He was looking for dinner. But then he gazed into the round, sweet, glistening eyes of Myrtle the fish, and he knew. "Impossible," he said. "I am in love with my food source." As for Myrtle, her first desire was: Please don’t eat me. But soon her heart awakened to a future she could never have imagined. The inseparable duo played hide-and-seek and told each other stories, but everyone said that was not the way of the otter. Could their love (and Myrtle) possibly survive? Aided by Chris Raschka’s illustrations in a fresh faux-naïf style, James Howe tells a warm, witty tale about finding kindred spirits in the oddest of places-and having the good sense to keep them.

    Along with bright, bold illustrations, the bestselling OTHER SIDE OF THE STORY series gives young children a fresh perspective on familiar tales. Read others in this series by acclaimed author Trisha Speed Shaskan, including TRULY, WE BOTH LOVE BEAUTY DEARLY! and HONESTLY, RED RIDING HOOD WAS ROTTEN!

    Perhaps the best English versions available of these classic stories. 74 illustrations.

    The old lady decorates a wonderful tree and makes certain to have something for all who come to visit, be it the nearby village children or the shy animals of the pine forest.The only creatures Tante overlooks are the spiders she has swept out of her cottage while cleaning. But the curious spiders want to come inside and see Tante's tree, too. When a midnight visitor lets them into the old lady's home, they unknowingly spin Tante the very gift she has longed for—a gift that has inspired the draping of tinsel on Christmas trees ever since.“A charming story.” —Publishers WeeklyAll her life, Tante had heard tales about marvelous happenings on Christmas Eve. Animals might speak aloud. Bees might hum carols, or cocks crow at midnight. Tante wished she could witness a bit of Christmas magic, too....

    Nicholas". No one claimed authorship until 13 years later. Clement Clarke Moore, a professor and poet, said that he wrote the piece for his children. Unbeknownst to him, his housekeeper had sent it to the newspaper to be published. However, the family of Henry Livingston Jr. contended that their father had been reciting “A Visit from St. Nicholas” for 15 years prior to publication. Regardless of the true author, the poem is now a Christmas classic.

    Will Gertie learn to act like a true Ugly in time?

    Frances can see them from her window and, sometimes, when it’s quiet, she can hear their music. In fact, Frances can’t stop thinking about them, especially after she sees the man and his monkey sleeping outside on the cold street at midnight. When the day of the Christmas pageant arrives, and it’s Frances’s turn to speak, everyone waits silently. But all Frances can think about is the organ grinder’s sad eyes — until, just in time, she finds the perfect words to share. Newbery Medalist Kate DiCamillo pairs once again with acclaimed artist Bagram Ibatoulline as she presents a timeless story of compassion and joy.

    Shrek, a horrid little ogre, goes out into the world to find adventure and along the way encounters a witch, a knight in armor, a dragon, and, finally, a hideous princess, who's even uglier than he is!

    "Hello, sunrise. Hello, pink sky. Hello, orange sky. . . ." But does she love to listen? NOPE. One day, while she's walking through the forest, her gift of the gab gets her into hot water: "That's a pretty tree and that's a pretty tree and that's a pretty danger sign and that's a pretty tree. . . ." Will this inattentive bird walk right into danger? Will her faraway thoughts lead her along a path of doom? It's up to her long-suffering, heard-it-all-before pals Squirrel, Raccoon, and Rabbit to save their distracted friend.

    Quiet isn't a problem anymore for Julia...but getting her housemates to behave themselves is!The simple, sweet text of this picture book by New York Times Best-Selling Zita the Spacegirl author/illustrator Ben Hatke is perfectly balanced by his lush, detailed, immersive watercolor illustrations.

    A dazzling series of linked portraits deftly draws us into a colorful, fantastical world full of people engaged in assorted occupations. Full-color illustrations.

    Instead, this sweet heroine remains steadfast in her kind, gentle ways, and her generosity flows like a mountain stream. This tale of virtue rewarded is as charming and rich as any prince. McClintock's warm, humorous, and lucious artwork that reflects the story's French roots, coupled with her disarming text will insure that this book will be loved and cherished -- happily ever after.

    Why, Granny, what big wheels you have!Why, Granny, what big headlights you have!Why, Granny, what a big hood you have!From the sparkplug, creative minds of Peter Stein and Chris Gall comes a full-throttle version of the classic LITTLE RED RIDING HOOD tale that will have everyone revving for more.

    When Mrs. Brown’s fresh apple pie goes missing, witnesses come forward to place Cardigan at the scene of the crime. Finding himself on trial, Cardigan insists to judge and jury that he didn’t take the pie — he just wanted to smell it. No one believes him. But despite his assurances, he can’t explain what happened to the pie, either . . . or can he?

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b