It is a lonely job, and a thankless one for the most part. Until something goes wrong. Until a ship is in distress. In the 23rd century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren't supposed to.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    - Patrick Ness

    Orwell’s dystopia has been stalled - so far. The world wears Lenses, computerized glass contacts manufactured by a corporation called Newsight. The technology is regulated by the Senate, so no one worries about breaches in privacy. A teenage boy named Vincent, however, feels quite differently. After his Senator father tells him that Newsight has been pushing for an appeal on the data regulations, Vincent begins to dig deeper. He learns that Newsight’s CEO claims to want to use the data in his fight against the Order, a terrorist organization whose attacks have recently been mounting in frequency, but the man’s true motives aren’t so clear - until Vincent meets a girl from school whose father is a Newsight developer. There is a trail of bread crumbs in the software’s code. Newsight has a closer relationship to the Order than anyone may have guessed, and the Lenses have been doing more than just running simulations. Caught in the middle of a world blinded by progress, Vincent finally discover the truth. But it might already be too late. “2084” casts a technocentric world into an Orwellian shadow. Told in close but unique parallel to “1984”, Vincent’s ever-quickening journey to the world’s new dystopia has left readers wanting more. Reviews “Honestly I didn't enjoy 1984 and don't usually like Sci-Fi/Post-Apocalyptic stories, so when my friends told me I had to check it out, I was more than hesitant. Surprisingly, after the first few pages, I couldn't put it down. It made my commute to/from work fly by. If 1984 had been this engaging, I would have paid more attention in high school. Perfect short read for book clubs on the go. One complaint: I WANT MORE.” “Engel is able to create vividly detailed environments without slowing the pace his story. Definitely a good quick read that makes me want to see more by him.”

    The only time teenage Wade Watts really feels alive is when he's jacked into the virtual utopia known as the OASIS. Wade's devoted his life to studying the puzzles hidden within this world's digital confines, puzzles that are based on their creator's obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them. But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to win—and confront the real world he's always been so desperate to escape.

    When Riley was born, her mother escaped the Breeders, the group of doctors using cruel experiments to bolster the dwindling human race. Her parents do everything possible to keep her from their clutches-- moving from one desolate farm after another to escape the Breeders' long reach. The Breeders control everything- the local war lords, the remaining factories, the fuel. They have unchecked power in this lawless society. And they're hunting Riley.When the local Sheriff abducts the adult members of her family and hands her mother over to the Breeders, Riley and her eight-year-old brother, Ethan, hiding in a shelter, are left to starve. Then Clay arrives, the handsome gunslinger who seems determined to help to make up for past sins. The problem is Clay thinks Riley is a bender-- a genderless mutation, neither male nor female. As Riley's affection for Clay grows she wonders can she trust Clay with her secret and risk her freedom?The three embark on a journey across the scarred remains of New Mexico-- escaping the Riders who use human sacrifice to appease their Good Mother, various men scrambling for luck, and a deranged lone survivor of a plague. When Riley is shot and forced into the Breeder's hospital, she learns the horrible fate of her mother—a fate she'll share unless she can find a way out.

    Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

    It was written in a hurry. It is riddled with inconsistencies. And it never quite arrives at whatever point it sought to make. But remember: The $25 you donated to charity in exchange for this steaming mess of prose will help our species shuffle along, and I hope you’ll feel warmed by your good deed as you read. Thank you for decreasing the overall worldwide level of suck, and as they say in my hometown: Don’t forget to be awesome.Best wishes!John Green* The book has been made available under creative commons license, so it can be acquired legally here: http://effyeahnerdfighters.com/post/2... :)

    Pulsing with romance and danger, Brooke will leave readers desperate for the conclusion to this epic and unforgettable saga.The only fight she can't win is the one for Perry's heart. Following the stunning climax in Through the Ever Night, the Tides have been forced to seek shelter from the Aether storms in a dismal, secluded cave. But Brooke's memories of the cave go back much further, to when she and Perry used to come here together. That was before Perry fell in love with Aria and before Vale's dealings with the Dwellers altered the course of the Tides forever.Now, with her sister back from a haunting year in captivity and Aria lying unconscious in the sick bay, Brooke struggles to put the pieces of her life back together. Without Perry, who is she? And what is her role in this frightening new world? As these questions swirl about her, an old threat to the Tides resurfaces, and Brooke is forced to put the lives of her people before her own. But in taking this step outside of herself, Brooke may finally discover what she truly wants.

    Neil Johns has just started his dream job as a code breaker in the NSA when his brother, Paul, a mycologist, goes missing on a trip to collect samples in the Amazon jungle. Paul returns with a gap in his memory and a fungal infection that almost kills him. But once he recuperates, he has enhanced communication, memory, and pattern recognition. Meanwhile, something is happening in South America; others, like Paul, have also fallen ill and recovered with abilities they didn't have before. But that's not the only pattern--the survivors, from entire remote Brazilian tribes to American tourists, all seem to be working toward a common, and deadly, goal. Neil soon uncovers a secret and unexplained alliance between governments that have traditionally been enemies. Meanwhile Paul becomes increasingly secretive and erratic. Paul sees the fungus as the next stage of human evolution, while Neil is convinced that it is driving its human hosts to destruction. Brother must oppose brother on an increasingly fraught international stage, with the stakes: the free will of every human on earth. Can humanity use this force for good, or are we becoming the pawns of an utterly alien intelligence?

    This thirteen-page scene reveals unknown facts and fascinating details about Four's character, his past, his own initiation, and his thoughts about new Dauntless initiate Tris Prior.

    Graham, the head of IT, has done many unsavory things in his life but everyone has a line they won't cross. He just found his. With only his best friend, Wallis and a dying electrician, Grace, to stand by him, he is left with one clear and final choice. Does he do what is right or what the rules say he should? It is a race against time for the trio against the impersonal might of Silo One. Their only choice? Going Dark.

    Dick. The result is brilliantly original fiction as profund as it is playful. Now in his new novel, David Mitchell explores with daring artistry fundamental questions of reality and identity.Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . .Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.

    It didn't give you the date and it didn't give you specifics. It just spat out a sliver of paper upon which were printed, in careful block letters, the words DROWNED or CANCER or OLD AGE or CHOKED ON A HANDFUL OF POPCORN. It let people know how they were going to die." Machine of Death tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out. Featuring stories by: * Randall Munroe* Ben "Yahtzee" Croshaw* Tom Francis* Camille Alexa* Erin McKean* James L. Sutter* Douglas J. Lane* and many others.Featuring illustrations by: * Kate Beaton* Kazu Kibuishi* Aaron Diaz* Jeffrey Brown* Scott C.* Roger Langridge* Karl Kerschl* Cameron Stewart* and many others

    It’s a perfect day. Nobody remembers how the Causality War started. Really, there’s no-one to remember, and nothing for them to remember if there were; that’s sort of the point. We were time warriors, and we broke time. I was the one who ended it. Ended the fighting, tidied up the damage as much as I could. Then I came here, to the end of it all, and gave myself a mission: to never let it happen again.