To Hendrix and Corrina, both seventeen but otherwise alike only in their loneliness, that sounds like another line from a pop song that tries to promise kids that life doesn’t actually suck. Okay, so: love. Sure.The thing about Corrina—her adoptive parents are suffocating, trying to mold her into someone acceptable, predictable, like them. She’s a musician, itching for any chance to escape, become the person she really wants to be. Whoever that is.And Hendrix, he’s cool. Kind of a poet. But also kind of lost. His dad is dead and his mom is married to her job. Gpa is his only real family, but he’s fading fast from Alzheimer’s. Looking for any way to help the man who raised him, Hendrix has made Gpa an impossible promise—that he’ll get him back east to the hill where he first kissed his wife, before his illness wipes away all memory of her.One hot July night, Hendrix and Corrina decide to risk everything. They steal a car, spring Gpa from his assisted living facility, stuff Old Humper the dog into the back seat, and take off on a cross-country odyssey from LA to NY. With their parents, Gpa’s doctors, and the police all hot on their heels, Hendrix and Corrina set off to discover for themselves if what Gpa says is true—that the only stories that last are love stories.

    Mirabel is the smartest person anyone knows, and no one doubts it just because she can’t speak. Monday is the town’s purveyor of books now that the library’s closed―tell her the book you think you want, and she’ll pull the one you actually do from the microwave or her sock drawer. Mab’s job is hardest of all: get good grades, get into college, get out of Bourne.For a few weeks seventeen years ago, Bourne was national news when its water turned green. The girls have come of age watching their mother’s endless fight for justice. But just when it seems life might go on the same forever, the first moving truck anyone’s seen in years pulls up and unloads new residents and old secrets. Soon, the Mitchell sisters are taking on a system stacked against them and uncovering mysteries buried longer than they’ve been alive. Because it's hard to let go of the past when the past won't let go of you.Three unforgettable narrators join together here to tell a spellbinding story with wit, wonder, and deep affection. As she did in This Is How It Always Is, Laurie Frankel has written a laugh-out-loud-on-one-page-grab-a-tissue-the-next novel, as only she can, about how expanding our notions of normal makes the world a better place for everyone and how when days are darkest, it’s our daughters who will save us all.

    With him go the last vestiges of their childhood, and soon after both move away to start their separate adult lives. Corwin sets off on a fifteen-year itinerant tour of rainless, war-torn countries while Morwenna leads a quiet (some might say anti-social) life as a bookbinder in east London.When their beloved grandfather, Matthew, grows ill, the pull of home is too strong to resist and they find themselves back in the family house in Devon, drawn to the map, their grandfather’s life’s work.Over the past fifty years, Matthew has meticulously painted every important event in the family’s life on top of an ordnance survey chart. Part record and part legend, the map has been a subject of fascination to Morwenna and Corwin for as long as they can remember. But is there a deeper meaning hidden among the tiny pictures of shipwrecks, asps and farting devils, and could it lead them closer to what really happened to their father all those years ago?

    Irene fights her husband. She does not want to uproot her family and has deep misgivings about the move. Nevertheless, the family leaves, and they are just settling into their life in Oregon’s high desert when the unthinkable happens. Fifteen-year-old Shep is shot and killed during an apparent robbery in their home. The murderer, a young mechanic with a history of assault, robbery, and drug-related offenses, is caught and sentenced to death. Shep’s murder sends the Stanley family into a tailspin, with each member attempting to cope with the tragedy in his or her own way. Irene’s approach is to live, week after week, waiting for Daniel Robbin’s execution and the justice she feels she and her family deserve. Those weeks turn into months and then years. Ultimately, faced with a growing sense that Robbin’s death will not stop her pain, Irene takes the extraordinary and clandestine step of reaching out to her son’s killer. The two forge an unlikely connection that remains a secret from her family and friends. Years later, Irene receives the notice that she had craved for so long—Daniel Robbin has stopped his appeals and will be executed within a month. This announcement shakes the very core of the Stanley family. Irene, it turns out, isn’t the only one with a shocking secret to hide. As the execution date nears, the Stanleys must face difficult truths and find a way to come to terms with the past.Dramatic, wrenching, and ultimately uplifting, The Crying Tree is an unforgettable story of love and redemption, the unbreakable bonds of family, and the transformative power of forgiveness.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    But Dan doesn’t just want to save his failing bookstore and his family’s finances he wants to do something special.Dan is an obsessive list maker; his story unfolds entirely in his lists, which are brimming with Dan’s hilarious sense of humor, unique world-view, and deeply personal thoughts. When read in full, his lists paint a picture of a man struggling to be a man, a man who has reached a point where he’s willing to do anything for the love of his life.

    He’s always hungered for the love of the girl’s self-obsessed mother; after she throws him out, their troubles turn deadly.Lulu’s mother warned her to never let him in, but when he shows up, he’s impossible to ignore. He bullies his way past ten-year-old Lulu, who obeys her father’s instructions to open the door, then listens in horror as her parents struggle. She runs for help and discovers upon her return that he’s murdered her mother, stabbed her sister, and tried to kill himself. For thirty years, the sisters try to make sense of what happened. Their imprisoned father is a specter in both their lives, shadowing every choice they make. Though one spends her life pretending he’s dead, while the other feels compelled to help him, both fear that someday their imprisoned father’s attempts to win parole may meet success.http://us.macmillan.com/themurderersd...

    As a teenager, her mother was committed to an asylum and then a local priest forced her into an abusive marriage. But when her husband dies in an accident Peggy sees an opportunity to start again and trains as a midwife.In 1950s Dublin it is not easy for a woman to make a living and Peggy sees a chance to start a business and soon a lucrative maternity home is up and running. But when Peggy realizes that the lack of birth control is an issue for women, she uses their plight as a way to make more money. Very soon Peggy is on the wrong side of the law. What makes a woman decide to walk down a dark path? Can Peggy ever get back on the straight and narrow? Or will she have to pay for her crimes?Set against the backdrop of Ireland in the 1950’s The Abandoned tells the story of one woman’s fight for survival and her journey into the underbelly of a dangerous criminal world.The Abandoned is a debut novel not to be missed, it will appeal to fans of authors like Cara Hunter, Joy Ellis and Helen Fields What everyone is saying about The Abandoned:  "Great fast paced book, great strong characters" Wendy Haines"An engrossing story which is so hard to look back at and think that things like this really happened not that long ago. A superb debut." Susan Hampson - Books From Dusk Till Dawn"I loved how fast-paced and chilling every part of this novel was, as it certainly kept me on my toes from start to finish, keeping my level of intrigued peaked until the very last second." Kaisha Holloway - The Writing Garnet"Brilliant. High expectations are set for future books by Sharon Thompson an author to keep your eye on. A story you won’t forget quickly." Gemma Myers - Between The Pages Book Club"The pace throughout is steady with some of the faster-paced parts providing some darker more grittier moments." Rachel Broughton - Rae Reads"The perfect mix of Historical Fiction, Thriller, Suspense, and Crime. I'm excited to read more from Sharon Thompson." Dash Fan Book Reviews"The Abandoned is a fabulous historical thriller and though I disproved of Peggy’s actions, I thoroughly enjoyed her story." Susan Corcoran - Booksaremycwtches"Cannot praise this author highly enough. I will be recommending this to anyone who listens." Philomena Callan - Cheekypee Reads And Reviews"This is a superbly written book with a good heavy plot that keeps on giving and opening more." Sue Ward - Read Along With Sue"It’s gritty, dark, vivid and sometimes very very brutal (see the blurb for her job descriptions, throw in some violence and you’re halfway there), but always gripping, with dark laughs in there to keep your head above water." Bernadette Maycock - BRMaycock's Book Blog"A very good read that will appeal to readers of thrillers and crime fiction.

    Mimi Miller tells about her life with intimacy and honesty. As Mimi eavesdrops on her parents and quietly observes the people around her, she discovers more and more about the toxicity of family secrets, the dangers of gossip, the flaws of marriage, the inequalities of friendship and the risks of passion, loyalty, and love. Home, as Mimi begins to realize, can be “a place where it’s just as easy to feel lost as it is to feel content.” Miller’s Valley is a masterly study of family, memory, loss, and, ultimately, discovery, of finding true identity and a new vision of home. As Mimi says, “No one ever leaves the town where they grew up, even if they go.” Miller’s Valley reminds us that the place where you grew up can disappear, and the people in it too, but all will live on in your heart forever.'

    And every year, Samuel Lake, a vibrant and committed young preacher, brings his beloved wife, Willadee Moses, and their three children back for the festivities. The children embrace the reunion as a welcome escape from the prying eyes of their father’s congregation; for Willadee it’s a precious opportunity to spend time with her mother and father, Calla and John. But just as the reunion is getting under way, tragedy strikes, jolting the family to their core: John’s untimely death and, soon after, the loss of Samuel’s parish, which set the stage for a summer of crisis and profound change.In the midst of it all, Samuel and Willadee’s outspoken eleven-year-old daughter, Swan, is a bright light. Her high spirits and fearlessness have alternately seduced and bedeviled three generations of the family. But it is Blade Ballenger, a traumatized eight-year-old neighbor, who soon captures Swan’s undivided attention. Full of righteous anger, and innocent of the peril facing her and those she loves, Swan makes it her mission to keep the boy safe from his terrifying father.With characters who spring to life as vividly as if they were members of one’s own family, and with the clear-eyed wisdom that illuminates the most tragic—and triumphant—aspects of human nature, Jenny Wingfield emerges as one of the most vital, engaging storytellers writing today. In The Homecoming of Samuel Lake she has created a memorable and lasting work of fiction.

    Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde—fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer—like Jo in Little Women, or the Bröntes—but without the dying young bit.By sixteen, she’s smoking cigarettes, getting drunk and working for a music paper. She’s writing pornographic letters to rock-stars, having all the kinds of sex with all kinds of men, and eviscerating bands in reviews of 600 words or less.But what happens when Johanna realizes she’s built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks, enough to build a girl after all?Imagine The Bell Jar written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.

    She's frustrated with Rose and her constant complaints but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and Rose travel to the searing, arid coast of southern Spain to see a famous consultant, Dr. Gomez—their very last chance—in the hope that he might cure Rose's unpredictable limb paralysis, but Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Rose's illness becomes increasingly baffling. Sofia's role as detective—tracking Rose's symptoms in an attempt to find the secret motivation for her pain—deepens as she discovers her own desires in this transient desert community.

    In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred...until the Soweto Uprising, in which a protest by black students ignites racial conflict, alters the fault lines on which their society is built, and shatters their worlds when Robin’s parents are left dead and Beauty’s daughter goes missing.After Robin is sent to live with her loving but irresponsible aunt, Beauty is hired to care for Robin while continuing the search for her daughter. In Beauty, Robin finds the security and family that she craves, and the two forge an inextricable bond through their deep personal losses. But Robin knows that if Beauty finds her daughter, Robin could lose her new caretaker forever, so she makes a desperate decision with devastating consequences. Her quest to make amends and find redemption is a journey of self-discovery in which she learns the harsh truths of the society that once promised her protection.Told through Beauty and Robin's alternating perspectives, the interwoven narratives create a rich and complex tapestry of the emotions and tensions at the heart of Apartheid-era South Africa. Hum If You Don’t Know the Words is a beautifully rendered look at loss, racism, and the creation of family.

     Ben and Annie Flurry have the perfect family, until an accident takes Annie's life and leaves their daughter severely injured. Now Ben struggles to come to terms with his own grief and guilt. As the past he tried to leave behind threatens all he holds dear, Ben makes the difficult decision to move back to his childhood home to seek the help of his mother — and the father he remembers as abusive and an alcoholic. His mother claims his father is a changed man, but Ben isn't so sure. Can he find the strength to be the dad and man his father never was? Or will the wounds of the past ruin Ben's chance to love again?

    It’s been two and a half years since Cassie’s mother dumped her in a mental institution against her will, and now, at eighteen, Cassie is finally able to reclaim her life and enter the world on her own terms.But freedom is a poor match against a lifetime of psychological damage. As Cassie plumbs the depths of her new surroundings, the startling truths she uncovers about her own family narrative make it impossible to cut the tethers of a tumultuous past. And when the unhealthy mother-daughter relationship that defined Cassie’s childhood and adolescence threatens to pull her under once again, Cassie must decide: whose version of history is real? And more important, whose life must she save?