Its task for the past six months has been reconnaissance and surveillance. The biggest danger the crew faced was running out of olives for their pizza. That all changed one morning, four days before the end of the Hampton’s tour. Halfway through the Captain’s first morning coffee, every system on the submarine shut down. No navigation, no communication, and no defensive measures. Within minutes, the sub began a terrifying descent through the murky greys and blacks of the deep Atlantic and settled to the ocean floor off the coast of Cuba and perilously close to the sub’s crush depth. When it missed its mandated contact, an emergency call went out to retired Navy intel officer, Zeke Rowe, top of his field before a botched mission left him physically crippled and psychologically shaken. Rowe quickly determined that the sub was the victim of a cybervirus secreted inside the sub’s top secret operating systems. What Rowe couldn’t figure out was who did it or how to stop it sinking every other submarine in the American fleet. Kali Delamagente is a struggling over-the-hill grad student who entered a DARPA cybersecurity competition as a desperate last hope to fund a sophisticated artificial intelligence she called Otto. Though her presentation imploded, she caught the attention of two people: a terrorist intent on destroying America and a rapt Dr. Zeke Rowe. An anonymous blank check to finish her research is quickly followed by multiple break-ins to her lab, a hack of her computer, the disappearance of her three-legged dog, and finally the kidnapping of her only son. By all measures, Rowe and Delamagente are an unlikely duo. Rowe believes in brawn and Delamagente brains. To save the America they both love, they find a middle ground, guided with the wisdom of a formidable female who died two million years ago. About the Author: J Murray is the author of the popular Building a Midshipman, the story of her daughter’s journey from high school to United States Naval Academy. She is the author/editor of over a hundred books on integrating tech into education, adjunct professor of technology in education, webmaster for four blogs, an Amazon Vine Voice book reviewer, a columnist for TeachHUB, Editorial Review Board member for Journal for Computing Teachers, monthly contributor to Today’s Author and a freelance journalist on tech ed topics. You can find her book at her publisher’s website, Structured Learning.

    A murder mystery set against the discovery of one of the most destructive firearms ever created, Penny packs in all the usual suspense of a typical homicide investigation and adds to that the chilling presence of pure evil. Nine-year-old Laurent Lapage is known for his wild imagination and tall tales. When he shares news of his latest discovery no one pays him any attention. The following day when Laurent is found dead, they wish they had. Retired Chief Homicide Inspector, Armand Gamache, is haunted by Laurent’s crime scene, sensing the boy’s death was no accident. When a search through the woods reveals the camouflaged location of an enormous missile launcher with the etching of a hideous apocalyptic creature, Armand is certain the boy was killed to silence him. Along with his successor, Chief Inspector Isabelle Lacoste, and his son-in-law, Armand sets out to find young Laurent’s murderer. This companion includes the following: • Book Review • Story Setting Analysis • Story elements you may have missed as we decipher the novel • Clear, concise description and analysis of personalities • Summary of the text, with some analytical comments interspersed • Thought Provoking /or Discussion Questions for both Readers & Book Clubs • Discussion & Analysis of Themes, Symbols… • And Much More! This Analysis fills the gap, making you understand more while enhancing your reading experience.

    Who feel everything and everything has feeling."In My Head, the debut release of one of Instagram's most popular poets whose writing has been liked by millions, dives below the surface of love, loss, and life.J.M. Storm has crafted a haunting yet hopeful poetry collection that is meant to be felt as much as it is read.

    52 laws of love by Himanshu Goel (author of A Rational Boy in Love) is a journey of love in 52 poems through all its aspects, from the honeymoon, to the sacrifices, to the bitter end and forever after.

    It can often seem like there's no way things will ever get better. I wrote this book to remind you that it will, and to give you some comfort and hope along the way. May you find the healing and love your heart deserves. -Illiana Cenjur

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    Among the poems he left behind are a particularly unsettling four that feature the mysterious Robinson: both a prototypical member of the smart set—masking his desperation with urbane savoir-faire—and an alter ego for the troubled Kees himself.In ROBINSON ALONE, Kathleen Rooney performs a bold act of literary mediumship, conjuring Kees through his borrowed character to sketch his restless journey across locales and milieus—New York, San Francisco, the highways between—and to evoke his ambitions, his frustrations, and his skewed humor. The product of a decade-long engagement with Kees and his work, this novel in poems is not only a portrait of an under-appreciated genius and his era, but also a beam flashed into haunted boiler-rooms that still fire the American spirit, rooms where energy and optimism are burnt down to ash.

    The title, Regarding Wave,reflects "a half-buried series of word origins dating back through theIndo-European language: intersections of energy, woman, song and 'GoneBeyond Wisdom.'" Central to the work is a cycle of songs for Snyder'swife, Masa, and their first son, Kai. Probing even further than Snyder'sprevious collection of poems, The Back Country, this newvolume freshly explores "the most archaic values on earth… the fertilityof the soil, the magic of animals, the power-vision in solitude, theterrifying initiation and rebirth, the love and ecstasy of the dance,the common work of the tribe…”

    Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    Divided into two parts, “Side A” holds 92 poems, titled as “tracks,” and “Side B” holds the “remixes,” or blackout-poetry versions, of  those 92 poems. The book includes the evergreen themes of love, grief, and hope. Named after Cook’s viral Instagram poem, Sorry I Haven’t Texted You Back lands in the crossroads of self-help and poetry.

    In his screenplays and short stories, Ethan Coen surprises and delights us with a rich brew of ideas, observations, and perceptions. In his first collection of poems he does much the same. The range of his poems is remarkable–funny, ribald, provocative, sometimes raw, and often touching and profound.In these poems Coen writes of his childhood, his hopes and dreams, his disappointments, his career in Hollywood, his physically demanding love affair with Mamie Eisenhower, and his decade-long battle with amphetamines that produced some of the lengthier poems in the collection. You will chuckle, nodding with recognition as you turn the pages, perhaps even stopping occasionally to read a poem. Handsomely and durably bound between hard covers, this is a book that will stand up to most readers’ attempts to destroy it.

    Cummings's affirmation of life resolved into serenity as he described himself as someone "whose only happiness is to transcend himself, whose every agony is to grow." This collection of Cummings reading his own poetry embodies this in an unforgettable way.While perhaps best remembered for his use of such visual devices as typography and punctuation, the sheer sound of Cummings's work imparts a greater, deeper understanding of how its cadences reveal its profound meaning. This rich sampling of his poems and lectures is rendered in what the great Robert Graves called Cummings "own beautifully modulated voice."

    And this tree, so complete in itself, Is only part of the mountain. And the mountain runs down to the sea. And the sea, so complete in itself, Rests like a raindrop On the hand of God. Ruskin Bond's Book of Verse brings together the poetry of one of India's best-loved writers. This charming collector's edition is a treasury of poems on love and nature, travel, humour and childhood, and will be a lasting source of delight to readers.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.