In this Annual Gandhi Lecture for the International Association of Gandhian Studies, Mark Shepard tackles some persistently wrong-headed views of Gandhi, offering us a more accurate picture of the man and his nonviolence.///////////////////////////////////////////////// Mark Shepard is the author of "Mahatma Gandhi and His Myths," "The Community of the Ark," and "Gandhi Today," called by the American Library Association's Booklist "a masterpiece of committed reporting." His writings on social alternatives have appeared in over 30 publications in the United States, Canada, England, Norway, Germany, the Netherlands, Switzerland, Japan, and India. ///////////////////////////////////////////////// SAMPLE I suspect that most of the myths and misconceptions surrounding Gandhi have to do with nonviolence. For instance, it's surprising how many people still have the idea that nonviolent action is passive. It's important for us to be clear about this: There is nothing passive about Gandhian nonviolent action. I'm afraid Gandhi himself helped create this confusion by referring to his method at first as "passive resistance," because it was in some ways like techniques bearing that label. But he soon changed his mind and rejected the term. Gandhi's nonviolent action was not an evasive strategy nor a defensive one. Gandhi was always on the offensive. He believed in confronting his opponents aggressively, in such a way that they could not avoid dealing with him. But wasn't Gandhi's nonviolent action designed to avoid violence? Yes and no. Gandhi steadfastly avoided violence toward his opponents. He did not avoid violence toward himself or his followers. Gandhi said that the nonviolent activist, like any soldier, had to be ready to die for the cause. And in fact, during India's struggle for independence, hundreds of Indians were killed by the British. The difference was that the nonviolent activist, while willing to die, was never willing to kill. Gandhi pointed out three possible responses to oppression and injustice. One he described as the coward's way: to accept the wrong or run away from it.

    As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured.Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. As we read, we discover the profound yet fragile seam that unites the fields, rivers, and prisons of the 1971 war with the poet’s modern-day hotel, or the tragic death of a loved one with the holocaust of a nation.Moving from West Texas to Dubai, from Virginia to remote villages in Bangladesh and back again, the narrator calls on the legacies of Willa Cather, César Vallejo, Tomas Tranströmer, and Paul Celan to give voice to the voiceless. Fierce yet loving, devastating and magical at once, Seam is a testament to the lingering potency of memory and the bravery of a nation’s victims. Winner, Great Lakes Colleges Association New Writers Award, 2014 Winner, Binghamton University Milt Kessler Poetry Book Award, 2015

    The heady mix of human depravity, humour, satire, tragedy, revenge and drama makes these stories an essential cocktail of emotions.Review:“Breezy, Flippant, Poignant... Tales of pleasurable wickedness.”-Salil Desai, author of Inspector Saralkar Mystery Series“Although not all sugar and sunshine, Dalvi's voice is an important one, because he chooses to tell stories that others would normally shy away from. There's a serene resignation in his tales, one that is completely devoid of both hope as well as regret. I thoroughly enjoyed the stories.”-Bhaskar Chattopadhyay, author of Patang, Penumbra, Here Falls the Shadow, The Disappearance of Sally Sequeira and Best Served Cold“Gripping short-stories by Rafaa Dalvi. I am both intrigued and scared by his plot-twists. Thrilled to have read this book.”-Sanhita Baruah, author of The Art of Letting Go and The Art of Healing“Some of the best stories I have read so far. Rafaa has a gift of telling complex stories in a very intuitive and straightforward and are easy to read. This book is the best thing that has come out during these current circumstances.”-S. G. Kabe, author of Everything is Normal“Rafaa Dalvi is a flash fiction expert.”-T.F. Carthick, author of Carthick’s Unfairy Tales and More Unfairy Tales“Taut, propulsive and riveting, Rafaa’s mesmerising stories pack a big punch. Chasing Nirvana has been carefully crafted for maximum impact. A highly compelling read.”-Vivek Banerjee, author of ‘The Long Road’ and ‘The Other Side’

    

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    From Inquiry to Academic Writing: A Text and Reader demystifies cross-curricular thinking and writing by breaking it down into a series of comprehensible habits and skills that students can learn in order to join in. The extensive thematic reader opens up thought-provoking conversations being held throughout the academy and in the culture at large. Read the preface.

    Every two years the international art world descends on Venice for the opening of the Biennale. Among them is Jeff Atman–a jaded and dissolute journalist–whose dedication to the cause of Bellini-fuelled partygoing is only intermittently disturbed by the obligation to file a story. When he meets the spellbinding Laura, he is rejuvenated and ecstatic. Their romance blossoms quickly, but is it destined to disappear just as rapidly? Every day thousands of pilgrims head to the banks of the Ganges at Varanasi, the holiest Hindu city in India. Among their number is a narrator who may or may not be the Atman previously seen in Venice. Intending to visit only for a few days he ends up staying for months, and suddenly finds–or should that be loses?–a hitherto unexamined idea of himself, the self. In a romance he can only observe, he sees a reflection of the kind of pleasures that, willingly or not, he has renounced. In the process, two ancient and watery cities become versions of each other. Could two stories, in two different cities, actually be one and the same story? Nothing Geoff Dyer has written before is as wonderfully unbridled, as dead-on in evocation of place, longing and the possibility of neurotic enlightenment, and as irrepressibly entertaining as Jeff in Venice, Death in Varanasi.

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    A disconcerting read, but indispensable.'-ASHLEY J. TELLISIndia's relations with the People's Republic of China have captured the popular imagination ever since the 1950s but have rarely merited a detailed understanding of the issues. Individual episodes tend to arouse lively debate, which often dissipates without a deeper exploration of the factors that shaped the outcomes. This book explores the dynamics of negotiation between the two countries, from the early years after Independence until the current times, through the prism of six historical and recent events in the India-China relationship. The purpose is to identify the strategy, tactics and tools that China employs in its diplomatic negotiations with India, and the learnings for India from its past dealings with China that may prove helpful in future negotiations with the country.

     This also includes two in-depth breeder interviews packed with advice and tips from two of the founders of the Goldendoodle Association of North America (GANA), President Amy Lane says: "This book will be your go to for all questions related to Goldendoodles. It will assist you in your search for the right breeder all the way through caring for your dog in his/her senior years. It is packed full of information directly from the expert breeders of Goldendoodles. There are a lot of "Goldendoodle" books, but if you must buy just one, this is it!" This one-stop ‘instruction manual’ is the essential companion to your lovable Goldendoodle. Over 176 pages we cover everything you should know from buying a new puppy through to old age and how best to look after your precious Goldendoodle (also known as Groodle, Golden Poos or Goldie Poos). Start off with the right advice so bad behaviors don’t even start, but if they do, we show you how to overcome common problems. We will help you understand your Goldendoodle so you can build an ever stronger loving bond with your best-behaved member of your household. Our experts can also help save you a small fortune by showing the best ways to keep your Goldendoodle healthier and live a longer and more fulfilled life, reducing expensive trips to the vets. The book written in an easy-to-understand style with funny and entertaining stories interspersed with practical, actionable advice and tips from all our qualified expert breeders, most of whom are members of the Goldendoodle Association of North America (GANA). Order now and you can soon be sitting back, relaxing and enjoying this Goldendoodle owner’s guide. Buy it now either on paperback or instant downloadable e-book. This is the perfect book for you if you love the Goldendoodle, just some of the subjects covered in our owner’s guide include: origins and history, different types such as the miniature (mini) Goldendoodle, keeping your vet bills down, how to help your Goldendoodle live longer, colors, buying a dog or puppy, male or female, rescue, breeders, personality, socialization, spaying, neutering, house/potty training, bringing your puppy home, grooming, combing, bathing, health, vaccinations, training, understanding your Goldendoodle, play and toys, what food and nutrition, old age and what to expect, and much more... "The Goldendoodle breeder where I bought my puppy suggested this book to me as a guide and reference manual. Good to see lots of breed experts were involved in the book." - Kiernon Wagstaff This best-selling book is sold worldwide and is also available in paperback format - this e-book version is identical in content to the paperback.

    Enhancing their work are four seasonally-themed groups of verse, many written by Basho’s students and associates. The translation is thoroughly readable and contemporary, and the images evocative. An enlightening introduction offers biographical information on the featured poets, background on the nature of haiku and its development within the Japanese poetic tradition, and a short account of the Buddhist practice to which most of the writers were connected.

    They share a home, they worry about money, and then Maya falls pregnant. But Karim is still finishing his film degree, pushing against his tutors' insistence that his art must be Arab like him. And Maya, working a zero-hours job and fretting about her family, can't find the time to quit smoking, let alone have a child.Framed with fragments and peppered with footnotes Exquisite Cadavers is at once a bricolage of influence, and a love story that knows no borders.

    As the thalaivar, or headman, of Chevathar, he seeks to preserve the village from both catastrophe and change, and the decisions he makes will mark his family for generations to come.A gripping family chronicle, The House of Blue Mangoes spans nearly half a century and three generations of the Dorai family as they search for their place in a rapidly changing society. The novel brings vividly to life a small corner of India, while offering a stark indictment of colonialism and reflecting with great poignancy on the inexorable social transformations of the subcontinent.

    These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers' childhoods. As much about loss as they are about reclamation, Doshi's poems guide us through an 'underworld of longing and deliverance', making the exhilarating claim that through the act of vanishing, we may be shaped into existence again. Everything Begins Elsewhere was followed by her third collection, Girls Are Coming Out of the Woods, in 2018.

    Piya Roy, a young American marine biologist of Indian descent, arrives in this lush, treacherous landscape in search of a rare species of river dolphin and enlists the aid of a local fisherman and a translator. Together the three of them launch into the elaborate backwaters, drawn unawares into the powerful political undercurrents of this isolated corner of the world that exact a personal toll as fierce as the tides.