So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Telling jokes for money offers an escape from the building site or the milk round. But the humour is a deadly serious business that also involves anger, pain and truth.' Financial Times'Trevor Griffiths has not shown his brilliance as a writer more clearly than in Comedians.' Daily Telegraph

    All of them are in one way or another frustrated and unhappy. Most of them are under the illusion that some day the things from which they suffer will be removed and they will be once more at peace. But when they come to see themselves, they realize that man is the sum of his past life, that they are incapable of any real revolt against their past, and that what they have made of themselves in earlier years is what they are when age approaches. Nor are they tragic figures. All of them are troubled average people, human, commonplace but they are studied with great understanding and a touch of intelligently unsentimental compassion."

    Theatre script, playbook

    

    As George Oppenheimer describes "We first encounter Mrs. Goforth in one of her three villas on the southern coast of Italy frantically endeavoring to complete her memoirs before her death. However, there is still life in the old girl as she bullies her attractive female secretary, spits venom at a visitor whom she dubs "the witch of Capri," makes propositions to a handsome young itinerant poet over half her age, and dictates night and day, either to the secretary or to any number of tape recorders scattered about the premises, her vapid and ridiculous memories which she believes will form an important social commentary. To the triple homes of Mrs. Goforth comes Chris Flanders, the young poet, who because of his past presence in the company of so many elderly women at the time of their deaths has won the mocking nickname of "the angel of death." At first we take him to be, as does Mrs. Goforth, a hustler who is willing to sell his poems, his mobiles, or his body to susceptible and lonely ancients. To Mrs. Goforth, who has lived a full and promiscuous life and is in mortal fear of relinquishing it, Chris comes as an answer to a carnal prayer, a last fling before she is forced to face ultimate loneliness. Then she discovers that he is unwilling to give in to her seductions at any price, that his is a spiritual nature which seeks only to allay her fears and soothe her pain. Until almost the very end she refuses to believe in his virtue. Her life has been so hedged in viciousness that she cannot accept readily anything but venality."

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    Alan Baker, a 30-ish swinging bachelor with time, money and women to spare, welcomes rebellious and eager 21-year brother Buddy into his den of iniquity while their horrified parents can only watch and pray. This farcical 60's romp became a hit movie starring Frank Sinatra. "A slick, lively, funny comedy."-The New York Times

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.