Everything seems to be looking good for the couple. They’re happily in love and expecting the new addition to their family. But trouble is never too far behind. After two death attempts on her life, Angel finally get the moment she’s been waiting for as she comes face to face with Lexi. After months of searching for Martell and Mook, Parker finally have them both where he wants them. Will it all come to an end like he hopes or will they slip through his fingers once again? Missy has shown that she’ll do just about anything so that Angel can get the happily ever after that she so desperately wants. Even if that means stupidly putting herself in danger or even getting herself killed just to make it happen. Chris feelings for Missy causes his carefree nature to crumble as he is force to come face to face with a past that he kept buried away for ten years. Will Chris be able to open up to Missy and let her see the real Christian or will the fear of history repeating itself keep him running away.

    Recommended for all collections." - Choice

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    Luft.

    But hidden there is a secret no one wants to confront, and when they stumble upon it the friends set off an unstoppable chain of events. A supernatural thriller of suburban teenagers fleeing a mysterious plague.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    

    

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    Decades later, in What the Constitution Means to Me, she traces the effect that the Constitution has had on four generations of women in her family, deftly examining how the United States' founding principles are inextricably linked with our personal lives.