A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager empress Tzu Hsi, and the silk industry in Norwich.

    Encompassing over one hundred years of German history, from the nineteenth century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of twelve individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants. Elegant and poetic, Visitation forms a literary mosaic of the last century, tearing open wounds and offering moments of reconciliation, with its drama and its exquisite evocation of a landscape no political upheaval can truly change.

    Wiola has a black cat called Blackie. Wiola's father was a deserter but now he is a taxidermist. Wiola's mother tells her that killing spiders brings on storms. Wiola must never enter the seamstress's 'secret' room. Wiola collects matchbox labels. Wiola is a good Catholic girl brought up with fables and nurtured on superstition. Wiola lives in a Poland that is both very recent and lost in time.Swallowing Mercury is about the ordinary passing of years filled with extraordinary days. In vivid prose filled with texture, colour and sound, it describes the adult world encroaching on the child's. From childhood to adolescence, Wiola dances to the strange music of her own imagination.

    After being drawn into the Second World War to command retreating German forces despite his anti-Nazi feelings, Faehmel struggles to re-establish a normal life at the end of the war. He adheres to a rigorous schedule, including a daily game of billiards. When his routine is breached by an old friend from his past, now a power in German reconstruction, Faehmel is forced to confront both public and private memories.

    A great stone bridge built three centuries ago in the heart of the Balkans by a Grand Vezir of the Ottoman Empire dominates the setting of Andric's stunning novel. Spanning generations, nationalities, and creeds, the bridge stands witness to the countless lives played out upon it: Radisav, the workman, who tries to hinder its construction and is impaled on its highest point; to the lovely Fata, who throws herself from its parapet to escape a loveless marriage; to Milan, the gambler, who risks everything in one last game on the bridge with the devil his opponent; to Fedun, the young soldier, who pays for a moment of spring forgetfulness with his life. War finally destroys the span, and with it the last descendant of that family to which the Grand Vezir confided the care of his pious bequest - the bridge.

    This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.” Published to celebrate Keilson’s hundredth birthday, Comedy in a Minor Key — and The Death of the Adversary, reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

    The main story is simple: released after thirty years in the Soviet camps, Ivan Grigoryevich must struggle to find a place for himself in an unfamiliar world. But in a novel that seeks to take in the whole tragedy of Soviet history, Ivan’s story is only one among many. Thus we also hear about Ivan’s cousin, Nikolay, a scientist who never let his conscience interfere with his career, and Pinegin, the informer who got Ivan sent to the camps.Then a brilliant short play interrupts the narrative: a series of informers steps forward, each making excuses for the inexcusable things that he did—inexcusable and yet, the informers plead, in Stalinist Russia understandable, almost unavoidable.And at the core of the book, we find the story of Anna Sergeyevna, Ivan’s lover, who tells about her eager involvement as an activist in the Terror famine of 1932–33, which led to the deaths of three to five million Ukrainian peasants. Here Everything Flows attains an unbearable lucidity comparable to the last cantos of Dante’s Inferno.

    The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry," hanging out with the young poets in the cafes and bars of the University. She's tall, thin,brand blonde, and her favorite young poet in the 1970s is none other than Arturo Belano (Bolano's fictional stand-in throughout his books). As well as her young poets, Auxilio recalls three remarkable women; the melancholic young philosopher Elena, the exiled Catalan painter Remedios Varo, and Lilian Serpas, a poet who once slept with Che Guevara.brAnd in the course of her imaginary visit to the house of Remedios Varo,brAuxilio sees an uncanny landscape, a kind of chasm. This chasm reappears in a vision at the end of the book; an army of children is marching toward it, singing as they go. The children are the idealistic young Latin Americans who came to maturity in the 70s, and the last words of the novel are; "And that song is our amulet."

    With bitter sarcasm, he describes his refusal to become a worker in the ‘ant-hill’ of society and his gradual withdrawal to an existence ‘underground’. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who exactly resembles him – his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly study of human consciousness.Jessie Coulson’s introduction discusses the stories’ critical reception and the themes they share with Dostoyevksy’s great novels.

    He accepts the commission, but without any clear idea of whether he will actually go through with the self-immolation. He spends the rest of the day wandering the streets of Warsaw, being tortured by the secret police and falling in love. Both himself and Everyman, the character-author experiences the effects of ideologies and bureaucracies gone insane with, as always in history, the individual struggling for survival rather than offering himself up on the pyre of the greater good. Brilliantly translated by Richard Lourie, A Minor Apocalypse is one of the most important novels to emerge from Poland in the last twenty five years.

    Jewish historical fiction

    Madame is an unexpected gem: a novel about Poland during the grim years of Soviet-controlled mediocrity, which nonetheless sparkles with light and warmth.Our young narrator-hero is suffering through the regulated boredom of high school when he is transfixed by a new teacher --an elegant "older woman" (she is thirty-two) who bewitches him with her glacial beauty and her strict intelligence. He resolves to learn everything he can about her and to win her heart.In a sequence of marvelously funny but sobering maneuvers, he learns much more than he expected to--about politics, Poland, the Spanish Civil War, and his own passion for theater and art--all while his loved one continues to elude him. Yet without his realizing it, his efforts--largely bookish and literary--to close in on Madame are his first steps to liberation as an artist. Later, during a stint as a teacher-in-training in his old school, he discovers that he himself has become a legendary figure to a new generation of students, and he begins to understand the deceits and blessings of myth, and its redemptive power.A winning portrait of an artist as a young man, Madame is at the same time a moving, engaging novel about strength and weakness, first love, and the efforts we make to reconcile, in art, the opposing forces of reason and passion.

    With these, and a set of false papers, she has slipped out of the ghetto, passing as the wife of a Polish officer, until one day an informer spots her on the street and drags her off to the Gestapo. At times a dark lament, at others a sly and sardonic thriller, The Beautiful Mrs. Seidenman is the story of the thirty-six hours that follow Irma's arrest and the events that lead to her dramatic rescue as the last of Warsaw's Jews are about to meet their deaths in the burning ghetto.

    His epigrammatic and, above all, discomforting monologue gradually saps, then undermines, the reader's own complacency.

    But so profound is this evening between them that when Unn inexplicably disappears, Siss's world is shattered. The Ice Palace is written in prose of a lyrical economy that ranks among the most memorable achievements of modern literature.