He has a flourishing bar in the heart of Soho and in six months he will be marrying Ashley. There's just one problem. Phil has been married before, 20 years ago. To a woman. In fact, technically Phil and Hazel are still married. And what Phil doesn't know yet is that Hazel has a son - a 19-year-old son.

    After five years chasing echidnas and platypuses in Australia, Neil Humphreys returns to Singapore to see if the rumours are true. Like an old girlfriend getting a lusty makeover, the island transformed while Humphreys was away. Singapore is not just a sexier island, it’s a different world.So Humphreys embarked upon a nationwide tour to test that theory. He went in search of new Singapore, visiting only locations that either did not exist five years ago or had been extensively rebuilt, renovated or revamped in his absence. From the cloud-topped heights of Marina Bay Sands and Pinnacle@Duxton to making ill-advised bomb jokes at the subterranean tunnels of Labrador Park, Humphreys walks, cycles, kayaks and swims across a rapidly evolving country, meeting Guinness-swigging aunties in Resorts World Sentosa, eccentric toy museum owners in Bugis, political activists in Aljunied and a security guard at Marina Barrage ready to ‘tekan’ anyone who crosses his path. In new Singapore, Humphreys discovers a country still grappling between the economic rewards of progress at Biopolis and Fusionopolis and the historical cost at Bukit Brown Cemetery.With Humphreys’ characteristic honesty and wit, Return to a Sexy Island provides an insightful account of new Singapore; its best bits, it ugly bits and, most importantly of all, what it’s really like to pee in the world’s best toilet. Every Singapore resident and visitor should read this book.

    The rare bird's tragic extinction in the early 1900s represents a shot to the heart of Aotearoa and is a potent metaphor for a country's conflicted history. Using the story of the untimely extinction of the huia, Jay Ruka offers a fresh perspective on the narrative of Aotearoa; a tale of two cultures, warring worldviews, and the things we lost in translation. Revisiting the early missionaries, the transformative message of the gospel and the cultural missteps of the Treaty of Waitangi, Huia Come Home invites us to reconnect with the unique story offered by the indigenous Maori lens. In relearning the history that lies in the soil of Aotearoa, we might just find a shared hope for the future and a recovery of national treasures once thought to be extinct.

    Beginning with a risky business venture inspired by British fast food, Mole attempts to submerge himself in Russian culture—but often finds himself in the middle of a fiasco instead.

    They should be moulded and shaped to meet the needs and opinions of today. The Discipline of Law is a fascinating account of Lord Denning's personal contribution to the changing face of the law in this century.

    

    Many have been scandalised by its pessimism on Brexit and its one-sided presentation of the Trump presidency, whilst simultaneously amused by its outrage over 'fake news'.Robin Aitken, who himself spent twenty-five years working for the BBC as a reporter and executive, argues that the Corporation needs to be reminded that what is 'fake' rather depends on where one is standing. From where his feet are planted, the BBC's own coverage of events often looks decidedly peculiar, peppered with distortions, omissions and amplifications tailored to its own liberal agenda.This punchy polemic from the author of Can We Trust the BBC? galvanises the debate over how our licence-fee money is spent, and asks whether the BBC is a fair arbiter of the news, or whether it is a conduit for pervasive and institutional liberal left-wing bias.

    From that house. That street. That place. And his parents. As a troubled teenager - struggling with his sexuality after years of bullying and abuse, including being spat on, beaten, having dog faeces forced into his mouth, and sexual assault - he left home and moved to another city, put together a new life and became a different person, while keeping the 'dead spots' hidden from everyone - sporadic bouts of depression that could wipe out days at a time. But years later, in the aftermath of a disturbing reminder of the past, he begins to unravel, which leads to a move abroad followed by a return to his childhood home. Moving back into that claustrophobic house full of unwanted memories - with his manipulative, controlling mother, and too many reminders of his toxic father - wasn't supposed to be for long, but as the past catches up with him, he heads towards a breakdown and finds himself trapped once again.

    Her experience has left her haunted by hallucinatory echoes of kids who are not coming back. But when Leslie's own thirteen year-old daughter, Molly, attempts to hire her to find a vanished friend, the echoes start to take their form from Leslie's own troubled childhood. As the search for Molly's friend Lydia gets underway, it becomes apparent that there's much more to the story: a party of eighth graders at Lydia's home got out of hand and has resulted in charges of sexual assault against five thirteen-year-old boys. The once-rural town and now burgeoning suburb of Swifton Woods. Swifton has labored for decades under the stigma of an unsolved series of abductions and rapes of eleven young girls, who came to be known as the Nightingales. An incidental connection between Lydia's party and Swifton's past only fans the public response to an ugly rage. The boys' conviction seems all but inevitable.Molly, however, knows more than she's telling. In trying to honor a solemn promise while negotiating her inherent sense of right and wrong, she finds herself despised by those she most wants to help. At the same time, Leslie's increasing worry for the depth of Molly's involvement begins to weave into her own secret knowledge of the Nightingales' history. In the end, she is left uncertain of every instinct but the one that demands she protect her child. Even if that means she has to betray her own childhood by telling everything.

    When Josie Messina's wunderkind 12-year-old son earns a full scholarship to one of New Jersey's toniest private schools, this hardworking, cash-strapped single mom is intimidated. Will she ever fit in with the wealthy and fashionable mothers of Little Fawn Country Day? But when Josie runs into Country Day's most famous parent, rock legend Billy Stand - known to her as the boy she used to babysit - their embrace in the school parking lot, viewed by three of the school's most influential social butterflies, rockets her to "A list" status. What happens next will bring truth to the warning, "Be careful what you wish for." This timely, irreverent send-up of contemporary academia -- and the wicked ways of the one percent -- will delight any parent who has ever been dragged to a PTA fundraiser, has sweated out their children's grades and college prospects, or who has wondered what, exactly, their kids are learning at school all day.Editorial Review"A smart, poignant fiction debut...What makes this work stand out is Matthews' handling of social issues such as class boundaries and the state of education in the country...The cause-and-effect relationship intertwined in each plot element creates moments of laughter and societal insight, making the novel an entertaining, shrewd read."- Kirkus Reviews

    Chapters: The Stars' Tennis Balls, Making History, the Liar, the Ode Less Travelled: Unlocking the Poet Within, Moab Is My Washpot, the Hippopotamus, Paperweight, Stephen Fry's Incomplete and Utter History of Classical Music. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: The Stars' Tennis Balls is a psychological thriller novel by Stephen Fry, first published in 2000. In the United States, the title was changed to Revenge. In the Afterword to the 2003 American edition, Fry admits that the story "is a straight steal, virtually identical in all but period and style to Alexandre Dumas' The Count of Monte Cristo" but denies plagiarism, since Dumas also admits that the plot was taken from a contemporary urban legend. The main character, Edward (Ted/Tedward) Maddstone, is a seventeen year old schoolboy who appears to be the sort of person for whom everything goes right. He is captain of school, talented at sports and following in the footsteps of his father towards Oxford University, then a career in politics. He is happy and has fallen in love with a girl called Portia. But a few bizarre twists and turns of fate ensure that his life is turned upside down. As mentioned above, the plot is extremely similar to the story of The Count of Monte Cristo. The original title comes from a quotation taken from John Webster's The Duchess of Malfi. In full it reads: "We are merely the stars' tennis balls, struck and banded which way please them." The novel's dedication reads simply "To M'Colleague" - "M'Colleague" being the name by which Fry and Hugh Laurie referred to each other in their TV sketch show A Bit of Fry and Laurie.

    Now that she's out on the road, with the man she feels like she could let herself fall in love with and the one she can't take her eyes off, she doesn't want to return to reality. It's getting so damn hard to remember the rules these days, just the three of them and the miles and miles of road ahead of them.Fork in the Road is a bisexual MMF romance short story with no cliffhangers and an HEA.

    The seven sessions are: The Separation of Church and State Creation and Evolution in the Public Schools The Death Penalty Euthanasia Prayer in Public Schools Abortion Homosexuality The study is designed as a "fishing expedition," with tools and helps that will enable congregations to make the study a church and community-wide outreach event, including sermon starters and promotion aids.

    But it will cost you.” Jake and Stephen grew up together. Down on his luck and needing a place to crash, Jake knows there's plenty of room in Stephen's gated mansion. Stephen gladly welcomes Jake into his home, but the young billionaire's generosity comes with strings attached—something he's wanted for a very long time. Jake is a straight man and always has been. But when Stephen hands him the blindfold, Jake has no choice but to cover his eyes and take whatever comes. No matter how forbidden, or taboo. 7,600 words. First of two books.

    Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.