“It is guilty and should admit itself so.” The word, the flesh, and the devil are explored by this extraordinary intellect in the work of eight outstanding authors: Emily Bronte, Baudelaire, Blake, Michelet, Kafka, Proust, Genet and De Sade.Born in France in 1897, Georges Bataille was a radical philosopher, novelist, and critic whose writings continue to exert a vital influence on today's literature and thought.

    Lovecraft. Beyond being modern updates of the pulp horror of the 1930s, these stories seamlessly intertwine the Cthulhu Mythos into modern day conspiracy theory and the myths of alien abduction and visitation.

    A massive asteroid named Xibalba — the "Place of Fear" in Mayan mythology — is on collision course with the planet Earth. If that wasn't trouble enough, the asteroid has an enormous magical symbol carved into its side and is revealed to be a fragment of our solar system's lost fifth planet, Marduk, destroyed sixty-five million years ago at the end of an epic cosmic war between the inhabitants of Marduk and immensely powerful, life-hating, extra-dimensional "gods." One of those beings is still alive, imprisoned on Xibalba, dreaming of its ultimate revenge on all that exists. When Nameless and his teammates inadvertently unleash this malignant soul-destroying intelligence, the stage is set for a nightmarish, nihilistic journey to the outer reaches of human terror.

    These included "The Hounds of Tindalos" (the 1st Mythos story written by anyone other than Lovecraft), The Horror from the Hills (which introduced the elephantine Great Old One Chaugnar Faugn to the Mythos) & "The Space-Eaters" (featuring a fictionalized HPL as main character). The Hounds are Long's most famous 17 fictions. They're a pack of foul, incomprehensibly alien beasts "emerging from strange angles in dim recesses of non-Euclidean space before the dawn of time" to pursue travelers down the corridors of time. They can only enter our reality via angles, where they mangle & exsanguinate their victims, leaving behind only a "peculiar bluish pus or ichor". They're referenced by many later Mythos writers, including Ramsey Campbell, Lin Carter & Brian Lumley. They've inspired a number of metal & electronic music artists, such as Epoch of Unlight, Edith Byron's Group, Beowulf, Fireaxe/Brian Voth & Univers Zero, all of whom have recorded tracks based on the story.

    He insists that such a move could bring new luster to a tired field, one that in some respects is among “the most backwards disciplines in the academy.” Literary study, he argues, has been random and unsystematic. For any given period scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture.Moretti offers bar charts, maps, and time lines instead, developing the idea of “distant reading,” set forth in his path-breaking essay “Conjectures on World Literature,” into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres—the epistolary, the gothic, and the historical novel—as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

    Not only does it describe the genre authoritatively, but it redefines it, offering an exciting new analysis of this highly diverse and hugely popular sphere of art. With more than 4,000 entries and over one million words, this volume covers every aspect of fantasy-literature, film, television, opera, art, and comics. Written and compiled by a team of editors with unparalleled collective experience in the field, it is an invaluable reference for anyone interested in the art of the fantastic. This paperback edition includes thirty-two pages of update material obtained since the hardcover when to press.

    LOVECRAFT'S THE HOUND AND OTHER STORIES!Dyer and Danforth from the Miskatonic University research team take their small plane through the unknown Antarctic mountain range--and land to explore the vast, cyclopean alien city that lies beyond it. Here at last they will discover the hideous secret of all life on Earth . . . but can they escape these uttermost vaults at the bottom of the world, and keep sanity enough to warn mankind...? The conclusion of At the Mountains of Madness!

    and covered in blood!Demonic possession! Haunted condominiums! Murderous babies! Man-eating moths! No plot was too ludicrous, no cover art too appalling, no evil too despicable for the Paperbacks From Hell.Where did they come from? Where did they go? Horror author Grady Hendrix risks his soul and sanity (not to mention yours) to relate the true, untold story of the Paperbacks From Hell.Shocking story summaries! Incredible cover art! And true tales of writers, artists, and publishers who violated every literary law but one: never be boring. All this awaits, if you dare experience the Paperbacks From Hell.

    Collects nine stories including "Crouch End" by Stephen King, and stories by A.A. Attanasio, Basil Cooper, David Drake, T.E.D. Klein, Frank Belknap Long, Brian Lumley, H.P. Lovecraft and Martin S. Warnes.Contents (view Concise Listing)ix • Introduction (New Tales of the Cthulhu Mythos) • essay by Ramsey Campbell3 • Crouch End • [Cthulhu Mythos] • novelette by Stephen King33 • The Star Pools • [Cthulhu Mythos] • novelette by A. A. Attanasio73 • The Second Wish • [Cthulhu Mythos] • novelette by Brian Lumley101 • Dark Awakening • [Cthulhu Mythos] • short story by Frank Belknap Long115 • Shaft Number 247 • [Cthulhu Mythos] • novelette by Basil Copper145 • Black Man with a Horn • [Cthulhu Mythos] • novelette by T. E. D. Klein187 • The Black Tome of Alsophocus • [Cthulhu Mythos] • short story by H. P. Lovecraft and Martin S. Warnes197 • Than Curse the Darkness • [Cthulhu Mythos] • novelette by David Drake223 • The Faces at Pine Dunes • [Severn Valley] • novelette by Ramsey Campbell255 • Notes on Contributors (New Tales of the Cthulhu Mythos) • essay by uncredited

    In this collection there are tales of Hyperborea, Zothique, Averoigne, Atlantis, Xiccarph, and other vanished worlds of Smith's unparalleled creation. Here are such unforgettable tales as Vulthoom, The Colossus of Ylourgne, The Charnel God, The Black Abbot of Puuthuum, The Weaver in the Vault, and others.None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer, dead or living - H.P. LovecraftHe had a monstrously vivid imagination, a keenly ironic sense of humour, and an uninhibited bent for the macabre. - L. Sprague de CampCover illustration by Brice Pennington

    James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. All of the minutiae of Leopold Bloom’s day, including its unspeakable details, unfold with careful precision in its pages. The New York Society for the Suppression of Vice immediately banned the novel as "obscene, lewd, and lascivious.” Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to its landmark federal obscenity trial in 1933.   Literary historian Kevin Birmingham follows Joyce’s years as a young writer, his feverish work on his literary masterpiece, and his ardent love affair with Nora Barnacle, the model for Molly Bloom. Joyce and Nora socialized with literary greats like Ezra Pound, Ernest Hemingway, T. S. Eliot and Sylvia Beach. Their support helped Joyce fight an array of anti-vice crusaders while his book was disguised and smuggled, pirated and burned in the United States and Britain. The long struggle for publication added to the growing pressures of Joyce’s deteriorating eyesight, finances and home life.   Salvation finally came from the partnership of Bennett Cerf, the cofounder of Random House, and Morris Ernst, a dogged civil liberties lawyer and founder of the ACLU. With their stewardship, the case ultimately rested on the literary merit of Joyce’s master work. The sixty-year-old judicial practices governing obscenity in the United States were overturned because a federal judge could get inside Molly Bloom’s head.   Birmingham’s archival work brings to light new information about both Joyce and the story surrounding Ulysses. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say yes to Ulysses.

    In "Gothicka, " Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives.To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of "The Shack"), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic-the late medieval period from which Horace Walpole and his successors drew their inspiration.Fictions such as the "Twilight" and "Left Behind" series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in "The Da Vinci Code" and the child Ofelia becomes a goddess in "Pan's Labyrinth, " Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.

    Lovecraft and the Cthulhu Mythos. With illustrations by Peter A. Worthy and color cover by James Oberschlake.

    Songs, stories, images, and films about frightening monsters have always been invented to allay the very terrors that our sleep of reason conjures up. Warner shows how these images and stories, while they may unfold along different lines - scaring, lulling, or making mock - have the strategic simultaneous purpose of both arousing and controlling the underlying fear. In analysis of material long overlooked by cultural critics, historians, and even psychologists, Warner revises our understanding of storytelling in our contemporary culture. She asks us to reconsider the unintended consequences of our age-old, outmoded notions about masculine identity and about racial stereotyping, and warns us of the dangerous, unthinking ways we perpetuate the bogeyman.

    This collection has more than twenty-five selections, including such important statements as "Modern Fiction" and "The Modern Essay."