Many of the victims were sent to labor camps, but ten thousand of them were dumped in a remote wasteland and left to fend for themselves. "Cannibal Island" reveals the shocking, grisly truth about their fate.These people were abandoned on the island of Nazino without food or shelter. Left there to starve and to die, they eventually began to eat each other. Nicolas Werth, a French historian of the Soviet era, reconstructs their gruesome final days using rare archival material from deep inside the Stalinist vaults. Werth skillfully weaves this episode into a broader story about the Soviet frenzy in the 1930s to purge society of all those deemed to be unfit. For Stalin, these undesirables included criminals, opponents of forced collectivization, vagabonds, gypsies, even entire groups in Soviet society such as the "kulaks" and their families. Werth sets his story within the broader social and political context of the period, giving us for the first time a full picture of how Stalin's system of "special villages" worked, how hundreds of thousands of Soviet citizens were moved about the country in wholesale mass transportations, and how this savage bureaucratic machinery functioned on the local, regional, and state levels."Cannibal Island" challenges us to confront unpleasant facts not only about Stalin's punitive social controls and his failed Soviet utopia, but about every generation's capacity for brutality--including our own.

    Zgustová's collection of interviews with former female prisoners not only chronicles the hardships of the camps, but also serves as testament to the power of beauty in face of adversity.Where one would expect to find stories of hopelessness and despair, Zgustová has unearthed tales of the love, art, and friendship that persisted in times of tragedy. Across the Soviet Union, prisoners are said to have composed and memorized thousands of verses. Galya Sanova, born in a Siberian gulag, remembers reading from a hand-stitched copy of Little Red Riding Hood. Irina Emelyanova passed poems to the male prisoner she had grown to love. In this way, the arts lent an air of humanity to the women's brutal realities.These stories, collected in the vein of Svetlana Alexievich's Nobel Prize-winning oral histories, turn one of the darkest periods of the Soviet era into a song of human perseverance, in a way that reads as an intimate family history.

    The Russians had been taken by surprise by the Germans' sudden onslaught in June 1941.This book tells the story of that long, bitter siege in the words of those who were there. It vividly describes how ordinary Leningraders struggled to stay alive and to defend their beloved city in the most appalling conditions. They were bombed, shelled, starved and frozen. They dug tank-traps and trenches, built shelters and fortifications, fought fires, cleared rubble, tended the wounded and, for as long as they had strength to do so, buried their dead. Many were killed by German bombs or shells, but most of them died of hunger and cold. Based on interviews with survivors of the siege and on contemporary diaries and personal memoirs. The primary focus is on three people: a young mother with two small children, a boy of sixteen at the outbreak of war, and an elderly academic. We see the siege through their eyes as its horrors unfold and as they struggle to survive.

    Its failure was a key turning point of the Second World War. The operation was planned as a Blitzkrieg to win Germany its Lebensraum in the East, and the summer of 1941 is well-known for the German army's unprecedented victories and advances. Yet the German Blitzkrieg depended almost entirely upon the motorised Panzer groups, particularly those of Army Group Centre. Using previously unpublished archival records, David Stahel presents a new history of Germany's summer campaign from the perspective of the two largest and most powerful Panzer groups on the Eastern front. Stahel's research provides a fundamental reassessment of Germany's war against the Soviet Union, highlighting the prodigious internal problems of the vital Panzer forces and revealing that their demise in the earliest phase of the war undermined the whole German invasion.

    Most of the novella, told in the third person, relates incidents from the life of Vadim Alexandrovich Glebov. These portions alternate with short chapters told by an unidentified narrator who once knew Glebov.

    Drawing on both primary sources and major interpretive works, this sixth edition updates its existing coverage of the social, economic, cultural, political and military events of Russia's past and includes a new chapter on the post-Gorbachev era as well as helpful updated bibliographies and reading source lists. Examining contemporary issues such as the rise of Yeltsin, the nationalities question, and Russia's attempts to market capitalism, this sixth edition takes the study of Russia straight into the new millennium, continuing A History of Russia's nearly forty-year track record as the leader in the field.

    At the height of their influence, Communists controlled more than a third of the earth's surface. But perhaps more astonishing than its rapid rise and extraordinary reach was Communism's sudden, devastating collapse in November of 1989. In The Red Flag, Oxford professor David Priestland tells the epic story of a movement that has taken root in dozens of countries across two hundred years, from its birth after the French Revolution to its ideological maturity in nineteenth-century Germany to its rise to dominance (and subsequent fall) in the twentieth century. Beginning with the first modern Communists in the age of Robespierre, Priestland examines the motives of thinkers and leaders including Marx, Engels, Lenin, Stalin, Castro, Che Guevara, Mao, Ho Chi Minh, Gorbachev, and many others. He also explores the experience of what it meant to live under Communism for its millions of subjects. At a time when global capitalism is in crisis and powerful new political forces have arisen to confront Western democracy, The Red Flag is essential reading if we are to apply the lessons of the past to navigating the future.

    On a hot afternoon in the autumn of 1950, a trusted colleague knocked at their door, held up a finger for silence, then began scribbling a note: Go now. Leave the lights on, walk out, don't look back. Born and raised in the Bronx and recruited to play football at Mississippi State, Morris Cohen fought for the Loyalists in the Spanish Civil War and with the U.S. Army in World War II. He and his wife, Lona, were as American as football and fried chicken, but for one detail: they'd spent their entire adult lives stealing American military secrets for the Soviet Union. And not just any military secrets, but a complete working plan of the first atomic bomb, smuggled direct from Los Alamos to their Soviet handler in New York. Their associates Julius and Ethel Rosenberg, who accomplished far less, had just been arrested, and the prosecutor wanted the death penalty. Did the Cohens wish to face the same fate? Federal agents were in the neighborhood, knocking on doors, getting close. So get out. Take nothing. Tell no one. In Operation Whisper, Barnes Carr tells the full, true story of the most effective Soviet spy couple in America, a pair who vanished under the FBI's nose only to turn up posing as rare book dealers in London, where they continued their atomic spying. The Cohens were talented, dedicated, worldly spies-an urbane, jet-set couple loyal to their service and their friends, and very good at their work. Most people they met seemed to think they represented the best of America. The Soviets certainly thought so.

    This fascinating story about an American intelligence agent from a small town in the Rockies, is a tale of failed espionage, escape, and second chances.

    Now, drawing on sources newly available since the collapse of the Soviet Union and the reunification of Germany, historian and journalist Chris Bellamy presents the first full account of this deadly conflict.Bellamy outlines the lead-up to the war—in which the fragile alliance between Hitler and Stalin was unceremoniously broken—and takes us headlong into the hostilities. He presents a shocking picture of battle in which the traditional restraints of “civilized” warfare were shed. He makes clear how the Soviets quickly rallied against Hitler, choosing homegrown despotism over foreign domination in a struggle that the Russian people call the Great Patriotic War.Bellamy charts the early gains of the German army, whose advances into Soviet territory were brought to a halt in Moscow in the winter of 1941, and whose defeat was sealed in the Battle of Stalingrad, the most merciless campaign of the bloodiest front. He shows how Soviet men—and women—joined to fight a war whose casualties were later steeply underestimated by their government, and how even the true death toll, at 27 million, does not take into account the millions of lives on both sides that lay shattered in the aftermath.Finally, Bellamy examines the far-reaching consequences of the battle’s outcome—the reverberations of which are still felt today—and argues that the cost of victory was ultimately too much for the Soviet Union to bear.A magisterial study, and an essential addition to our understanding of contemporary world history.

    The book is set at the end of the 1920s, when the Great Terror may have been nothing more than a twinkle in Stalin’s eye, but when the revolution was accompanied by a growing sense of doom. In Malaparte’s vision it is from his nightly opera box, rather than the Kremlin, that Stalin surveys Soviet high society, its scandals and amours and intrigues among beauties and bureaucrats, including the legendary ballerina Marina Semyonova and Olga Kameneva, a sister of the exiled Trotsky, who though a powerful politician is so consumed by dread that everywhere she goes she gives off the smell of rotting meat. This extraordinary court chronicle of Communist life (for which Malaparte also contemplated the title God Is a Killer) was published posthumously and appears now in English for the first time.

    After turning from Marxism toward Christianity, his 1913 criticism of the Orthodox Church led him to be charged with blasphemy, a crime for which he would have been liable to permanent Siberian exile, though WWI and the 1917 Revolution prevented his coming to trial.While at odds with the Bolsheviks after the revolution, Berdyaev gained appointment as professor of philosophy at the University of Moscow in 1920, only to be expelled from the country in 1922 (in the famous “philosophers’ ships”), eventually settling in Paris where he remained till his death in 1948. His corpus includes some 483 signed books and articles, many still unavailable in English.Of his “The Origin of Russian Communism”, Inna Naletova, now at the University of Vienna, wrote in 2001:“In his study of the origin of Russian Communism, Nikolai Berdyaev presented a now classic thesis that the Russian religious mentality and communist ideology have much in common. This commonality, according to Berdyaev, takes its roots not in the Russian Orthodox faith but in Russian sectarian and schismatic psychology. […]“Although Berdyaev’s analysis was focused on Russia of the beginning of the twentieth century (the time of transition between Tsarist rule and the Soviet regime), it provides a valuable illustration to Russia’s contemporary problems. The revolutionary mass movement of the beginning of the last century found its inspiration not only in Western socialist ideas and the misery of Russia’s economic situation, but also in Russian messianic spirituality, in people’s readiness for an apocalyptic solution to social problems, and in their hope for a radical transformation of the whole society and creation of a ‘kingdom on earth.’” (Inna Naletova, Orthodoxy and Gnosticism in Russia; Extraordinary Times, Vol. 11, Vienna 2001; http://www.iwm.at/wp-content/uploads/... )

    One of the survivors who made the difficult winter journey was the painter and reserve officer Józef Czapski.General Anders, the army’s commander in chief, assigned Czapski the task of receiving the Poles arriving for military training; gathering accounts of what their fates had been; organizing education, culture, and news for the soldiers; and, most important, investigating the disappearance of thousands of missing Polish officers.Blocked at every level by the Soviet authorities, Czapski was unaware that in April 1940 many officers had been shot dead in Katyn forest, a crime for which Soviet Russia never accepted responsibility.Czapski’s account of the years following his release from the camp and the formation of the Polish Army, and its arduous trek through Central Asia and the Middle East to fight on the Italian front offers a stark depiction of Stalin’s Russia at war and of the suffering, stoicism, and bravery of his fellow Poles. A work of clear observation and deep compassion, Inhuman Land is one of the twentieth century’s indispensable acts of literary witness.

    The National Security Agency grew out of the legendary codebreaking programs of World War II that turned the tide of Allied victory by cracking the famed Enigma machine and other seemingly impenetrable German and Japanese codes. But things became murky in the postwar years, when our intelligence community found itself targeting not battlefield enemies, but suspected spies, foreign leaders, and even American citizens. Now Stephen Budiansky--a longtime expert in cryptology--tells the fascinating story of how the NSA came to be, and of its central, often fraught and controversial role in the major events of the Cold War, from the Korean War to the Cuban Missile Crisis to Vietnam and beyond. He also guides us through the fascinating challenges faced by cryptanalysts, and how they broke some of the most complicated codes of the twentieth century. A riveting, essential history of the underbelly of the Cold War.

    Valuable as a historical document for its first-hand account of the events during the period of 1917-1922, A Sentimental Journey is also an important experimental literary work—a memoir in the form of a novel.At times lyrical, disturbing, ironic, and erudite, A Sentimental Journey is a singular book from one of the most recognizable and influential voices of twentieth-century Russian literature.