Russell's award-winning novel is the story of four interlocking lives - Louis Tremper, the headmaster at the Forge School; his wife Claire; Tracey Parker, a 25-year old gay man and recently hired teacher at the Forge School; and Noah Lathrop III, a troubled student; all of whom struggle with their own inner demons, desires, and conflicted loyalties. When Tracey and Noah become involved in an illicit relationship, dark incidents from the school's past begin colliding with the current growing confusion that all of them must face. Compelling and poignant, this is the finest work yet from one of the best contemporary American novelists.

    In the decade that followed, Will relocated to the other end of the continent, filling his days with shallow and pointless affairs, unable to come to terms with the bizarre disappearance that could have been a tragic drowning, a well-planned abandonment, or both. While immersing himself in New York’s gay bar and disco scene, and a hedonistic Fire Island culture darkened by the grim specter of AIDS, Will meets Sean Paris, a young man as tortured and damaged by the past as Will himself. Drawn together by mutual doubts, needs, secrets, and obsessions, the intense relationship that they form will make waves in their circles of friends and ex-lovers, transforming Will’s life forever.

    It is constructed around the imagined authorship of a novel by Stephen Crane.

    What this does to their lives, families, team, and the President of the US is hilarious, poignant, brilliant, and dazzling fun.

    In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

    The first is told episodically by John, a hustler in New York, who falls in love with Martin, a man dying of AIDS. Interwoven with these stories is a second set, in which characters named Martin and John appear, but living different lives. The resulting novel is a work of stunning originality that is "inspired and brilliant" (The Nation).

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    Lark is obsessed with the beauty of youth and his own mortality, his hairline and the loss of so many of his friends to AIDS, and, above all, with a stunningly virile man who haunts his days and his dreams.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    J. Rosenthal's only mission is to find himself a boyfriend and avoid setbacks like bad haircuts, bad sex, and Jewish guilt. In post-AIDS 1986, B.J.'s world has changed dramatically -- his friends and lovers are getting sick, everyone is at risk, and B.J. is panicking. Parrying high-wire wit against unbearable human tragedy, Eighty-Sixed now stands as a testament to an era. "If Woody Allen were gay and wrote novels, he'd produce something like David Feinberg's Eighty-Sixed." -- David Streitfeld, The Washington Post Book World "[Feinberg] has given us a painful story of one man coming of age in a terrifying age." -- The Plain Dealer (Cleveland) "Entertaining, harrowing, and powerfully unsensational." -- Booklist "[Eighty-Sixed] stands out for its frankness, ferocious wit, and total lack of sentimentality or self pity." -- Catherine Texier, The New York Times Book Review

    I'm just in an alien world. . .Being Charles James Stewart, Jr., AKA Charlie the Second, means never "fitting in." Tall, gangly and big-eared, he could be a poster boy for teenage geeks. An embarrassment to his parents (he's not too crazy about them, either), Charlie is a virtual untouchable at his high school, where humiliation is practically an extracurricular activity. Charlie has tried to fit in, but all of his efforts fail on a glorious, monumental scale. He plays soccer--mainly to escape his home life--but isn't accepted by his teammates who basically ignore him on the field. He still confuses the accelerator with the brake pedal and as a result, has not only failed his driving exam six times, but also almost killed himself and his driving instructor. He can't work on his college essay without writing a searing tell-all. But what's freaking Charlie out the most is that while his hormones are raging and his peers are pairing off, he remains alone with his fantasies.But all of this is about to change when a new guy at school begins to liven things up on the soccer team--and in Charlie's life. For the first time in his seventeen years, Charlie will learn how it feels to be a star, well, at least off the field. But Charlie discovers that even cool guys have problems as he embarks on a deliciously sexy, risk-filled journey from which there is no turning back. . .

    One cold night, in a most unlikely corner of Chicago, two strangers are about to cross paths. From that moment on, their world will collide and lives intertwine.It's not that far from Evanston to Naperville, but Chicago suburbanites Will Grayson and Will Grayson might as well live on different planets. When fate delivers them both to the same surprising crossroads, the Will Graysons find their lives overlapping and hurtling in new and unexpected directions. With a push from friends new and old - including the massive, and massively fabulous, Tiny Cooper, offensive lineman and musical theater auteur extraordinaire - Will and Will begin building toward respective romantic turns-of-heart and the epic production of history's most awesome high school musical.

    The book is a fierce satire of the gay ghetto and a touching story of one man's desperate search for love there, and reading it today is a fascinating look at how much, and how little, has changed.

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    . . a spy thriller that breaks new ground."--Kirkus ReviewsHank Fayette, Seaman Second Class, had enlisted in his Texas hometown, used his shore leave to visit a movie house on 42nd Street, and ended up in a gay brothel near Manhattan's West piers. It was the wrong place to be at the wrong time. When this big, lanky blond with a country boy's drawl--and a country boy's hard muscular body--couldn't fight his way clear of the Shore Patrol who raided the place, he figured he was on his way to the brig or a dishonorable discharge. But in 1942, a few months after Pearl Harbor, the Navy was more interested in capturing spies than in punishing "sex offenders," and Hank was just the kind of sailor they had in mind. Their offer to Hank was simple: go back to the brothel, work undercover as a prostitute, and risk your life to entrap Nazi spies. This erotic, suspenseful novel captures the big-band feel of New York City in the forties, the intensity of a nation at war, and the passion of men for their country--and for each other."Entertaining, sexy, and touching . . ."--Stephen McCauley"Strong, action-filled . . . a tightly knit plot . . . a very engaging story about murder and intrigue that is hard to put down."--Lambda Rising Book Report