Together, operating under pseudonyms and anonymous to potential kidnappers, they are given a new machine, the RS-80, and tasked with building a highway that connects the country's far-flung villages with the capital. Four, nicknamed "The Clock," is one of the highway's most experienced operators, never falling short of his assigned schedule. He drives the RS-80, stopping only to sleep and eat the food provided by the company. But Nine is an agent of chaos: speeding ahead on his vehicle, chatting and joking with locals, eating at nearby bars and roadside food stands, he threatens the schedule, breaks protocol, and endangers the work that they must complete in time for a planned government parade. His every action draws Four's ire, but when illness, corruption, and theft compromise their high-stakes mission, Four and Nine discover danger far greater than anything they could pose to one another.

    Includes:Jim Shepard’s "Tedford and the Megalodon"Glen David Gold’s "The Tears of Squonk, and What Happened Thereafter"Dan Chaon’s "The Bees"Kelly Link’s "Catskin"Elmore Leonard’s "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman"Carol Emshwiller’s "The General"Neil Gaiman’s "Closing Time"Nick Hornby’s "Otherwise Pandemonium"Stephen King’s "The Tale of Gray Dick"Michael Crichton’s "Blood Doesn’t Come Out"Laurie King’s "Weaving the Dark"Chris Offutt’s "Chuck’s Bucket"Dave Eggers’s "Up the Mountain Coming Down Slowly"Michael Moorcock’s "The Case of the Nazi Canary"Aimee Bender’s "The Case of the Salt and Pepper Shakers"Harlan Ellison’s "Goodbye to All That"Karen Joy Fowler’s "Private Grave 9"Rick Moody’s "The Albertine Notes"Michael Chabon’s "The Martian Agent, a Planetary Romance"Sherman Alexie’s "Ghost Dance"

    These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us.In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either.Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    England 1819: Thomas Shield, a new master at a school just outside London, is tutor to a young American boy and the boy's sensitive best friend, Charles Frant. Drawn to Frant's beautiful, unhappy mother, Thomas becomes caught up in her family's twisted intrigues. Then a brutal crime is committed, with consequences that threaten to destroy Thomas and all that he has come to hold dear. Despite his efforts, Shield is caught up in a deadly tangle of sex, money, murder and lies -- a tangle that grips him tighter even as he tries to escape from it. And what of the strange American child, at the heart of these macabre events, yet mysterious -- what is the secret of the boy named Edgar Allen Poe?

    Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

    The stage is set for one of the most electrifying and intriguing thrillers of all time. Dominic Fornier is the detective who finds himself at the heart of the investigation. A simple provincial case that becomes one of the largest and most important in criminal history; the case of a lifetime, but one that seems impossible to win.Fornier’s only hope is to try to prove a link between the two boys...the final missing key that will expose the killer.A chilling journey through forensic, medical and psychiatric evidence between France, America and London; a breathless paperchase of clues extracted from a young boy's psyche; revenge, blackmail and political corruption behind a trial that captures a nation...and a desperate race against time to catch a murderer who will stop at nothing to cover his tracks.

    Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

    The black object inside the flask was the head of a raven. Its beak was opened wide as if it cried out a warning, and from its mouth a long forked scarlet tongue quivered in the flickering candle flame, like a viper poised to strike. Alchemy. The word conjures up images of magic, mystery and dark dungeons full of bubbling potions, with shadowy figures poring over ancient manuscripts in pursuit of the secret formula that will allow them to turn base metal into pure gold. And, for centuries, this image of alchemy was not far from the truth...Take science and politics. Mix with desire and desperation. Leave to intensify. And you shall have the legendary world of the medieval alchemists, expertly drawn by the Queen of the Dark Ages. *Includes real recipes devised by medieval alchemists

    Will a phone call from Rome save his fate or seal it?CLIFF BOOTH – Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have gotten away with murder. . . .SHARON TATE – She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills.CHARLES MANSON – The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.HOLLYWOOD 1969 – YOU SHOULDA BEEN THERE

    In the heat of a hospital laundry room in New Jersey, a woman does her lover’s washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own. In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

    From wronged wives to nosy neighbours, from distant dads to new-found family, from secrets to lies, fresh starts to false endings - and everything in between... A collection of brilliant short stories from the best writers around.This collections contains original stories from Fanny Blake, Louise Candlish, Mike Gayle, Mari Hannah, Sophie Kinsella, Jojo Moyes, Adele Parks, Ian Rankin, Mahsuda Snaith and Keith Stuart.

    But the façade of the Castle conceals a far more sinister agenda, one hatched by a society of fanatical men set on decoding a series of powerful secrets hidden in plain sight. And they believe Lee holds the key to it all.Aided by Tomi, a young hacker and artist with whom she has struck a wary alliance, Lee escapes into the unmapped corners of the city—empty aquariums, deserted motels, patrolled museums, and even the homes of vacationing families. But the deeper she goes underground, the more tightly she finds herself bound in the strange web she’s trying to elude. Desperate and out of options, Lee steps from the shadows to face who is after her—and why.A novel of puzzles, conspiracies, secret societies, urban exploration, art history, and a singular, indomitable heroine, The Readymade Thief heralds the arrival of a spellbinding and original new talent in fiction.

    For Rose Enright, enrolling in a prestigious New England boarding school is the opportunity of a lifetime. But for Rose’s vulnerable twin sister Bel, Odell Academy is a place of temptation and danger. When Bel falls in with a crowd of wild rich kids who pressure her into hazing Rose, the sisters’ relationship is shattered. Rose turns to her dorm mother, Sarah Donovan, for advice. But Bel turns to Sarah’s husband Heath, a charismatic and ambitious teacher. Is Heath trying to help Bel or take advantage of her? In a world of privilege, seduction, and manipulation, only one sister will live to tell the truth.In a novel full of twists, turns, and dark secrets, Michele Campbell once again proves her skill at crafting intricately spun and completely compelling plots.Praise for She Was the Quiet One:"Campbell’s skillful characterization and her shocking final twist make this follow-up to It’s Always the Husband well worthwhile. Readers who enjoyed Simone St. James’ boarding-school mystery, The Broken Girls, should give this a try." —Booklist

    But for the Brewster family it will be this year's holiday retreat, and for the kids Eric and Marci it's the perfect place to spend a lazy summer exploring.Which is how Eric and his teenage friends discover a curious collection of discarded objects stowed in a hidden room in the carriage house. The bladeless hacksaws, shade-less lamps, tables with missing legs, a headless axe handle - these unremarkable items add up to a pile of junk. Yet someone once took the trouble to list each worthless relic in a cryptic ledger, thus provoking a great mystery that is now whispering, coaxing, demanding to be solved. The more the boys devote themselves to piecing together the puzzle, the more their fascination deepens into obsession. Soon their days are consumed with this weird collection, while their nights become plagued by ever more ghastly nightmares.And finally when a horrifying discovery surfaces, so does the chilling truth about a twisted legacy with a malevolent life of its own.