Though Samad attempts to persuade his mother to join them in Australia, she insists on remaining in Karachi even while Pakistan is facing turmoil. It's 1985. The mullahs and the generals are in control, and an insurgency is beginning in Kashmir. Meanwhile, Bilqis's servant girl, Mumtaz, enters a relationship with Omar, a young man caring for a neighboring house. Omar is an intense man who resents Pakistan's class system, and his frustration leads him to the freedom movement in Kashmir. But Mumtaz is in love and willing to sacrifice her honor to be with him. The intertwining stories of Bilqis, Samad, and Mumtaz offer a powerful and nuanced portrait of Pakistan in the modern era-a place of conflicting loyalties, rich with history and culture, and plagued by violence. Abidi's precise and elegant prose illuminates the struggle between a mother and son to reconcile their love for each other with their love for home.

    She doesn't care for school and barely marks the growing unrest between the British colonists and her own countrymen. Why should she? Her future has been planned since her engagement at two and marriage at nine.Leela's whole life changes, though, when her husband dies. She's now expected to behave like a proper widow: shaving her head and trading her jewel-toned saris for rough, earth-colored ones. Leela is considered unlucky now, and will have to stay confined to her house for a year—keep corner—in preparation for a life of mourning a boy she barely knew. When her schoolteacher hears of her fate, she offers Leela lessons at home. For the first time, despite her confinement, Leela opens her eyes to the changing world around her. India is suffering from a severe drought, and farmers are unable to pay taxes to the British. She learns about a new leader of the people, a man named Gandhi, who starts a political movement and practices satyagraha—non-violent protest against the colonists as well as the caste system. The quiet strength of satyagraha may liberate her country. Could she use the same path to liberate herself?

      Filled with kings and peasants, saints and ogres—as well as some quite extraordinary plants and animals—these two hundred tales bring to life Italy’s folklore, sometimes with earthy humor, sometimes with noble mystery, and sometimes with the playfulness of sheer nonsense.   Selected and retold by one of the country’s greatest literary icons, “this collection stands with the finest folktale collections anywhere” (The New York Times Book Review).   “For readers of any age . . . A masterwork.” —The Wall Street Journal   “A magic book, and a classic to boot.” —Time

    We also know the original lead investigator, Goncalo Amaral’s, counter-narrative, now a legally defensible matter of public record. The questions that arise from these opposing narratives are dead simple: Which narrative is more credible? Which narrator is more credible? What was the motive behind all the publicity? Neither Madeleine nor her abductor ultimately benefited from the ongoing media barrage, so who did? True crime maestro, Nick van der Leek, plumbs quagmires of confusion and a thicket of thorny inconsistencies to probe what lies beneath: the psychologies. What is the significance of "doctors" as suspects? Did it matter or mean anything that the McCanns and their cabal of friends in the Algarve were mostly doctors? Peeling away the gossamer threads, over the course of just four days [April 29th – May 2nd], van der Leek intuits that very little was routine: not the weather, not where meals were eaten, not where or when they slept and not what they did as a family. But what were their routines when it came to other, murkier things, like sleeping patterns, cell phones and sedatives? Drawing intangibles out of the darkness, van der Leek sews the vexing loose ends from several conflicting stories into a definite - if not definitive - end-result.

    It's about a child living like and often acting like a wild animal, fighting for survival, on and under the streets of England. This story may be of interest to other survivors of childhood abuse and cruelty and should be of interest to anyone with children or anyone who cares for them. It contains some powerful lessons relating to child protection and should be of an educational value to child care professionals.

    Hollywood minus the hype and hokum.

    He'd lay on his bedroom floor, locked in his room listening to the horror unfolding below. Waiting until the boots came up the stairs and it would be his turn. He couldn’t even begin to understand what he’d done wrong. Why he wasn’t allowed to see his brother, why he was always brutally punished and his mother was horribly beaten. Bullied at school and brushed away by his teachers, this fragile boy's only companion was teddy; a dusty, battered and torn teddy bear that meant everything to this young boy. A sad story unfolds shedding light on some of the horrific events that occurred behind closed doors and a seemingly normal house. A harrowing childhood nightmare. A broken and traumatic childhood. "Heart-breaking, I felt every blow to that poor boy who went through so much pain, but I smiled at the happy ending even through my tears, an excellent read" - Joan Johns (Author) WARNING: This book is based upon a true story of child abuse, and as such contains passages that some readers may find disturbing.

    At least a few, sometimes more than a few of our third platoon would be looking forward to spending an hour or so “unwinding from the stress” with brother officers while enjoying a cold beer.Every precinct had a “cops” bar where we could gather without concern about running into the guy we locked up last week. The bad guys knew that bar was off-limits and they were not welcome. They stayed away. After that first cold beer the conversation would usually begin with, “Let me tell you what happened to me and my partner tonight. You won’t believe it.” The storyteller would embellish his most recent policing experience and a good storyteller would always add just enough drama to keep everyone interested. Of course there was always a follow-up by someone with another story and that’s the way it would go until it was time to leave. Those stories became known as “War Stories,” as in, “Do I have a war story for you guys tonight!”

    Three local women notice the couple's suspicious behaviour and apprehend them. The two are handed over to the police, charged and sent for trial. A month later, a young doctor is shot dead on the streets of Mohill, Co. Leitrim. The two incidents are connected, but how? In the days following the shooting of Dr Paddy Muldoon, the name of a local priest was linked to the killing and  rumours abounded of a connection to the events in Dublin a month earlier and also that an IRA gang had been recruited to carry out the murder. However, despite an investigation at the time, the murder remained unsolved for almost 100 years. Now, newly discovered archive material from a range of sources, including the Muldoon family, has made it possible to piece together the circumstances surrounding the doctor's death, and reveals how far senior figures in the Church, State and IRA were willing to go to cover up a scandal.

    It tells Vinita an impossible story: she has a grown son in India whose life may depend on her...Once upon a time, a na�ve young college girl fell for a wealthy boy whose primary interests were cricket and womanizing. Vinita knew, even then, that a secret affair with a man whose language and values were different from her own was a mistake. He finished with her soon enough-leaving her to birth a baby that was stillborn. Or so Vinita was told...Now, that child is a grown man in desperate need. To help her son, to know him, Vinita must revisit her darkest hours by returning to her battle-scarred homeland-and pray for the faith of the family she leaves behind...Praise for Shobhan Bantwal and her novels..."Dazzles you with a taste of Desi culture in America." -Caridad Pi�eiro, New York Times bestselling author on The Sari Shop Widow"Compelling and memorable." -Mary Jo Putney, New York Times bestselling author on The Forbidden Daughter"Vivid, rich...expertly portrays a young woman caught between love and duty, hope and despair." -Anjali Banerjee on The Dowry Bride

    Powerful, intriguing and essentially non-Western, these stories will be welcome by an audience truly ready for multicultural voices.

    His only friends are his neighbour,Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle,also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers – two versions of the same person, twoversions of the same life, both grappling with existential questions.In this final instalment of Jon Fosse’s Septology, the major prose work by ‘the Beckett of the twenty-first century’ (LeMonde), Christmas is approaching. Tradition has it that Åsleik and Asle eat lutefisk together, but this year Asle has agreedfor the first time to celebrate Christmas with Åsleik and his sister, Guro. On Christmas Eve, Åsleik, Asle, and the dog Bragitake Åsleik’s boat out on the Sygnefjord. Meanwhile, we follow the lives of the two Asles as younger adults in flashbacks:the narrator meets his lifelong love, Ales; joins the Catholic Church; starts exhibiting with Beyer; and can make a living bytrying to paint away all the pictures stuck in his mind. After a while, Asle and Ales leave the city and move to the house inDylgja. The other Asle gets married too, but his wedding ends with a sobbing bride and is followed soon after by a painfulbreakup.Written in melodious and hypnotic ‘slow prose’, A New Name: Septology VI-VII is a transcendent exploration of thehuman condition by Jon Fosse, and a radically other reading experience – incantatory, hypnotic, and utterly unique.

    

    

    This is the first time that I have told the whole story of the abuse I suffered at the hands of my alcoholic step father.