He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).

    Kilkenny were beaten in that final by Tipperary but Tyrrell’s inner-most thoughts from his diary, both in the lead-up to, and after the game, provide the narrative to a compelling life story. His unique insights paint the picture of a relentless individual and a relentless team – the most successful side in the history of Irish male sport. The intrigue and aura around Kilkenny coach Brian Cody and his players was always heightened because very little ever emerged from the camp, or the dressing room. Now, for the first time, Tyrrell opens a unique window into the elite mindset and attitude which forged such unprecedented success. Tyrrell’s own journey is chronicled with brutal and unwavering honesty. The hurling legend’s constant drive to be a winner with his beloved county have pushed him towards breaking point many times. Tyrrell operates somewhere between obsessed and maniacal. On the pitch, he displayed the ruthless mentality of an assassin but behind it all, he had to conquer crippling self-doubt and fear. It took until his fourth successive All-Ireland final for Tyrrell to believe he had finally arrived as a senior inter-county hurler, going on to become one of the most feared and respected defenders in the game.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

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    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    In a woods, a field and a barn, they play, fight, fantasize and swagger. Their aggressions, fears, hostilities and rivalries are a microcosm of adult interaction. Easy going Willie tags along as burly Peter bullies Raymond and is challenged by fair minded Paul. Plain Audrey is overshadowed by Angela's prettiness and wreaks her anger on the boys. All of them gang up on the terrified "Donald Duck" who, abused by his mother and ridiculed by his peers, plays a dangerous game of pyromania with tragic results.

    The lawyer is married to a beautiful, well-to-do girl in the midwest whose family sets the pace in local society and intends to run his marriage and his career as well. He has rebelled, come to New York, and taken up residence with this intriguing young woman. He is lonely and in need of consolation; she is one of those rare women whose only purpose seems to be making others happy. Their briefly fulfilling relationship is unhappily destined to failure: he is a cultured gentile with a wife and painful memories while she is a plain Jewish girl with little education and a horrible Bronx accent. They share happy and humorous moments together, but they both see with sadness the utter hopelessness of the affair."It's a whale of a hit, a bittersweet joy ride." - The New York Mirror ."An absorbing, affectionate, and funny delight." - The New York Daily News

    1999 - In a world of scientific chaos, cloning and genetic engineering, the cellar of the same house reveals a dark secret buried for 200 years.

    At first, the new doctor cures anything

    With each penetration they gain a sense of sexual maturity. Then later decide, their sweet pea is like treasure and should be discovered with gentle anticipation. By time they realize what it’s really worth, their sexual juices have been ran dry. Get well acquainted with the main character Erin, of “Like mother, Like Trick”, as she unfolds her truth of her mother’s expectations of a woman’s Hustle. Erin, a young girl, recently graduated out of high school is given 2 choices by her biological mother, Nicole Grey. Either hustle to make it, or die thinking about it. Erin referred to her mother as “Lady” She felt no neutering connection to her mother. They were more like sisters sharing the same dwelling space. Lady explained to Erin, “The fastest way to money is through your Pussy. Every man wants some, and will pay great money for it. You better know what it’s worth and use for the better good!” Lady would explain to Erin confusing the concepts of self worth. Erin was taught Lady’s value of sex at a very young age. Middle school lunch spent in the faculty parking lot for 100-dollar blowjobs. High school study hall spent in the Embassy suits for lunch rush pussy, for her clients working on corporate exchange Blvd. Lady exposed Erin to a very lavish lifestyle, and instilled in her the importance of money over everything, including morals and self- respect. Lady insisted that Erin help with the bills as well as feed clothe and finance her own dues from the money Erin received from clients. That was her way of teaching Erin Value of a dollar. By Erin’s freshman year of high school, she had known very well what she was into. She had maintained a very big clientele, and had become a very known and skillful trick expert. Erin felt she mastered her craft, and it still didn’t fulfill her desires. She hated her hustle and absolutely fell disgusted with the thought of engaging in sexual intercourse for income,. She needed a way out. Quick,, fast, and in a hurry. She needed help and knew that there was only one person that could help her. Erin gained the respect of her mother’s current boyfriend Kahlief. In Kahlief’s eyes, Erin was ambitious determined. He could sense through body language, she hated what she was doing. Often times Kalief would introduce Erin to his well known friends in the modeling industry, photographers and agents all over the city, but those small gigs wouldn’t last too long. Well aware of what was taking place with his girlfriend and her daughter. He didn’t give a damn. He was more obsessed with the fact that, to his old hood, his bitch was the baddest; she had bread, and was upgrading his finances on a regular. And to top it off Lady didn’t give a damn what anybody had to say.Erin became very close to Kahlief. When this Double trick Empire was at its best, He knew more than anybody, she was in search for something worth much more. Something not even the highest paying customer could finance. Something that would make her stop this lifestyle and come from up under Lady’s dirty schemes and diversions. She was looking for Love. Real love, that best friend love, that I’m “sorry ladies, I have to be in by 9” love. She was determined to find it. Get involved with this twisted tale as Erin finally finds Mr. Right and falls in love with a man who has everything but only wants to be with her. Just when Erin decides she doesn’t have to resort to her sexual encounters for money, she is soon devastated as she finds Lady lying lifeless in a pool of blood

    Matty has had to care for her three younger sisters ever since their mother’s death ten years ago. She and the girls’ beloved father have worked hard to keep the family together and now it’s time to celebrate as Matty turns eighteen. But their joy is short-lived when tragedy suddenly strikes and their father disappears on his way to London. The sisters have no way of knowing what has happened to him – only that he hasn’t returned home. With little money left they’re now forced to battle life’s misfortunes alone…

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    She thought she was about to lose her job but instead the business's new owner, Mr Wyndham, wants to keep her on. Lorna's mother, though, is horrified by the news and finally confesses that Lorna was the result of an affair with Oliver Wyndham, whose family cast her out when Oliver died and the pregnancy was revealed. Shocked to the core to learn that the man she has always thought to be her beloved father simply adopted her at birth, Lorna resolves to find out everything she can about the past and especially about the tragic death of Oliver Wyndham. Working with the Wyndhams, she soon begins to stir up old secrets and the truth starts to emerge. But Lorna hasn't reckoned with falling in love with a member of the family she should hate...

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.