This anthology of stories featuring the character of Sherlock Holmes follows on from Sir Arthur Conan Doyle's stories which ended with Holmes at Reichenbach Falls.

    A young woman is found naked and strangled in an alley in well-to-do St John’s Wood.The African. The neighbours would love to pin it on the enigmatic black stranger who has just moved in.The Pariah. Detective Sergeant Cathal Breen is convinced there’s more to the case than anyone wants to admit; no-one’s listening.The Outsider. In walks WPC Helen Tozer – awkward chatterbox, farmgirl, and the first woman to enter the murder unit – and gives Breen a breakthrough.A Song from Dead Lips is a crime thriller that shows the glorified sixties close-up, as it really was – comfortably sexist, racially prejudiced, class-bound and crawling with corruption.

    Years later, the writer’s stepson reflects upon his stepmother and the strange stories she used to tell him. Meanwhile, a surgeon’s lover vows to kill him if he does not leave his wife. Before she can follow-through on her crime of passion, though, the surgeon will cross paths with another remarkable woman, a cabaret singer whose heart beats delicately outside of her body. But when the surgeon promises to repair her condition, he sparks the jealousy of another man who would like to preserve the heart in a custom tailored bag. Murderers and mourners, mothers and children, lovers and innocent bystanders—their fates converge in a darkly beautiful web that they are each powerless to escape.Macabre, fiendishly clever, and with a touch of the supernatural, Yoko Ogawa’s Revenge creates a haunting tapestry of death—and the afterlife of the living.

    They had all taken turns to dig. An adult sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood …Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country.But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual whose killing spree spans decades.As the body count rises, Kim needs to stop the murderer before they strike again. But to catch the killer, can Kim confront the demons of her own past before it’s too late? Fans of Rachel Abbott, Val McDermid and Mark Billingham will be gripped by this exceptional new voice in British crime fiction.

    The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.

    Through the lens of Link's vivid imagination, nothing is what it seems, and everything deserves a second look. From the multiple award-winning The Faery Handbag, in which a teenager's grandmother carries an entire village (or is it a man-eating dog?) in her handbag, to the near-future of The Surfer, whose narrator (a soccer-playing skeptic) waits with a planeload of refugees for the aliens to arrive, Link's stories are funny and full of unexpected insights and skewed perspectives on the world. Her fans range from Michael Chabon to Peter Buck of R.E.M. to Holly Black of Spiderwick Chronicles fame. Now teens can have their world rocked, too!

    The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

    Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out.At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

    But when a car accident reveals her husband’s secret life as a serial killer, she must remake herself as Gwen Proctor—the ultimate warrior mom.With her ex now in prison, Gwen has finally found refuge in a new home on remote Stillhouse Lake. Though still the target of stalkers and Internet trolls who think she had something to do with her husband’s crimes, Gwen dares to think her kids can finally grow up in peace.But just when she’s starting to feel at ease in her new identity, a body turns up in the lake—and threatening letters start arriving from an all-too-familiar address. Gwen Proctor must keep friends close and enemies at bay to avoid being exposed—or watch her kids fall victim to a killer who takes pleasure in tormenting her. One thing is certain: she’s learned how to fight evil. And she’ll never stop.

    Assisting a scholar in the convent one day, she uncovers a disturbing secret conected to her family.

    It smelt of time and decay, sour, like old books and parchments. The light from the chapel's stained glass window blushed red upon it, and upon my hands, as if the thing itself radiated a bloody glow.Ramshackle and crumbling, trapped in the past and resisting the future, St Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors the doctors bicker and fight. Ambition, jealousy and hatred seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything, but says nothing.And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open a long-forgotten past - with fatal consequences.In a trail that leads from the bloody world of the operating theatre and the dissecting table to the notorious squalor of Newgate and the gallows, Jem's adversary proves to be both powerful and ruthless. As St Saviour's destruction draws near, the dead are unearthed from their graves whilst the living are forced to make impossible choices. And murder is the price to be paid for the secrets to be kept.

    Slowly they swivelled, until their gaze was resting on Triss's face. Then the tiny mouth moved, opened to speak. 'Who do you think you are? This is my family.'When Triss wakes up after an accident, she knows that something is very wrong. She is insatiably hungry; she keeps waking up with leaves in her hair, and her sister seems terrified of her. When it all gets too much and she starts to cry, her tears are like cobwebs... Soon Triss discovers that what happened to her is more strange and terrible than she could ever have imagined, and that she is quite literally not herself. In a quest find the truth she must travel into the terrifying Underbelly of the city to meet a twisted architect who has dark designs on her family - before it's too late...

    Three years ago, she was involved in a tragic incident that left three classmates dead. She served her time, and now her mother, Maria, is resolved to keep that devastating fact tucked far away from their new beginning, hiding the past even from her new husband and demanding that Zoe do the same.Tonight Zoe is giving a recital that Maria has been planning for months. It needs to be the performance of Zoe’s life. But instead, by the end of the evening, Maria is dead.In the aftermath, everyone—police, family, Zoe’s former solicitor, and Zoe herself—tries to piece together what happened. But as Zoe knows all too well, the truth is rarely straightforward, and the closer we are to someone, the less we may see.

    He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.