Experience the horror of Tade Thompson's The Murders of Molly Southbourne.The rule is simple: don't bleed.For as long as Molly Southbourne can remember, she's been watching herself die. Whenever she bleeds, another molly is born, identical to her in every way and intent on her destruction.Molly knows every way to kill herself, but she also knows that as long as she survives she'll be hunted. No matter how well she follows the rules, eventually the mollys will find her. Can Molly find a way to stop the tide of blood, or will she meet her end at the hand of a girl who looks just like her?

    Sabrina's a bored and disillusioned home-maker, Hal a reverse mortgage salesman with a penchant for ill-timed sports analogies. Their two children, Damien and Michaela, are bright and precocious.At first glance, the house is perfect. But things aren't what they seem.Sabrina's hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina's already-fraught relationship with her son is about to be tested in a way no parent could ever imagine.Because while the Haskins family might be the newest owners of 4596 James Circle, they're far from its only residents...

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    It took only twenty-two minutes for Kirby Matheson to exit his car, march onto the school grounds, enter the gymnasium, and open fire, killing six and injuring five others. But this isn’t a story about the shooting itself. This isn’t about recounting that one unforgettable day. This is about one boy—who had friends, enjoyed reading, playing saxophone in the band, and had never been in trouble before—became a monster capable of entering his school with a loaded gun and firing bullets at his classmates. Each chapter is told from a different victim’s viewpoint, giving insight into who Kirby was and who he’d become. Some are sweet, some are dark; some are seemingly unrelated, about fights or first kisses or late-night parties. This is a book told from multiple perspectives—with one character and one event drawing them all together—by some of YA’s most recognizable names.

    WALPUSKI’S TYPEWRITER by Frank Darabont They say that genius is ten percent inspiration and ninety percent perspiration. For Howard Walpuski, it’s an IBM Selectric II typewriter, a nefarious secret, and a whole lot of blood. THE BOY by Bentley Little Christine has found the perfect neighborhood to raise her family: a quaint, quiet, friendly place where everyone gets along. Everyone, that is, except for the boy. TUMOR by Benjamin Percy He dodged death in the nick of time when the golf ball-sized tumor was surgically removed from his head. But the tumor isn’t done with him. TWISTED AND GNARLED by Billie Sue Mosiman He’s smart. Smarter than anyone knows. No one has linked him to the string of bodies he’s left up and down the California coast. Only one woman has ever come close—and she’s no match for his intellect. THE PALAVER by Kealan Patrick Burke It’s time for Oscar Dennihy to close his failing barber shop and retire—until a mysterious customer tells him a truly hair-raising tale . . . and gives Oscar a wonderful and terrible new purpose. INDIA BLUE by Glen Hirshberg Like most Americans, Enrico never gave much thought to the sport of cricket. Not until America’s Rockin’ Professional Cricket game—a spectacle that will live forever in his most horrible nightmares. Praise for the Dark Screams series “A wicked treat [featuring] . . . some of the genre’s best.”—Hellnotes, on Volume One “Five fun-to-read stories by top-notch horror scribes. How can you lose? The answer: you can’t.”—Atomic Fangirl, on Volume Two “If you have not tried the series yet, do yourself a favor and grab a copy of any (or all) of the books for yourself.”—Examiner.com, on Volume Three “Fans of horror of every variety will find something to love in these pages.”—LitReactor, on Volume Four “[Volume Five] runs the gamut from throwback horror to lyrical and heartbreaking tales.”—Publishers Weekly

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    J. Tudor.Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself.Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known."The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest.But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.

    Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother—the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice—until she is punished for using it.2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape—both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waves her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty.

    Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    When Adam and Amelia win a weekend away to Scotland, it might be just what their marriage needs. Self-confessed workaholic and screenwriter Adam Wright has lived with face blindness his whole life. He can’t recognize friends or family, or even his own wife. Every anniversary the couple exchange traditional gifts – paper, cotton, pottery, tin – and each year Adam’s wife writes him a letter that she never lets him read. Until now. They both know this weekend will make or break their marriage, but they didn’t randomly win this trip. One of them is lying, and someone doesn’t want them to live happily ever after.Ten years of marriage. Ten years of secrets. And an anniversary they will never forget.Rock Paper Scissors is the latest exciting domestic thriller from the queen of the killer twist, New York Times bestselling author Alice Feeney.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    From the title story told by a woman suffering from gaps in her memory, to one about a man seeking insight in bags of garbage, to a surreal story about a car salesman and the customer he tries to seduce, The Woman Next Door charms and provokes with an incomparable style.

    Awe meets ache. Terror becomes transcendence. Regret gives way to rebirth. Fifteen short stories and one poem span nearly every twisted corner of the horror and dark fiction genres:A woman experiences an emotional reckoning inside a haunted house. A father sees his daughter rescued after a cold case is solved, only to learn the tragic limits of his love. A man awakens a vengeful spirit and learns the terrible price of settling scores. A boy comes of age into awareness of a secret universe of Lovecraftian scale. A young woman confronts the deathly price of existence inside a German concentration camp during the Holocaust. And much, much more…Gutted: Beautiful Horror Stories features the most celebrated voices in dark fiction, as well as a number of exciting, new talents, including: Clive Barker, Neil Gaiman, Ramsey Campbell, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Josh Malerman, Christopher Coake, Mercedes M. Yardley, Brian Kirk, Stephanie M. Wytovich, Amanda Gowin, Richard Thomas, Maria Alexander and Kevin Lucia. With a foreword from Cemetery Dance magazine founder Richard Chizmar.

    Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors