But such a picture of Jesus is far from accurate, according to John Howard Yoder. This watershed work in New Testament ethics leads us to a Savior who was deeply concerned with the agenda of politics and the related issues of power, status, and right relations. By canvassing Luke's Gospel, Yoder argues convincingly that the true impact of Jesus' life and ministry on his disciples' social behavior points to a specific kind of Christian pacifism in which "the cross of Christ is the model of Christian social efficacy." This second edition of The Politics of Jesus provides up-to-date interaction with recent publications that touch on Yoder's timely topic. Following most of the chapters are new "epilogues" summarizing research conducted during the last two decades - research that continues to support the outstanding insights set forth in Yoder's original work.

    The God who is in charge --2. Not who am I? but whose am I? --3. Where to hang your soul --4. A daughter, not a Son --5. Creation, woman for man --6. Jellyfish and pride --7. The right kind of pride --8. The weight of wings --9. Single life, a gift --10. One day at a time --11. Trust for separation --12. Self discipline and order --13. Whose battle? --14. Freedom through discipline --15. God sets no traps --16. A paradoxical principle --17. Masculine and feminine --18. The soul is feminine --19. Is submission stifling? --20. Twenty questions --21. A choice is a limitation --22. Commitment, gratitude, dependence --23. You marry a sinner --24. You marry a man --25. You marry a husband --26. You marry a person --27. Forsaking all others --28. Dynamic, not static --29. A union --30. A mirror --31. A vocation --32. What makes a marriage work --33. Acceptance of divine order --34. Equality is not a Christian ideal --35. Heirs of grace --36. Proportional equality --37. The humility of ceremony --38. Authority --39. Subordination --40. The restraint of power --41. Strength by constraint --42. Masters of ourselves --43. A universe of harmony --44. Be a real woman --45. The courage of the creator --46. The inner sanctum --47. Loyalty --48. Love is action --49. Love means a cross

    "Lucille Clifton is one of the four or five most authentic and profound living American poets."--Denise Levertov

    She retraces the history of the Atlantic slave trade from the fifteenth to the twentieth century and reckons with the blank slate of her own genealogy.There were no survivors of Hartman's lineage, nor far-flung relatives in Ghana of whom she had come in search. She traveled to Ghana in search of strangers. The most universal definition of the slave is a stranger--torn from kin and country. To lose your mother is to suffer the loss of kin, to forget your past, and to inhabit the world as a stranger. As both the offspring of slaves and an American in Africa, Hartman, too, was a stranger. Her reflections on history and memory unfold as an intimate encounter with places--a holding cell, a slave market, a walled town built to repel slave raiders--and with people: an Akan prince who granted the Portuguese permission to build the first permanent trading fort in West Africa; an adolescent boy who was kidnapped while playing; a fourteen-year-old girl who was murdered aboard a slave ship.Eloquent, thoughtful, and deeply affecting, Lose Your Mother is a powerful meditation on history, memory, and the Atlantic slave trade.

    Sarah Bessey didn’t ask for Jesus to come in and mess up all her ideas about a woman’s place in the world and in the church. But patriarchy, she came to learn, was not God’s dream for humanity. Bessey engages critically with Scripture in this gentle and provocative love letter to the Church. Written with poetic rhythm, a prophetic voice, and a deeply biblical foundation, this loving yet fearless book urges today’s church to move beyond man-made restrictions and fully welcome women’s diverse voices and experiences. It’s at once a call to find freedom in the fullness, hope, glory, and work of Christ, and a very personal and moving story of how Jesus made a feminist out of her.

    We worry that our faith isn't strong enough. We struggle through the continuing presence of sin in our lives. All this steals the joy of our salvation and can lead us into a life characterized by legalism, perfectionism, and works righteousness--the very life Jesus freed us from at the cross!But Greg Gilbert has a message for the anxious believer--be assured. Assured that your salvation experience was real. Assured that your sins--past, present, and future--are forgiven. Assured that everyone stumbles. Assured that Jesus is not your judge but your advocate. With deep compassion, Gilbert comforts readers, encouraging them to release their guilt, shame, and anxiety to rejoice in and follow hard after the One who set them free.

    Jeanne Duval, the ginger-colored entertainer, struggles with her lover poet Charles Baudelaire...Mer, plantation slave and doctor, both hungers for and dreads liberation...and Thais, a dark-skinned beauty from Alexandria, is impelled to seek a glorious revelation-as Ezili, a being born of hope, unites them all. Interweaving acts of brutality with passionate unions of spirit and flesh, this is a narrative that shocks, entertains, and dazzles-from an award-winning writer who dares to redefine the art of storytelling.A Nebula Award nominee -- A Locus Magazine recommended book

    While many give their lives to Jesus, few then go on to live a life of truly vibrant faith. In this disruptively inspiring book, Chandler offers tangible ways to develop a faith of pursuing, chasing, knowing, and loving Jesus. Because if we clean up our lives but don't get Jesus, we've lost! So let the goal be Him. To live is Christ, to die is gain—this is the message of the letter. Therefore, our lives should be lived to Him, through Him, for Him, with Him, about Him—everything should be about Jesus.

    When Chickenheads Come Home to Roost is a decidedly intimate look into the life of the modern black woman: a complex world where feminists often have not-so-clandestine affairs with the most sexist of men; where women who treasure their independence often prefer men who pick up the tab; where the deluge of babymothers and babyfathers reminds black women, who long for marriage, that traditional nuclear families are a reality for less than 40 percent of the African-American population; and where black women are forced to make sense of a world where "truth is no longer black and white but subtle, intriguing shades of gray." Morgan ushers in a voice that, like hiphop - the cultural movement that defines her generation - samples and layers many voices, and injects its sensibilities into the old and flips it into something new, provocative, and powerful.

    But it’s not actually a joke. Having a spouse who takes care of things at home is a Godsend on the domestic front. It’s a potent economic asset on the work front. And it’s an advantage enjoyed – even in our modern society – by vastly more men than women.Working women are in an advanced, sustained, and chronically under-reported state of wife drought, and there is no sign of rain.But why is the work-and-family debate always about women? Why don’t men get the same flexibility that women do? In our fixation on the barriers that face women on the way into the workplace, do we forget about the barriers that – for men – still block the exits?The Wife Drought is about women, men, family and work. Written in Annabel Crabb’s inimitable style, it’s full of candid and funny stories from the author's work in and around politics and the media, historical nuggets about the role of ‘The Wife’ in Australia, and intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia.Crabb's call is for a ceasefire in the gender wars. Rather than a shout of rage, The Wife Drought is the thoughtful, engaging catalyst for a conversation that's long overdue.

    Winner--a leading writer at the crossroads of culture and spirituality and author of Still and Girl Meets God--joins the ranks of luminaries such as Anne Lamott and Barbara Brown Taylor with this exploration of little known--and, so, little used--biblical metaphors for God, metaphors which can open new doorways for our lives and spiritualities.There are hundreds of metaphors for God, but the church only uses a few familiar images: creator, judge, savior, father. In Wearing God, Lauren Winner gathers a number of lesser-known tropes, reflecting on how they work biblically and culturally, and reveals how they can deepen our spiritual lives.Exploring the notion of God as clothing, Winner reflects on how we are "clothed with Christ" or how "God fits us like a garment." She then analyzes how clothing functions culturally to shape our ideals and identify our community, and ruminates on how this new metaphor can function to create new possibilities for our lives. For each biblical metaphor--God as the vine/vintner who animates life; the lactation consultant; and the comedian, showing us our follies, for example--Winner surveys the historical, literary, and cultural landscapes in order to revive and heal our souls.

    It’s the clash between our sense of stubborn self-sufficiency and God’s call to recognize that we’re really nothing without Him. It’s pride versus humility. And it’s a fight we can’t win without looking repeatedly to Christ and the cross. C. J. Mahaney raises a battle cry to daily, diligently, and deliberately weaken our greatest enemy (pride) and cultivate our greatest friend (humility). His examination clarifies misconceptions, revealing the truth about why God detests pride and turns His active attention to the humble. Because pride is never passive, defeating it demands an intentional attack. The blessing that follows is God’s abundant favor. “This is the one to whom I will look: he who is humble and contrite in spirit.” —Isaiah 66:2, ESV God clearly states that He is drawn to the humble. He’s also clear that He opposes the proud. These two, humility and pride, cannot coexist. Where one is fostered, the other is defeated. Which will you pursue?

    Today, we read the words of Christ in a steady, even tone and find ourselves wondering if maybe we're missing something. Could it be that we've lost the emotional power of Jesus's words simply because we're too familiar with them? With incredible insight into the surprising and unsettling aspects of Jesus's parables and life, Matt Mikalatos reimagines familiar stories and parables in a modern-day setting, bringing alive for the contemporary reader all the controversy and conflict inherent in the originals. These emotional, sometimes humorous, and jaw-dropping retellings include the stories of the prodigal son, the good Samaritan, the lost coin, the feeding of the 5,000, the death and resurrection of Jesus, and more, asking provocative questions like "What would be the modern equivalent of Jesus letting a "sinful woman" wash his feet? Who would be the hero of "The Good Samaritan"? How would Jesus tell the parable of the lost sheep in a city like Portland?"

    Moses parted the Red Sea.But in his shadow stood a man who symbolizes forever our great high priest. Aaron

    Shuttling between continents as a child, she lived a life of dislocation that would become habit as an adult, never quite at home in the world. And yet, through all her travels, her favorite food remained the simple rice she first ate sitting on the cool floor of her grandmother’s kitchen in South India.Poignant and surprising, Love, Loss, and What We Ate is Lakshmi’s extraordinary account of her journey from that humble kitchen, ruled by ferocious and unforgettable women, to the judges’ table of Top Chef and beyond. It chronicles the fierce devotion of the remarkable people who shaped her along the way, from her headstrong mother who flouted conservative Indian convention to make a life in New York, to her Brahmin grandfather—a brilliant engineer with an irrepressible sweet tooth—to the man seemingly wrong for her in every way who proved to be her truest ally. A memoir rich with sensual prose and punctuated with evocative recipes, it is alive with the scents, tastes, and textures of a life that spans complex geographies both internal and external.Love, Loss, and What We Ate is an intimate and unexpected story of food and family—both the ones we are born to and the ones we create—and their enduring legacies.