europe is coming to an end, a former police reporter turned Army Intelligence agent named Mike Connolly arrives on the high mesa above Santa Fe, New Mexico, where J. Robert Oppenheimer and a team of scientists are rushing to finish their atomic bomb. A security man has been found battered to death, and Connolly's job is to see if it is anything more than the sordid sex crime it appears to be. Using a devilishly clever mixture of real and fictional characters, Kanon spins out a story that manages to be audacious, persuasive--and totally engrossing.

    Twenty-four hours later, Lauren awakes in the hospital to find that her husband has vanished without a trace. The only one who has any chance of finding him is his brother, Nick, a high-powered investigator with a private intelligence firm.Nick Heller is tough, smart, and stubborn. Trained in the Special Forces, he specializes in digging up secrets that powerful people would rather keep hidden. He and his brother have been estranged ever since the imprisonment of their notorious billionaire father. But Nick will do anything to protect Lauren and her son. He never backs down. Even if it means taking on the most lethal enemies he’s ever had to face.Plunged headlong into a desperate chase, Nick begins making shocking discoveries about his brother's life — and about the giant defense contractor he works for. Now, in order to keep Lauren and her teenage son alive, Nick must take on a powerful and deadly conspiracy that will stop at nothing to protect its secrets.With breathtaking suspense and pulse-pounding action, right down to its final, astonishing twist, here is "the finest of the contemporary thriller novelists" (Pittsburgh Post-Gazette) at the top of his game.

    The stranger, Brat Farrar, has been carefully coached on Patrick's mannerism's, appearance, and every significant detail of Patrick's early life, up to his thirteenth year when he disappeared and was thought to have drowned himself. It seems as if Brat is going to pull off this most incredible deception until old secrets emerge that jeopardize the imposter's plan and his life.

    Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.Revised edition: This edition of Abandon includes editorial revisions.