Gustav Uyterhoeven left the chess garden that he and his wife, Sonja, had created together in Dayton, Ohio, and journeyed to South Africa to serve as a doctor in the British concentration camps of the Boer War. Over the next ten months he sent twelve chess pieces and twelve letters back to Sonja. She set out her husband's gifts as they arrived and welcomed all the most faithful guests of the garden to come and hear what he had written - letters which told nothing of his experience of the camps but described an imagined land called the Antipodes, where all the game pieces that cluttered the sets and drawers of the garden collection came to life to guide the doctor through his fateful and wondrous last adventure. Brooks Hansen offers a tale of spiritual progress disguised in the most exotic visions of the imagination. And yet The Chess Garden encompasses a very real world, too. Alongside the doctor's visions of the Antipodes, the story of his life gradually unfolds as well. History and allegory are expertly woven until finally both lead back to the chess garden itself, a place where ideas give way to vision, reason meets faith, and fact and figment are finally reconciled.

    If these galaxies had always been travelling, he reasoned, then they must, at some point, have been on top of one another. This discovery transformed the debate about one of the most fundamental questions of human existence - how did the universe begin?Every society has stories about the origin of the cosmos and its inhabitants, but now, with the power to peer into the early universe and deploy the knowledge gleaned from archaeology, geology, evolutionary biology and cosmology, we are closer than ever to understanding where it all came from. In The Origin of (almost) Everything, New Scientist explores the modern origin stories of everything from the Big Bang, meteorites and dark energy, to dinosaurs, civilisation, timekeeping, belly-button fluff and beyond.From how complex life evolved on Earth, to the first written language, to how humans conquered space, The Origin of (almost) Everything offers a unique history of the past, present and future of our universe.span

    Rediscover Lara Croft's greatest moments with fascinating coverage of the smash hit Tomb Raider movies, fiction, comics, and collectibles, and be enthralled by the legacy of Tomb Raider across the decades.Packed with exclusive art, photographs, and interviews covering all facets of the Tomb Raider franchise, 20 Years of Tomb Raider is the essential guide to this game's action-packed history and a must-have for every Tomb Raider fan.

    It also relates the extraordinary history of the museum's collection, a collection that has enabled the Van Gogh Museum to evolve into a world-renowned centre of knowledge about Van Gogh's work and the art of his time.

    Ranging from ancient Greece to nineteenth-century America, it traces the history of our civilization through the seminal works of its most influential thinkers. Each philosopher in this volume made intellectual history; each created a revolution in ideas; each reaffirmed man’s view of himself as a sentient being capable of creating order out of the baffling contradictions of existence. And the most powerful reflections and speculations of each are represented here.Plato: Apology, Crito and the Death of Socrates, from PhadoAristotle: PoeticsSt. Ansem: The ontological Proof of St. Ansem, from ProslogiumSt. Thomas Aquinas: St. Thomas’ Proofs of God’s Existence, from the SummaTheologicaRené Descartes: Meditations on the First PhilosophyDavid Hume: An Inquiry Concerning Human UnderstandingImmanuel Kant: Prolegomena to Any Future MetaphysicsJohn Stuart Mill: UtilitarianismWilliam James: The Will to Believe

    This led him to recast, by cutting and pasting from the gospels, a new narrative of the life and teachings of Jesus, where, according to Jefferson, there will be found remaining the most sublime and benevolent code of morals which has ever been offered to man.

    Newspapers proclaimed his genius in glowing personal profiles and quipped that “the doctor has been called” because the great man “has not invented anything since breakfast.” Starting with the first public demonstrations of the phonograph in 1878 and extending through the development of incandescent light, a power generation and distribution system to sustain it, and the first motion picture cameras—all achievements more astonishing in their time than we can easily grasp today—Edison’s name became emblematic of all the wonder and promise of the emerging age of technological marvels.But as Randall Stross makes clear in this critical biography of the man who is arguably the most globally famous of all Americans, Thomas Edison’s greatest invention may have been his own celebrity. Edison was certainly a technical genius, but Stross excavates the man from layers of myth-making and separates his true achievements from his almost equally colossal failures. How much credit should Edison receive for the various inventions that have popularly been attributed to him—and how many of them resulted from both the inspiration and the perspiration of his rivals and even his own assistants? How much of Edison’s technical skill helped him overcome a lack of business acumen and feel for consumers’ wants and needs?This bold reassessment of Edison’s life and career answers these and many other important questions while telling the story of how he came upon his most famous inventions as a young man and spent the remainder of his long life trying to conjure similar success. We also meet his partners and competitors, presidents and entertainers, his close friend Henry Ford, the wives who competed with his work for his attention, and the children who tried to thrive in his shadow—all providing a fuller view of Edison’s life and times than has ever been offered before. The Wizard of Menlo Park reveals not only how Edison worked, but how he managed his own fame, becoming the first great celebrity of the modern age.

    Arguing that the processes creating the technium are akin to those of biological evolution, Kelly devotes the opening sections of his exposition to that analogy, maintaining that the technium exhibits a similar tendency toward self-organizing complexity. Having defined the technium, Kelly addresses its discontents, as expressed by the Unabomber (although Kelly admits to trepidation in taking seriously the antitechnology screeds of a murderer) and then as lived by the allegedly technophobic Amish. From his observations and discussions with some Amish people, Kelly extracts some precepts of their attitudes toward gadgets, suggesting folk in the secular world can benefit from the Amish approach of treating tools as servants of self and society rather than as out-of-control masters. Exploring ramifications of technology on human welfare and achievement, Kelly arrives at an optimistic outlook that will interest many, coming, as it does, from the former editor of Wired magazine."Gilbert Taylor, Booklist