It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand in that time, and it is this journey – through reality, recollection, and imagination – that is told in this magnificent novel.

    Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches. British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.

    Exempted from military service, Keller is burdened with the demoralizing task of playing for wounded soldiers in hospitals and makeshift infirmaries.As he leaves his apartment one morning to pick up a new assignment at headquarters, Keller finds an SS driver waiting for him and is escorted without explanation to a labor camp outside his town. There he is introduced to the camp's Kommandant, who tells Keller that he will spend the next four days performing for the inmates as part of an experiment in reviving hope in those who have lost it completely.Overwhelmed by fear and compelled by the temptation of using his talent to affect others so powerfully, Keller finds himself playing a series of concerts for the prisoners -- and seeing with his own eyes the horrifying truths within the barbed-wire fence. As he plays the music of Ysaÿe, Hindemith and Bach, most notably the searing Chaconne, Keller's own questionable past unfolds, revealing the loss of his closest friend and the Jewish fiancee from whom he fled in fear of being caught as a Jew-lover. As he bears witness to the camp's atrocities, Keller's horror toward the perpetrators and their crime begins to fade, revealing his own culpability.Beautifully conceived and gracefully written, "The Savior" is a complex and illuminating character study of a man severed from his past expectations and an artist struggling with his identity in the face of human catastrophe.

    After his prominent minister grandfather dies, Harlan and his parents move to Harlem, where he becomes a musician. Soon, Harlan and his best friend, trumpeter Lizard Robbins, are lured across the Atlantic Ocean to perform at a popular cabaret in the Parisian enclave of Montmartre—affectionately referred to as “The Harlem of Paris” by black American musicians.When the City of Light falls under Nazi occupation, Harlan and Lizard are thrown into Buchenwald, the notorious concentration camp in Weimar, Germany. The experience irreparably changes the course of Harlan’s life. Based on exhaustive research and told in McFadden’s mesmeric prose, The Book of Harlan skillfully blends the stories of McFadden’s familial ancestors with those of real and imagined characters.

    Maman, Oncle Henri, Yvonne, and Françoise silently watched as their Jewish neighbors were arrested or wordlessly disappeared. Now in June 1944, when the sirens wail each day, warning of approaching bombers, the family wonders if rumors of the coming Allied invasion are true—and if they will survive to see their country liberated.For sixteen-year-old Yvonne, thoughts of the war recede when she sees the red-haired boy bicycle past her window each afternoon. Murmuring to herself I love you, I love you, I love you, she wills herself to hear the whisper of his bicycle tires over the screech of Allied bombs falling from the sky.Yvonne’s sister, Geneviève, is in Paris to audition for the National Conservatory. Pausing to consider the shadow of a passing cloud as she raises her bow, she does not know that her family’s home in Normandy lies in the path of British and American bombers. While Geneviève plays, her brother Simon and Tante Chouchotte, anxiously await news from their loved ones in Normandy.Decades later, Geneviève, the wife of an American musician, lives in the United States. Each summer she returns to her homeland with her children, so that they may know their French family. Geneviève’s youngest daughter, Polly, becomes obsessed with the stories she hears about the war, believing they are the key to understanding her mother and the conflicting cultures shaping her life.Moving back and forth in time, told from varying points of view, News of Our Loved Ones explores the way family histories are shared and illuminates the power of storytelling to understand the past and who we are.

    Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he's a girl, to the Jews Trudy harbors in her cellar.Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.

    Beautiful but shy Judy Melton, daughter of a naval war hero, her determinedly feckless friend, the social butterfly Meggie Gore-Stewart, seemingly demure Mathilda Eastcott, and Corrie Hogarth, the tomboy daughter of the owner of the local boatyard, are all in their very individual ways determined to play an active part in the defence of their country. Knitting socks and bomb-dodging is not what they have in mind for themselves while their husbands and brothers, fathers and lovers are away fighting.But attitudes to women's roles in a warring world are difficult to change, and at first all four find it impossible to settle for the traditional kind of work that their families envisage. However, it is not just the young women of Bexham who are determined to find new roles for themselves - so are their mothers. In this manner the little Sussex village, facing as it does the coastline of Nazi-invaded France, finds its closely sewn social fabric gradually unstitch, inch by little inch.Under the tree on the green the women of Bexham meet to look back on a landscape that has changed irrevocably, and which they have in their own ways helped to alter. None of them are the same, and yet, with the men returning from war, they are expected to slip back into their simple roles of mother, daughter, grandmother. This, more than anything perhaps, is their greatest sacrifice. Having been freed by war, they have now to relinquish that very independence that gave them the liberty for which they once fought.Only the chestnut tree planted by Corrie at the edge of the village flourishes in the accepted manner, finally becoming the uniting symbol of all that has passed forever.

    It's just the opposite. Secrets are bright. They light you up. Like the bare lightbulb left on in a cell day and night, they give you no rest."            So thinks Joop, the narrator of this brief and bitter tale, whose secret is like no other. He has kept that secret for more than sixty years, but now his brother---whom he has not seen since the end of the war---has suddenly shown up at his door.            Having grown up in North America with only the vaguest memories of World War II, Joop's brother has returned to Amsterdam to find out what his childhood in Holland had been like. But what he discovers is much more than he bargained for---he is startled and dismayed to learn of his own role in the betrayal of Anne Frank.            Transporting readers through the agonizing Nazi takeover of World War II, Joop recounts his role as a boy desiring to feed his starving family. He figures out a way to provide for them, but in doing so, he sets in motion a chain of events that will horrify the entire world.            Just as he did in the internationally acclaimed The Autobiography of Joseph Stalin, here Richard Lourie takes us into not only a person's mind, a time, and a place, but into the treacherous currents of history that sweep lives away. This gripping fictionalized account of the man who betrayed Anne Frank will not soon be forgotten.

    In the summer of 1942, as war rages across Europe, a series of anonymous leaflets appears around the University of Munich, speaking out against escalating Nazi atrocities. The leaflets are hidden in public places, or mailed to addresses selected at random from the phone book. Natalya Petrovich, a student, knows who is behind the leaflets—a secret group called the White Rose, led by siblings Hans and Sophie Scholl and their friends. As a volunteer nurse on the Russian front, Natalya witnessed the horrors of war first-hand. She willingly enters the White Rose’s circle, where every hushed conversation, every small act of dissent could mean imprisonment or death at the hands of an infuriated Gestapo. Natalya risks everything alongside her friends, hoping the power of words will encourage others to resist. But even among those she trusts most, there is no guarantee of safety—and when danger strikes, she must take an extraordinary gamble in her own personal struggle to survive.

    She's falling in love, and her city has been the safest place in the world for Jewish people since the Spanish Inquisition. But when Rachel's Gentile boyfriend is forced to disappear rather than face arrest, she realizes that everything is changing, and so must she. Although she is often tired and scared, she delivers papers for the underground under the Nazis noses. But after eighteen months of ever increasing danger, she pushes her parents to go into hiding with her. The dank basement where they take refuge seems like the last place where Rachel would meet a new man but she does. An Address in Amsterdam shows that, even in the most hopeless situation, an ordinary young woman can make the choice to act with courage and even love.

    In 1946, Harry Copeland has returned after fighting in the 82nd Airborne from North Africa all the way to the Elbe. Reluctantly assuming the direction of the family fine leather goods manufacture, he finds his life unsatisfactory and on hold – until he is “accidentally” united with Catherine Thomas Hale, the woman for whom he has been waiting all his life, although the forces behind his patience have never been revealed to him. A young actress, singer, and heiress, she has been waiting for him, even if she has known this only in flashes that do not come clear to her until the end of the narrative, and that have not prevented her engagement to a much older man who has been taking advantage of her since childhood.The meeting of Catherine and Harry, their courtship, and their intense love, play out on the stage of New York awakening at mid-century – in the deep worlds of the theater, industry, and high finance, and during the collision of aristocratic New York society with the formidable wave of second-generation, fully assimilated Jews. Though after being broken in the war Harry wants nothing but peace, family, and love, organized crime carries on its extortions as always, even in a city now full of the kind of men who stormed the Point du Hoc and the Siegfried Line. This becomes his moral and physical struggle. While Catherine’s is of a different nature, it is just as consequential, and the courage required of her is perhaps even greater.Of the widest scope – from the air over Sicily to the heat-and-color-saturated Sacramento Valley; the Bay of Biscay to the sea off Maine; the steel mills of Gary, Indiana to the beaches of Amagansett; London in the blitz; the invasion of Normandy; and a single shell gliding across an American lake in August; from the luminous houses of the wealthy to the pounding of the boards beneath a Broadway chorus line – this is yet, first, and foremost a love story, but also a hymn to New York of the period when one great age elided into the other that we call our own. Rich in language and classical allusion, it is true to the mottoes at its outset: the Dantean “Amor mi mosse, che me fa parlare,” “Love moved me, and made me speak,” and to the lines of Lucretius that describe Catherine’s extraordinary representation of the powers, beauties, and graces of womanhood – “Nothing comes forth into the shores of light, or is glad or lovely without you.”

    Set in Belgrade before WWII, Fathers and Forefathers tells the story of the marriage between Steven, a Serb, and Elizabeth, an Englishwoman. After meeting at an English university they marry and leave England to build their life together. Steven's narrative and Elizabeth's letters home reveal two very different personal accounts of the difficulties this involves. Raised in Serbia their son, Mihajlo, is ashamed of his mixed parentage and rebels against his non-Serbian ancestry. On the eve of the war, Steven's loyalties are challenged when his counsel is sought by both the Serbian king and the opposition. He resolves to keep his distance from the conflict, but Mihajlo's more radical response forces him to become involved, and tragedy engulfs the family.

    Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges--the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda. Setting in motion the novel's chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents--including a German U-boat's sinking of the Nova Scotia-Newfoundland ferry Caribou, on which Aunt Constance Hillyer might or might not be traveling--lend intense narrative power to Norman's uncannily layered story. Wyatt's account of the astonishing--not least to him-- events leading up to his fathering of a beloved daughter spills out twenty-one years later. It's a confession that speaks profoundly of the mysteries of human character in wartime and is directed, with both despair and hope, to an audience of one. An utterly stirring novel. This is Howard Norman at his celebrated best.

    Alongside it are the remains of three people.The journal reveals the story of Hiromi, a sixteen-year-old girl who’d grown up in the United States before living in Japan in the midst of World War II. One day, while collecting star sand—tiny star-shaped fossils—Hiromi finds two army deserters hiding in the seaside cavern—one American, one Japanese. The soldiers don’t speak the same language, but they’ve reached an agreement based on a shared hope: to cause no more harm and survive. Hiromi resolves to care for the men—feeding them and nursing their ailments—despite the risk that, if caught, she’ll die alongside them as a traitor. But when a fourth person joins in on their secret, they must face a threat from within. The diary abruptly ends, leaving everyone’s fate a mystery.Decades later, in 2011, a young female university student decides to finally determine who died in that cave and who lived. Her search will lead her to the lone survivor—and bring closure to a gripping tale of heroism at a time when committing to peace was the most dangerous act of all.

    To Meta's eye, it appears to be an authentic eighteenth-century work; to her discerning ear, the music rendered there is commanding, hauntingly beautiful, clearly the undiscovered composition of a master. But there is no indication of who the composer might be. The gift comes with the request that Meta attempt to find the manuscript's true owner—a Prague friend the old woman has not heard from since they were forced apart by the Second World War—and to make the three-part sonata whole again. Leaving New York behind for the land of Dvorák and Kafka, Meta sets out on an unforgettable search to locate the remaining movements of the sonata and uncover a story that has influenced the course of many lives, even as it becomes clear that she isn't the only one after the music's secrets.