Short, sardonic, and dark, these six brief fiction stories and one non-fiction piece are consummate Vonnegut with piercing satire and an eye for life’s obscene inanity. Also available for the first time is an unfinished science-fiction short story, included in the appendix. These stories trace trivial human lives and mundane desires, which is precisely where Vonnegut’s inimitable perspective as a humanist shines, illuminating his alternating hopeful and dismal outlook, although undoubtedly focusing on the latter. Here as in his greatest novels, Vonnegut’s writing takes us to the darkest corners of the human soul and with wit and humor, manages to remind us of our potential to be something greater.

     - At a Kansas carnival, fun and games turns to murder and mayhem, thanks to soul-snatching demons and flesh-craving ghouls luring visitors into an all-too-real house of horrors. - Verily, in olde England, striking up a friendship with William Shakespeare lands both Atticus and the Bard in boiling hot water with a trio of infamous witches. - During the Gold Rush, the avatar of greed himself turns the streets of San Francisco red with blood and upsets the elemental Sequoia. Atticus may have to fight fire with fire if he's going to restore balance.More, you say? Indeed there is--including bogeymen, vampire hordes, wrathful wraiths, and even a journey to the realm of the dead. Prepare to be besieged with nine tantalizing tales--not to be missed, never to be forgotten.

    Instead, his younger half-brother, Lleu, is chosen to be prince of Britain. Lleu is fragile, often ill, unskilled in weaponry and statesmanship, and childishly afraid of the dark. Even Lleu's twin sister, Goewin, seems more suited to rule the kingdom.Medraut cannot bear to be commanded and contradicted by this weakling brother who he feels has usurped his birthright and his father's favor. Torn and bitter, haunted by jealousy, self-doubt, and thwarted ambition, he joins Morgause, the high king's treacherous sister, in a plot to force Artos to forfeit his power and kingdom in exchange for Lleu's life. But this plot soon proves to be much more - a battlefield on which Medraut is forced to decide, for good or evil, where his own allegiance truly lies...

    In her long-awaited debut story collection, dark, lush, and spellbinding short fiction you will find unexpected detours, dangerous magic, and even more dangerous women.Briar, bodyguard for a body-stealing sorceress, discovers her love for Rose, whose true soul emerges only once a week. An apprentice witch seeks her freedom through betrayal, the bones of the innocent, and a meticulously-plotted spell. In a world powered by crystal skulls, a warrior returns to save China from invasion by her jealous ex. A princess runs away from an arranged marriage, finding family in a strange troupe of traveling actors at the border of the kingdom’s deep, dark woods.Concluding with a gorgeous full-length novella, Marjorie Liu’s first short fiction collection is an unflinching sojourn into her thorny tales of love, revenge, and new beginnings.Sympathy for the bones --The briar and the rose --The light and the fury --The last dignity of man --Where the heart lives --After the blood --Tangleroot palace

    From Hades and Persephone to Kali, from Loki to Inanna, this anthology explores retellings of myths across cultures and civilizations. Featuring award-winning and critically acclaimed writers such as Seanan McGuire, Naomi Novik, Rebecca Roanhorse, JY Yang, Alyssa Wong, Indrapramit Das, Carlos Hernandez, Sarah Gailey, Ann Leckie, John Chu, Ursula Vernon, Carmen Maria Machado, Stephen Graham Jones, Arkady Martine, Amal El-Mohtar, Jeffrey Ford, and more, The Mythic Dream is sure to become a new classic.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    Had she been armed when they found her, she could have taken them all. As it was, it took six of them to subdue her. She will never forgive them.Thus begins her story—a story that takes her back to her family, with its ancient ties to the Vincan empire that once ruled in Tir Tanagiri, and forward to Caer Tanaga, where the greatest man of his time, King Urdo, struggles to bind together the squabbling nobles and petty princes into a unified force that will drive out the barbarian invader and restore the King’s Peace.King Urdo will change Sulien’s life. She will see him for what he is: the greatest hope the country has. And he will see her for what she is: the greatest warrior of her day. Together they will fight and suffer for an age of the world, for the things that the world always needs and which never last.Ringing with the clash of arms and the songs of its people, rich with high magic and everyday life, The King’s Peace begins an epic of great deeds and down-to-earth people, told in language with the strength and flexibility of sharpened steel.

    As he weakens, Britain is being torn apart by the squabbling of kings. Only one man can bring them together. This is the legend of Artorex, the man destined to be King Arthur. Artorex, tall for his years, is growing up in the household of Lord Ector. Artorex was sent here by the Bishop of Glastonbury when he was but a babe in arms and, although his parentage is unknown, life has been unremarkable. That is, until the arrival of three men who arrange for him to be trained in the skills of the warrior; blade and shield, horse and fire; pain and bravery. By the time the men return, Artorex is both a father and a warrior -- and married to Lady Gallia. The country is in a desperate state -- Londinium is about to fall to the Saxons and Artorex is needed to help fight their advance. But to do so, he must leave his wife and family in the care of others. In an act of appalling treachery, they are slaughtered. But despite his terrible grief, Artorex's destiny is set. He launches into a campaign of battle against the Saxon hordes, earning himself the trust of all men, and proving himself to be the only worthy successor to Uther.But Uther cannot accept Artorex's role and hides his sword and crown. If Artorex is to unite the kings and fulfil his destiny, he needs the weapon destined to be worn by the High King of the Britons. Can he find the embittered Uther's hiding place? The future of Britain is at stake...

    The 'Yankee' vows brashly to "boss the whole country inside of three weeks" and embarks on an ambitious plan to modernize Camelot with 19th c. industrial inventions like electricity and gunfire. It isn't long before all hell breaks loose!Written in 1889, Mark 'A Connecticut Yankee in King Arthur's Court' is one of literature's first genre mash-ups and one of the first works to feature time travel. It is one of the best known Twain stories, and also one of his most unique. Twain uses the work to launch a social commentary on contemporary society, a thinly veiled critique of the contemporary times despite the Old World setting.While the dark pessimism that would fully blossom in Twain's later works can be discerned in 'A Connecticut Yankee in King Arthur's Court, ' the novel will nevertheless be remembered primarily for its wild leaps of imagination, brilliant wit, and entertaining storytelling.

    Already weakened in spirit by Guinevere’s infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred’s rebels and foreign mercenaries. Powerful, passionate, and filled with vivid imagery, this unfinished poem reveals Tolkien’s gift for storytelling at its brilliant best. Christopher Tolkien, editor, contributes three illuminating essays that explore the literary world of King Arthur, reveal the deeper meaning of the verses and the painstaking work his father applied to bring the poem to a finished form, and investigate the intriguing links between The Fall of Arthur and Tolkien’s Middle-earth.

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure but violent purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse's bones—designs clearly present from birth, bearing mute testimony to . . . what?Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of our most original voices.

    The seamless and seemingly effortless blend of action and humour, the wonderful characters, the rich settings, the brilliant plot - all of it is perfect' James P. Blaylock

    Following a cataclysmic battle, the enchantments of Eivar were lost–now a song is only words and music, and no more. But when a dark power threatens the land, poets who thought only to gain fame for their songs face a task much greater: to restore the lost enchantments to the world. And the road to the Otherworld, where the enchantments reside, will imperil their lives and test the deepest desires of their hearts.