Exhaustively researched with transcripts of interviews with killers, and featuring up-to-date information on the apprehension and conviction of the Green River killer and the Beltway Snipers, Vronsky's one-of-a-kind book covers every conceivable aspect of an endlessly riveting true crime phenomenon.INCLUDES PHOTOGRAPHS

    Yet much of his pre-writing life, including his unconventional marriage, has remained shrouded in mystery. In this compelling, wholly original book, Judith Freeman sets out to solve the puzzle of who Chandler was and how he became the writer who would create in Philip Marlowe an icon of American culture. Freeman uncovers vestiges of the Los Angeles that was terrain and inspiration for Chandler’s imagination, including the nearly two dozen apartments and houses the Chandlers moved into and out of over the course of two decades. She also uncovers the life of Cissy Pascal, the older, twice-divorced woman Chandler married in 1924, who would play an essential role in how he came to understand not only his female characters–and Marlowe’s relation to them–but himself as well. A revelation of a marriage that was a wellspring of need, illusion, and creativity, The Long Embrace provides us with a more complete picture of Raymond Chandler’s life and art than any we have had before.

    For lawyers in the Cook County Public Defender's Office Murder Task Force, that meant a steady flow of new clients. Eight out of ten people arrested for murder in Chicago are represented by public defenders. They're assigned the most challenging and seemingly hopeless cases, yet they always fight to win. One of those lawyers is Marijane Placek, a snakeskin boot-wearing, Shakespeare-quoting nonconformist whose courtroom bravado and sharp legal skills have made her a well-known figure around the courthouse. When an ex-convict was arrested on charges of killing a Chicago police officer that deadly year, Placek got the high-profile case, and her defense forms the hub around which the book's narrative revolves.Veteran journalist Kevin Davis reveals the compelling true story of a team of battle-scarred lawyers fighting against all odds. Unflinching, gripping, and full of surprises, "Defending the Damned" is an unforgettable human story and engaging courtroom drama where life and death hang in the balance. Davis explores the motives that compel these lawyers to come to work in this dark corner of the criminal justice system and exposes their insular and often misunderstood world.This groundbreaking work comes at a time when the country has seen how wrongful convictions have slipped through the system, that innocent people have been sent to death row, and that some police have lied or coerced suspects into confessing to crimes they did not commit. Such flaws drive these public defenders even harder to do their jobs, providing scrutiny to a long ignored and often broken system.Davis's reporting offers an unvarnished account of public defenders as never seen before. A powerful melding of courtroom drama and penetrating truecrime journalism, "Defending the Damned" is narrative nonfiction at its finest.

    The lush grounds soon become a haven for Hollywood hopefuls to meet, drink, and revel through the night. George Cukor is in the pool, Tallulah Bankhead is at the bar, and Scott Fitzgerald is sneaking off to a bungalow with Sheilah Graham while Madame Alla Nazimova keeps watch behind her lace curtains.But the real story of the Garden of Allah begins with its first few residents, three kids on the brink of something big.Marcus Adler has a lot to prove after his father catches him and the police chief’s son with their pants down. He flees Pennsylvania for Hollywood with his mouth shut and his eyes open, and begins to write the lines all those starlets will say out loud. Can a smart, sensitive guy find his own voice in a town that’s just learning to talk?Kathryn Massey’s childhood was a grinding routine of auditions, but she couldn’t care less about being a movie star. When she takes off with her typewriter, determined to become a newspaper reporter, she finds that breaking into the boys’ club is tougher than breaking free of her bossy mother. To make it in this town, she’ll need some serious moxie.Gwendolyn Brick is a sweet Southern beauty who’s come a long way to try her luck on the big screen. She’s hoping the same succulent lips the guys want to kiss will land her more than a bit part on a casting couch. She’s going to need some help keeping everyone in line.Nobody gets a free pass in Hollywood, but a room at the Garden on Sunset can get your foot in the door.

    It is the definitive account of how police and forensic psychologists work to track a killer, and it is the harrowing story of bucolic innocence lost when murder becomes a fact of small-town life. In this brilliant work of true-crime reportage, Philip E. Ginsburg, acclaimed author of the bestselling Poisoned Blood, re-creates for us the terror of the small communities unnerved by inexplicable murders that begin to occur with horrifying regularity. Ginsburg takes us deep into the lives of the women who died, so that we share the pain of their families and friends as the connections among the several deaths become chillingly clear. He introduces us to the most up-to-date methods today's police use to bring a serial killer to justice, making real the close-knit world of the small-town policemen for whom there is no distinction between the personal and professional when their own families are in danger. And, most harrowing of all, Ginsburg paints an indelible portrait of the psychologist who must burrow inside the mind of the unknown serial killer, and who must identify with the murderer even as he works with the police to capture him. Philip E. Ginsburg's new book is imbued with the same unerring sense of dramatic pacing and "bang-up investigative reporting" that made Poisoned Blood "one of the most riveting true-crime stories in memory," according to Publisher's Weekly. The Shadow of Death is superb and mesmerizing true-crime writing.

    This new and expanded third edition continues to offer students and readers the best one-volume introduction to the field.The bewildering variety of approaches, theorists and technical language is lucidly and expertly unraveled. Unlike many books which assume certain positions about the critics and the theories they represent, Peter Barry allows readers to develop their own ideas once first principles and concepts have been grasped.

    Now, Ada Louise Huxtable, the Pulitzer Prize- winning architecture writer for "The Wall Street Journal"?and chief architecture critic for "The New York Times" for nearly twenty years?offers an outstanding look at the architect and the man. She explores the sources of his tumultuous and troubled life and his long career as master builder as well as his search for lasting, true love. Along the way, Huxtable introduces readers to Wright's masterpieces: Taliesin, rebuilt after tragedy and murder; the Imperial Hotel, one of the few structures left standing after Japan's catastrophic 1923 earthquake; and tranquil Fallingwater, to which millions have traveled to experience its quiet grace. Through the journey, Huxtable takes us not only into the mind of the man who drew the blueprints, but also into the very heart of the medium, which he changed forever. A story of great triumph and heartbreak, "Frank Lloyd Wright" is, like Wright's own creations, an expertly wrought tribute to a man whose genius lives on in the very landscape of American architecture.

    Jewelry and valuables were left in plain sight, bodies were piled together, faces covered with cloth. Some of these cases, like the infamous Villasca, Iowa, murders, received national attention. But few people believed the crimes were related. And fewer still would realize that all of these families lived within walking distance to a train station.When celebrated baseball statistician and true crime expert Bill James first learned about these horrors, he began to investigate others that might fit the same pattern. Applying the same know-how he brings to his legendary baseball analysis, he empirically determined which crimes were committed by the same person. Then after sifting through thousands of local newspapers, court transcripts, and public records, he and his daughter Rachel made an astonishing discovery: they learned the true identity of this monstrous criminal. In turn, they uncovered one of the deadliest serial killers in America.Riveting and immersive, with writing as sharp as the cold side of an axe, The Man from the Train paints a vivid, psychologically perceptive portrait of America at the dawn of the twentieth century, when crime was regarded as a local problem, and opportunistic private detectives exploited a dysfunctional judicial system. James shows how these cultural factors enabled such an unspeakable series of crimes to occur, and his groundbreaking approach to true crime will convince skeptics, amaze aficionados, and change the way we view criminal history.

    For the next ten years, Hornby’s incandescently funny "Stuff I’ve Been Reading” chronicled a singular reading life — one that is measured not just in "books bought” and "books read,” as each column begins, but in the way our feelings toward Celine Dion say a lot about who we are, the way Body Shop Vanilla Shower Gel can add excitement to our days, and the way John Updike might ruin our sex lives. Hornby’s column is both an impeccable, wide-ranging reading list and an indispensable reminder of why we read.

    Sensing a break in the case that has paralyzed the city of Boston, the police track down a black man, Roy Smith, who cleaned the victim's house that day and left a receipt with his name on the kitchen counter. Smith is hastily convicted of the Belmont murder, but the terror of the Strangler continues.On the day of the murder, Albert DeSalvo—the man who would eventually confess in lurid detail to the Strangler's crimes—is also in Belmont, working as a carpenter at the Jungers' home. In this spare, powerful narrative, Sebastian Junger chronicles three lives that collide—and ultimately are destroyed—in the vortex of one of the first and most controversial serial murder cases in America.

    D. James, the undisputed queen of mystery, gives us an intriguing, inspiring and idiosyncratic look at the genre she has spent her life perfecting.   Examining mystery from top to bottom, beginning with such classics as Charles Dickens's Bleak House and Wilkie Collins's The Woman in White, and then looking at such contemporary masters as Colin Dexter and Henning Mankell, P. D. James goes right to the heart of the genre. Along the way she traces the lives and writing styles of Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, and many more. Here is P.D. James discussing detective fiction as social history, explaining its stylistic components, revealing her own writing process, and commenting on the recent resurgence of detective fiction in modern culture. It is a must have for the mystery connoisseur and casual fan alike.

    Forster's Aspects of the Novel is an innovative and effusive treatise on a literary form that, at the time of publication, had only recently begun to enjoy serious academic consideration. This Penguin Classics edition is edited with an introduction by Oliver Stallybrass, and features a new preface by Frank Kermode.First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster's analysis of this great literary form. Here he rejects the 'pseudoscholarship' of historical criticism - 'that great demon of chronology' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists such as Proust and James, Dickens and Thackeray, Eliot and Dostoyevsky - the features shared by their books and the ways in which they differ. Written in a wonderfully engaging and conversational manner, this penetrating work of criticism is full of Forster's habitual irreverence, wit and wisdom.In his new introduction, Frank Kermode discusses the ways in which Forster's perspective as a novelist inspired his lectures. This edition also includes the original introduction by Oliver Stallybrass, a chronology, further reading and appendices.E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971.If you enjoyed Aspects of the Novel, you might like Forster's A Room with a View, also available in Penguin Classics.

    To demonstrate his unshakable belief in the spirit world, the celebrated writer published, in 1922, The 'Coming of the Fairies'. It recounts the story of the photos, their supposed provenance, and the startling implications of their existence.One of the great hoaxes of all time, the Cottingley Fairy photographs are proof of mankind s willingness to believe. Conan Doyle s book, reprinted here with the original photographs, offers a unique insight into the mind of an intelligent, highly respected figure, who just happened to believe in fairies.

    But it turns out we have only scratched the surface. Scholar David Day has spent many years down the rabbit hole of this children's classic and has emerged with a revelatory new view of its contents. What we have here, he brilliantly and persuasively argues, is a complete classical education in coded form--Carroll's gift to his "wonder child" Alice Liddell.      In two continuous commentaries, woven around the complete text of the novel for ease of cross-reference on every page, David Day reveals the many layers of teaching, concealed by manipulation of language, that are carried so lightly in the beguiling form of a fairy tale. These layers relate directly to Carroll's interest in philosophy, history, mathematics, classics, poetry, spiritualism and even to his love of music--both sacred and profane. His novel is a memory palace, given to Alice as the great gift of an education. It was delivered in coded form because in that age, it was a gift no girl would be permitted to receive in any other way.     Day also shows how a large number of the characters in the book are based on real Victorians. Wonderland, he shows, is a veritable "Who's Who" of Oxford at the height of its power and influence in the Victorian Age.     There is so much to be found behind the imaginary characters and creatures that inhabit the pages of Alice's Adventures in Wonderland. David Day's warm, witty and brilliantly insightful guide--beautifully designed and stunningly illustrated throughout in full colour--will make you marvel at the book as never before.From the Hardcover edition.

    In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose materialist metaphysics he admired) were the prototype, the 19th century ur-form of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time--from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons--as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south--Moscow Paris, Berlin-Naples--and shows how such thinking in coordinates can explain his understanding of dialectics at a standstill. She argues for the continuing relevance of Benjamin's insights but then allows a set of afterimages to have the last word.