In 1963, 13-year-old Sam Callahan and his tart-tongued, divorced, misbehavingmother, Lydia, must cope as best they can after they are banished to the hicktown of GroVont, Wyoming, by Lydia's Southern gentleman father.

    Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”

    Presenting itself as an investigation into the suicide of a close friend—perhaps real, perhaps fictional—more than twenty years earlier, Levé gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Levé’s casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Levé himself. But Suicide is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.

    A “master magician of the French novel” (The Washington Post), Echenoz captures the folly of the era as well as its genius, including Ravel’s personal life—sartorially and socially splendid—as well as his most successful compositions from 1927 to 1937.Illuminated by flashes of Echenoz’s characteristically sly humor, Ravel is a delightfully quirky portrait of a famous musician coping with the ups and downs of his illustrious career. It is also a beautifully written novel that’s a deeply touching farewell to a dignified and lonely man going reluctantly into the night.

    After agreeing to help out a friend by shopping and cleaning for the unknown man staying at Cuckoo House, she soon becomes suspicious that her strange and obnoxiously rude client has something to hide. Clayton Miller's life is a mess. His career as one of the country's best comedy scriptwriters has stalled, and his long-term girlfriend has left him for his ex-best friend and ex-writing partner. Just when he thinks his life couldn't get any worse, he commits a spectacularly public fall from grace, and with the press hounding him, his agent banishes him to the middle of nowhere until the dust has settled. When Alice and Clayton discover the truth about each other they form an unlikely friendship—until Alice discovers Clayton has betrayed her in the worst possible way.

    Alice has mixed feelings about her surprising transformation.On the plus side: Chris Thompson, the hot college guy she has a crush on, talks to her.On the minus side: Her dad's creepy friend, professional athlete Karl Bell, lets his eyes, and his hugs, linger too long.After a disturbing encounter in a dark hallway, Alice realizes the response some men have to her new body isn’t just disgusting, it’s dangerous. Her life is further complicated by her parents’ crumbling finances and the family’s entanglement with Karl.Set in Pittsburgh in 1992, Wasted Pretty is about a girl determined to protect her body, her future, and her heart.

    When their father dies and the children set out to bury him, they encounter the inhabitants of the neighboring village, and the pair's cloak of romance and superstition falls away to reveal the appalling truth of their existence. A brilliant, masterful story in which nothing is as it first seems, "The Little Girl Who Was Too Fond of Matches" is a triumph of suspense, linguistic invention, and playfulness that peers into the heart of guilt, cruelty, and violence.

    The men blow the glass, and the women decorate and pack it. But when Joost Steinmann passes away unexpectedly one September night, his three daughters must learn to fend for themselves. While feisty Johanna takes a practical approach to looking for work, Ruth follows her heart, aiming to catch the eye of a handsome young villager. But it is dreamy, quiet Marie who has always been the most captivated by the magic—and sparkling possibilities—of the craft of glassblowing. As the spirited sisters work together to forge a brighter future for themselves on their own terms, they learn not only how to thrive in a man’s world, but how to remain true to themselves—and their hearts—in the process.

    Drawing on those who surrounded her -- Jean-Paul Sartre, Albert Camus, Arthur Koestler -- and her passionate love affair with Nelson Algren, Beauvoir dissects the emotional and philosophical currents of her time. At once an engrossing drama and an intriguing political tale, The Mandarins is the emotional odyssey of a woman torn between her inner desire and her public life.The Mandarins won France's highest literary prize, the Prix Goncourt.

    When a French entomologist obtains a few of these beans, he worries that the world has entered a critical phase of its history.

    After ten years in Paris, she returns to the small island of Le Devin, the home that has haunted her since she left. Le Devin is shaped somewhat like a sleeping woman. At her head is the village of Les Salants, while its more prosperous rival, La Houssiniere, lies at her feet. Yet even though you can walk from one to the other in an hour, they are worlds apart. And now Mado is back in Les Salants hoping to reconcile with her estranged father. But what she doesn't realize is that it is not only her father whose trust she must regain.

    Two women fall to pieces at the news: his wife, Claire, and his co-worker Tish. Reeling from her loss, Claire must comfort her grieving son as well as contend with funeral arrangements, well-meaning family members, and the arrival of Jeff’s estranged brother, who was her ex-boyfriend. Tish volunteers to attend the funeral on her company’s behalf, but only she knows the true risk of inserting herself into the wreckage of Jeff’s life.Told through the three voices of Jeff, Tish, and Claire, Hidden explores the complexity of relationships, the repercussions of our personal choices, and the responsibilities we have to the ones we love.

    Jennifer's aunt has thirty seven freckles. And life just stopped making sense for this sixteen-year-old girl from Nebraska. It will take one forbidden journey, an octogenarian movie star, three old pirates, and one scarred genius to put all the pieces back together. If that is even possible. When Jennifer finds a dog-eared photograph of a freckled girl, she never dreams the innocent picture will tear open a gaping wound to her mother's concealed past. Jennifer must leave her home, parents, and best friend in the wheat fields of Nebraska and travel to the rocky shores of Maine to find the aunt she's never met. Her search for the truth is distracted by the strange and hilarious characters she finds in the tight-knit town of Smithport. From the 88 year old movie star who likes to show off her tattoo, to the fishermen who have a passion for rockets, to the aunt who recites poetry in the long, Maine nights, Jennifer is intrigued by the lives swirling around her. In the midst of madness she meets Nathan, the tight-lipped, reluctant prodigy who is surrounded by women who need him to be brother, father, protector, provider, and now, first love. With a restrained, mature, and uncertain voice, Jennifer shares her tale of family, love, loss, truth and beauty. As Jennifer seeks to piece together her mother's shattered story, she inadvertently writes one for herself.

    One sticky summer day as Kate is waiting for her husband to come home from his bicycle shop, she spots her distinguished neighbor returning from his last day of work after six decades at Atlanta's oldest men's clothing store. Over a cup of butter coffee, he tells Kate a story of love and heartbreak that makes her remember her past, question her present, and wonder what the future will bring. A magical story on its own, Waking Kate is also a short fiction tie-in to Allen's 2014 bestseller Lost Lake.

    To confront those fears, Valencia’s therapist suggests that she fly somewhere—anywhere—before her upcoming birthday. And as Valencia begins a telephone romance with a man from New York, she suddenly has a destination in mind. There’s only one problem—he might not actually exist.Mrs. Valentine is an eccentric old woman desperate for company, be it from neighbors, telemarketers, or even the funeral director (when you’re her age, you go to a lot of funerals). So she’s thrilled when the new cleaning girl provides a listening ear for her life’s story—a tale of storybook love and incredible adventures around the world with her husband before his mysterious and sudden disappearance.The stories of Valencia and Mrs. Valentine may at first appear to have nothing in common…but then again, nothing in life is as straightforward as it seems.